Listen: We can agree that drawings are cool, right? I mean, they're great. We talk about them pretty much all the time here at ComicsAlliance. But the thing is, drawings have their limitations, and one of the key limitations is that they are not gigantic pieces of actual metal that look like killer robots with buzzsaws. It's just a flaw of the medium.
Fortunately for us, Aurelian George has created pieces of art that are that exact thing! That's not all, either -- in addition to crafting awesome arcade sticks, George has created metal sculptures inspired by Portal, Pac-Man, and Wolverine. Check out a few below!
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week, we finally tackle one of the cornerstones of the X-Men as we continue with the Dark Phoenix Saga!
The very idea of All-New Marvel NOW! is to try something new with the company’s legion of characters, and I can imagine that Wolverine presented one of the biggest challenges. People like Wolverine a lot, so putting him in an altogether different situation than readers are used to seeing, or somehow altering the DNA of the character, is risky. There’s a reason DC basically left Batman untouched in the transition to The New 52, after all.
To its credit, the first issue of the new Wolverine series by writer Paul Cornell, penciler Ryan Stegman, inker Mark Morales and colorist David Curiel, takes both of those huge risks. They take Wolverine out of readers’ comfort zone. Unfortunately, it doesn’t really work.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week: We head back to the Savage Land, and no, I'm not any happier about it than you are.
Q: What's your take on Wolverine and his many girl sidekicks? Do you think it's important for their stories, and who's best? -- @manuel_mc89
A: I think it's been well-established over my time here at ComicsAlliance that I have a whole lot of affection for the X-Men, and Wolverine in particular. I love that guy, mostly because it was basically unavoidable that I would end up becoming a fan of a dude who could punch you with knives and rode around on motorcycles and didn't play by the rules, man. I mean, I was ten years old in 1992. That I didn't also enter my teenage years as a huge fan of Cable and Shatterstar (his sword has two blades!) is basically miraculous.
Point being, Wolverine's great, and on the list of things he does that I'm always eager to see, mentoring younger characters is right up there with stabbing hundreds of ninjas. And folks, I like Wolverine stabbing ninjas a lot.
The news that Paul Rudd will play Hank Pym in the 2015 Ant-Man movie is the latest piece of inspired casting from Marvel Studios. Rudd will bring charm, humor and an appealing eye-twinkle to what may prove to be Marvel's most comedic movie under writer Joe Cornish and writer-director Edgar Wright.
Marvel characters have found tremendous success on the big screen, both in Marvel's own "in-house" movies such as the Avengers line and in those produced by other studios, such as the Wolverine/X-Men films. Bringing an established character to the screen is an unusual challenge because readers have a strong idea of what they want to see, and actors want to bring something new to the role. ComicsAlliance offers its view on the performers who pulled this off best.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week: Season 3 kicks off with "Out of the Past, Part One!"
In continuing the publisher's recent trend of restarting titles at #1 for its All-New Marvel NOW initiative, last week Marvel revealed plans for Wolverine #1. Beginning in February, the new Wolverine series will continue to feature writer Paul Cornell, but now he'll be collaborating with new series artistRyan Stegman.
Perhaps best known for his recent work on Superior Spider-Man, launching that title with Dan Slott, Stegman will come on board as the regular Wolverine artist following the conclusion of "Killable," the series' current major storyline. Stegman brings a style that stands in contrast to the work Alan Davis and Mark Farmer are currently producing on the title, but his grittier, thicker line work also seems well-suited for the title.
ComicsAlliance spoke to Stegman about the challenge of drawing one of Marvel's most popular characters, working with Cornell, designing a new supporting cast, and the Wolverine artists that inspire him.
If you've been following ComicsAlliance for the last few months, you'll know that we are somewhat fascinated by the '90s X-Men cartoon. It was an important moment for Marvel, as the show introduced many kids to both the X-Men and the Marvel universe. In the process the show helped create a new generation of fans, including Saturday Night Live star Taran Killam. On hand at New York Comic Con to promote The Illegitimates, the comic he created with writer Marc Andreyko, Killam made a guest appearance at the Marvel booth, where he recreated the pilot episode of the show while playing every character. His Gambit is appropriately creepy, his Cyclops is appropriately dickish, and his Jubilee recreates the weirdest rhetorical question we have ever heard anyone ask. It's pretty great.
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