An artist who played an integral role in the superhero renaissance of the late '50s and early '60s, and whose line lent a smooth and elegant air to every character he touched, Murphy Anderson is one of the true living legends of the comic book business. This week sees the artist's 88th birthday.
Anderson began his career in comics in the mid 1940s, and worked on titles for a number of different publishers over the next decade, including Timely/Atlas, Ziff Davis, Pines, and the company that would prove to be his primary home for the next four decades – National/DC Comics. In the 1950s, DC increased his assignments and he became a fixture of the company's sci-fi and superhero titles, pencilling a number of different features and providing inks for many of the early Silver Age's most enduring and influential stories, working over artists such as Gil Kane, Carmine Infantino, and Mike Sekowsky.
As a fan, I have a pretty complicated relationship with Paul Dini. On the one hand, he's one of the creators of what might be my single favorite thing in the entire world, Batman: The Animated Series, and he's written comics that I genuinely love. That run on Detective Comics, where the Riddler was a Private Eye, where he introduced new characters like the Carpenter? That thing's great. But at the same time, he wrote that story where Hush literally steals Catwoman's heart and holds it for ransom while keeping her alive with a giant heart machine that he built in his garage. I mean, I love "Harley's Holiday" more than most members of my own family, but I also paid good money for Madame Mirage and I'm never getting that back, you know? It's a complicated relationship.
As a result, I approached Black Canary and Zatanna: Bloodspell, the new graphic novel he wrote with artwork by the always amazing Joe Quinones, with a certain amount of trepidation, because I wasn't really sure what I was going to get out of it.
Turns out, this much anticipated book might not be perfect, but it's definitely the kind of Paul Dini story I like and the kind I want to see more of.
Promised for years but continually delayed, Black Canary/Zatanna will finally become a reality when it goes on sale in May of next year. Written by Paul Dini and drawn by Joe Quinones, the original graphic novel finds the fan-favorite DC Comics heroines in their more traditional looks and teaming up to bring down a new threat who puts both of their fantastic abilities to the test.
Everyone's favorite backwards-talking superheroine magician is coming to kick some butt in Injustice: Gods Among Us, Warner Bros. Interactive Entertainment has confirmed. She'll be available August 13 for 400 MS points on Xbox Live and $4.99 on the PlayStation Network. While her stage magician attire varies, Zatanna's Injustice outfit seems pretty in line with her classic look rather than her gem'ed-out superhero outfit or her New 52 duds, although that could change depending on if different character skins become available down the road.
Zatanna is getting a promotion. Last night on Twitter, Justice League writer Geoff Johns revealed that the DCU's foremost magician will be joining its flagship team, starting with July's Justice League #22. The issue will also feature the debut of a new look for Zatanna, which takes inspiration
As hopeful as Justice League fans are about the possibility of DC Comics' flagship heroes teaming up in a proper feature film come 2015, it seems those currently enjoying the magical and mystical corner of DC's New 52 in titles like Swamp Thing and Justice League Dark have just as much to be excited about in the not-too-distant future. Following some early rumo
Hollywood has never had a first come, first serve policy for which comics heroes get their own feature films, but the oldest of old-school heroes may finally get his turn on the silver screen: According to The Hollywood Reporter's Heat Vision blog, Warner Bros. has picked up the rights to make
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