It was just the other day that I was writing about how I never really understood why comics were always crossing over with the Predator, but today, I have officially been convinced that it's all worth it. Archie Comics and Dark Horse have announced Archie Meets Predator, coming next spring from writer Alex De Campi and artist Fernando Ruiz.
The Predator, an alien from space who comes to Earth in order to hunt the deadliest and most skilled humans alive, will join The Punisher, KISS and the cast of Glee in the illustrious and growing roster of unlikely Archie crossovers, and while Frank Castle took a few shots at our redheaded hero, it seems like the Predator is the one most bent on doing violence to our Riverdale pals.
I'm not saying that it's easy to succeed with an oddball idea in the world of comics, but I have to imagine that it's a heck of a lot harder to do it twice in a row with very similar ideas -- which is exactly what Archie Comcis and writer Roberto Aguirre-Sacasa are trying to do in the pages of this week's Chilling Adventures Of Sabrina #1. A year after Aguirre-Sacasa teamed up with artist Francesco Francavilla and found critical and commercial success with Afterlife With Archie, where the familiar teenagers of Riverdale found themselves contending with the zombie apocalypse, he's joining artist Robert Hack to try to strike gold a second time -- not with a spinoff of Afterlife, but by expanding the horror line with an entirely new title, taking the same characters and twisting them around again.
The result is a comic that dives headling into a world of horror, witchcraft and high school drama, and while it might not have the immediate eyebrow-raising hook of seeing Archie beat his zombified father to death with a baseball bat, it's definitely a pretty amazing comic that's hitting at exactly the right time.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate observes the critical and commercial success of Archie Comics' work in the horror genre -- specifically Afterlife With Archie and the much anticipated Chilling Adventures of Sabrina -- and decides to jump on the bandwagon and offer some compelling additions to the line.
Few publishers have been willing to take risks and expand their slate like Archie Comics has over the last several years. Once famous for old fashioned Americana, Archie has increased the diversity of its character roster, launched a number of well-received cross-promotions like its series with the band Kiss, welcomed real-world guest stars like Sarah Palin and Barack Obama to Riverdale, revived its line of superhero titles, and most surprisingly (and successfully), branched out into no-holds-barred horror with the smash hit mature-readers zombie title, Afterlife With Archie.
This October, Archie's banking on lightning striking twice when it debuts The Chilling Adventures Of Sabrina, a series that places the company's famous "teenage witch" in a world of deep psychological occult horror.
We sat down with the series' creative team of writer Roberto Aguirre-Sacasa and artist Robert Hack to ask some questions about their goals for Sabrina and to talk about how one undertakes such a radical re-envisioning of an established character.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate explains why the film adaptation of Archie Comics' Josie And The Pussycats is the best movie ever.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
July's comic book covers bring some gorgeous high contrast images and striking character portraits. There's a moment of grief; a moment of action; a moment of reflection; and a moment of revelation. Check out amazing work from Christian Ward, Eleanor Davis, Tommy Lee Edwards, and Lucy Knisley.
Roberto Aguirre-Sacasa is the chief creative officer of Archie Comics and the writer on both the critically acclaimed oddball horror comic Afterlife With Archie and the forthcoming Sabrina the Teenage Witch series -- and he's helping oversee a huge creative renaissance at Archie.
Chris Sims caught up with Aguirre-Sacasa at San Diego Comic-Con to talk about the Dark Circle relaunch and the Shield redesign, the 1960s setting of his Sabrina horror comic, the chances of a Josie and the Pussycats appearance in Afterlife With Archie, and whether there's such a thing as "too far" in an Archie zombie horror comic! Plus... any chance of an appearance by Jingles the Christmas Elf in the forthcoming Afterlife With Archie Christmas Special? (Yes, that's a real thing.)
This week, Chris and Matt talk about how Robin Rises Omega #1 by Peter Tomasi and Andy Kubert should be great, but falls short, possibly because it's a victim of its own marketing. Then, we talk about how Life With Archie #36 by Paul Kupperberg and Pat & Tim Kennedy is really enjoyable despite some weird tics. Then, we discuss the cool new sci-fi anthology, 2299, edited by Dylan Todd.
If you've been reading ComicsAlliance for any length of time at all, you've probably already twigged to the fact that I tend to like really weird comics. Whether it's obscure Golden Age oddities, the Ninja training manuals that were sent to comic book stores in the '80s, or the pouch-filled excesses of the '90s, that's what I love to read. And in three solid decades of reading comic books, I've rarely seen one as weird as The Fox.
Even though it had some of the biggest names in comics involved -- drawn and plotted by Dean Haspiel with scripts by Mark Waid and J.M. DeMatteis -- the miniseries seemed to slip under the radar for a lot of people, and to be honest, I can see why. It's a strange story about a strange character that most people aren't too familiar with. Now that it's out in paperback, though, it's easy to pick up and read -- and you should, if only because it's even stranger when you read it all together.
It's been very interesting to watch Archie Comics transform from a company built on eternally unchanging teenage shenanigans in a peaceful, small town to the culturally progressive company that grabs headlines at every turn with how it's rebuilding Riverdale for the modern comics reader. But besides the stories that strike chords within contemporary political conversations, it's been fun seeing just how Archie tackles these "Big Event" elements that we've seen in other American comics. I mean, in the world of superheroes, a character's death (or "death") has been a rite of passage since the '70s, but for Archie, it's entirely new territory. In waiting so long to use these elements, the events not only feel fresh, they're also built in a much more interesting way than their cape-and-tights counterparts.
Or at least, that's the case with Archie's death at the hands of a gunman in the pages of this week's Life With Archie #36, which isn't just an evocative and moving story, it's also one of the most fascinatingly structured comics I've ever read.
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