Q: What's your take on Wolverine and his many girl sidekicks? Do you think it's important for their stories, and who's best? -- @manuel_mc89
A: I think it's been well-established over my time here at ComicsAlliance that I have a whole lot of affection for the X-Men, and Wolverine in particular. I love that guy, mostly because it was basically unavoidable that I would end up becoming a fan of a dude who could punch you with knives and rode around on motorcycles and didn't play by the rules, man. I mean, I was ten years old in 1992. That I didn't also enter my teenage years as a huge fan of Cable and Shatterstar (his sword has two blades!) is basically miraculous.
Point being, Wolverine's great, and on the list of things he does that I'm always eager to see, mentoring younger characters is right up there with stabbing hundreds of ninjas. And folks, I like Wolverine stabbing ninjas a lot.
The news that Paul Rudd will play Hank Pym in the 2015 Ant-Man movie is the latest piece of inspired casting from Marvel Studios. Rudd will bring charm, humor and an appealing eye-twinkle to what may prove to be Marvel's most comedic movie under writer Joe Cornish and writer-director Edgar Wright.
Marvel characters have found tremendous success on the big screen, both in Marvel's own "in-house" movies such as the Avengers line and in those produced by other studios, such as the Wolverine/X-Men films. Bringing an established character to the screen is an unusual challenge because readers have a strong idea of what they want to see, and actors want to bring something new to the role. ComicsAlliance offers its view on the performers who pulled this off best.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week: Season 3 kicks off with "Out of the Past, Part One!"
In continuing the publisher's recent trend of restarting titles at #1 for its All-New Marvel NOW initiative, last week Marvel revealed plans for Wolverine #1. Beginning in February, the new Wolverine series will continue to feature writer Paul Cornell, but now he'll be collaborating with new series artistRyan Stegman.
Perhaps best known for his recent work on Superior Spider-Man, launching that title with Dan Slott, Stegman will come on board as the regular Wolverine artist following the conclusion of "Killable," the series' current major storyline. Stegman brings a style that stands in contrast to the work Alan Davis and Mark Farmer are currently producing on the title, but his grittier, thicker line work also seems well-suited for the title.
ComicsAlliance spoke to Stegman about the challenge of drawing one of Marvel's most popular characters, working with Cornell, designing a new supporting cast, and the Wolverine artists that inspire him.
If you've been following ComicsAlliance for the last few months, you'll know that we are somewhat fascinated by the '90s X-Men cartoon. It was an important moment for Marvel, as the show introduced many kids to both the X-Men and the Marvel universe. In the process the show helped create a new generation of fans, including Saturday Night Live star Taran Killam. On hand at New York Comic Con to promote The Illegitimates, the comic he created with writer Marc Andreyko, Killam made a guest appearance at the Marvel booth, where he recreated the pilot episode of the show while playing every character. His Gambit is appropriately creepy, his Cyclops is appropriately dickish, and his Jubilee recreates the weirdest rhetorical question we have ever heard anyone ask. It's pretty great.
Earlier this year, Marvel announced it was dusting off its Marvel Knights imprint -- which had been dormant since 2010 -- with three new comics under its banner. The initial launch of Marvel Knights was unquestionably one of the most significant moments in the publisher's recent history. The imprint's focus on creator driven stories, largely unencumbered by continuity, saw both critical and commercial success, and its effects are still felt today throughout the industry. You could argue that titles like Hawkeye -- which features a "B List" character operating in stories largely unaffected by the rest of the Marvel Universe -- are direct descendants of the initial Marvel Knights launch, which featured Kevin Smith and Joe Quesada's Daredevil and Garth Ennis and Steve Dillon's Punisher, among others.
Now comes this next wave of Marvel Knights titles, with three miniseries helmed by writers more known for their creator owned work. Each title has an interesting creative team, but the one that stood out most to me is Brahm Revel and Cris Peter on Marvel Knight's X-Men.
October is finally upon is, and here at ComicsAlliance, and one of the best parts of the month is gearing up for Halloween with costumes! It’s the one time of year when even people like me who could never cut it in our Best Cosplay Ever feature can drop by the local department store and walk out with the ability to dress up as our favorite characters.
But is that really a good thing? I have my doubts, which is why I’m spending every day taking on the store-bought costumes inspired by our favorite things. Today, things get even creepier with the “Second Skin” costumes.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week: "Repo Man," in which Wolverine gets into a tussle with a dude who is definitely his ex-boyfriend.
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