If you missed it, the day of the Dark Knight was July 26, and libraries all over the country commemorated the occasions with some creative, literacy-encouraging activities for kids -- and apparently at one, a bear. Random House's library marketing wing partnered with DC Comics to send event kits to libraries, and also set up a Pinterest board for photos of libraries' various celebrations. Check out some of our favorite photos.
Constantine is not modelled on the disappointing 2005 Keanu Reeves movie, also called Constantine. Nor is it an adaptation of DC Comics' current superhero comic book, Constantine, set in the rebooted New 52 DC Universe. The TV show very clearly goes back to the source material, the 1980s DC/later-Vertigo comic series Hellblazer, written initially by Jamie Delano and based on the character John Constantine created by Alan Moore, Steve Bissette, and John Ridgway in the pages of Swamp Thing. The leading man looks just as he does in the comics, with his familiar trenchoat and tie, and he acts broadly the same way too. Just as crucially, his backstory draws heavily from Delano's Hellblazer run. This Constantine is riddled with guilt and fearful for his soul because he failed to save a girl named Astra in Newcastle from the demon Nergal.
This means that the the TV adaptation of the comic is actually more faithful to the source material than the current version of the comic -- but only in broad strokes. In actual execution, this TV show is not the mature affair that the Vertigo comic offered. This is not a cable television supernatural show. This is more like... a Supernatural show.
If you've been paying attention to our deep and abiding love for both the concept of superhero selfies and the new Batgirl costume from the upcoming team of Cameron Stewart, Brenden Fletcher and Babs Tarr, then you may have already seen our fully official pitch stupid tweet about Batgirl and Robin engaging in an Interdimensional Selfie War. Inspired by Joe Quinones's amazing cover for an upcoming issue of Batman '66, our own editor Andy Khouri suggested that this could be the start of the 1966 version of Dick Grayson sending pix to 2014's Batgirl, with each trying to one-up the other.
Now, it is happening -- at least in the world of fan art. Today, Quinones posted another great piece, this time of the Batgirl of Burnside receiving the picture from Robin -- which, in case you forgot, he actually took with A ROTARY TELEPHONE -- kicking off the Crisis On Infinite Selfies for real. And not only that, but it seems like the Joker from Batman '89 -- or at least his satin-jacketed henchmen -- are getting involved too.
Officially, Batman: Assault on Arkham is an animated sequel to the video game Batman: Arkham Origins, building directly on the events of the game's ending, in which Amanda Waller starts up an Arkham universe version of the Suicide Squad.
Unofficially, it's a Batman: The Animated Series/Justice League reunion between voice director Andrea Romano and actor Kevin Conroy, who has been playing Batman off and on since 1992. The last time they worked together on a Batman project was 2009's Superman/Batman: Public Enemies. The movie also brings back CCH Pounder, who has been playing Amanda Waller since Justice League.
Like virtually everyone else on the Internet, I enjoy a good chart breaking down my favorite pieces of pop culture into their components, cataloguing and organizing them for easy -- or at least well-designed -- reference. As a result, I tend to be a pretty big fan of the folks over at Pop Chart Lab, who have devoted their considerable graphic skills to doing exactly that. The only problem I've had with them is that their first attempt at organizing the names of Gotham City's population of villains and assorted weirdos had some glaring omissions.
Fortunately for me and that blank spot on my wall, they've corrected that in a second version, and it is amazing. Check it out to see where the names of Arkham and Blackgate's maladjusted miscreants fall, from the Joker (categorized under "Inanimate Objects" and specifically under "Playing cards") to the extremely obscure Gloves (under "Gloves").
Despite all the big publishing news to come out around or during last month's San Diego Comic-Con, the new comic book that remains most anticipated by many superhero fans -- and by others who don't yet know they're waiting for it -- is Batgirl. Perhaps the one DC or Marvel comic that really does deserve a new #1 issue, Batgirl's youthful and stylish revamp at the hands of Cameron Stewart, Babs Tarr and Brenden Fletcher was met with massive electronic response when it was announced just ahead of the San Diego show, generating all but countless pieces of fan-art as well as some criticism from current readers for seemingly abandoning the darker aesthetic values of the three-year-old New 52 title.
There's a lot to unpack about the new Batgirl and we only had a few minutes with her new creative team in which to do it at SDCC. Read on for remarks by series co-writer and layout artist Cameron Stewart, co-writer Brenden Fletcher, and finishing artist (and, perhaps, spiritual guide) Babs Tarr.
While at Comic Con, Grant Morrison dropped several enigmatic hints and subliminal messages to ComicsAlliance about his next mega-event, Multiversity, broke down the divisions between fictional universes, and even proclaimed that he thinks that he's made the world's first real superhero. He says things like that. Some people like him, many love him, and some people straight up hate him. With Multiversity starting up in August, you can be sure that there will soon be legions of detractors proclaiming that Morrison is the most overrated writer in comics, and nothing he's ever done has ever made any sense.
The release of DC's Doom Patrol Omnibus finally equips us to give these people the bludgeoning they deserve. (Metaphorical bludgeoning. ComicsAlliance does not condone actual bludgeoning.)
If you're the kind of person who looks at Batman's origin and thinks, "Hey, I wish this was more convoluted and made even less sense than it already does," then I have some good news for you. Gotham, the upcoming DC Entertainment television show on Fox that focuses on Jim Gordon as a young detective with the GCPD and definitely isn't a Batman show despite having Bruce Wayne, Catwoman, the Penguin and the Riddler in the first episode, made its debut last weekend at Comic-Con International when the pilot was screened for an audience of fans.
The short version is that it's not very good. The longer version is that while it tries to do a lot of interesting and engaging things with its roster of characters, the end result is a show that's not really sure whether it wants to be a stylish, gimmicky procedural about quirky characters in a city of comic book villainy, or a by-the-numbers TV cop drama. The end result is -- barring major improvements -- a project that doesn't do enough with either to be worth watching.
One of the most discussed news items from last month's Comic-Con International was the first look at Wonder Woman as she will appear in Batman V. Superman: Dawn of Justice, the new DC Entertainment film by Zack Snyder. Played by Gal Gadot, this will be the first cinematic appearance of William Moulton Marston's Amazonian princess and feminist icon in her nearly 75-year history, and naturally fans have had a lot to say about the portrait debuted in San Diego. In reaction to the image, members of the ComicsAlliance staff assembled to discuss and critique Gadot's costume, depictions of super-women on film, and the current state of superheroine fashion in general.
Today's participants include CA's superheroic sartorialist Betty Felon; clinical psychologist and Arkham Sessions co-host Dr. Andrea Letamendi; comic book editor Janelle Asselin; journalist Juliet Kahn; comics writer/artist Kate Leth; and blogger/vlogger Angelina L.B. aka ALB, who makes her CA debut in this in-depth analysis. Join us for our roundtable discussion on Wonder Woman's newest live-action steez, high heels, and the balance between practicality/realism and style in superheroine costume design.
If you've read my recaps of The CW's Arrow, then you likely know I've been pretty hard on it. Yet I ultimately think the show accomplishes what it has brazenly set out to do since it started: be a television version of the Christopher Nolan Batman films.
The CW's new series The Flash, which spun off from Arrow and even features a guest appearance from Arrow star Stephen Amell in its pilot episode, takes much the same approach, but the movies it attempts to emulate aren't the dark, brooding Batman films. It's chasing after the Spider-Man franchise. And for both better and worse, it nails it.
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