ComicsAlliance concludes its celebration of the 25th anniversary of Tim Burton's Batman with a presentation of the 1989 Warner Bros. press release announcing Prince's involvement with the film, discovered after an exhaustive search of vintage movie memorabilia.
DC Comics announced Thursday that Green Arrow will have a new creative team starting with October's issue #35, and TV fans who like to scroll through the credits might recognize the writers' names. Andrew Kreisberg and Ben Sokolowski, producers on The CW's hit series Arrow, will take over writing duties while Daniel Sampere (Batgirl) will handle art.
The current Green Arrow team of Jeff Lemire and Andrea Sorrentino will finish up their run in September's Green Arrow: Futures End #1, according to the DC Comics blog.
There had certainly been plenty of heavily-merchandised blockbusters before, but the Batman '89 phenomenon affected pop culture in so many ways and crept into every dimension of commercial entertainment. Twenty-five years ago, it was just always there; part of the atmosphere of the era, reflected wherever you turned. From candy-filled Keaton heads in supermarket checkout aisles, to endless souvenir magazines on newsstands, to articles in newspapers and magazines, to the packs of trading cards and stickers on countertops, to Batmobile toys in Happy Meals, the entire world had gone Batty.
Twenty-five years later, we've reached out to some of our favorite creators and entertainers to look back on the summer of Batman.
Though it might seem a bit strange from today's perspective, tie-in novels used to be a huge part of genre movie merchandising – they gave fans a way to take home the experience of their favorite films in the days before the home video explosion, and provided studios with an additional method of promoting their projects in bookstores, department stores, and on newsstands.
And like everything associated with Tim Burton's Batman film, Craig Shaw Gardner's novelization was a sales phenomenon, spending much of 1989 near the top of the New York Times bestseller list. Gardner's book expanded on many of the film's plot lines and character arcs, and gave readers some insight into earlier drafts of the film's screenplay with a number of passages based on sequences that had been reworked or cut entirely from the final movie (in fact, it made substantially more sense than the finished film, as Gardner was able to craft his story without being bound by a strict two hours of screen time.)
As part of our 25th anniversary coverage of Batman '89, ComicsAlliance spoke to Gardner about the challenges he faced and the fond memories he has of adapting Tim Burton's blockbuster for prose.
For a certain generation of TV viewers, Bob Hastings will always be Lt. Elroy Carpenter from McHale's Navy. For another generation, he'll forever be the voice of Police Commissioner Gordon. We may not have known his name or even thought about who was providing Gordon's voice on Batman: The Animated Series, but for our entire lives, his voice will be the voice we hear in our heads when we read a comic with Gordon in it.
Hastings died Monday after a long battle with prostate cancer, according to the Burbank Leader. He was 89.
Superman has arrived in Gotham City -- that, or he's surveying the apocalyptic wasteland that is Metropolis in the wake of his terrible wrath in Man of Steel. Either of those scenarios may be reflected in a new promotional image released in support of Batman V Superman: Dawn of Justice, the new Zack Snyder film based on the DC Comics superheroes created by Bill Finger & Bob Kane and Jerry Siegel & Joe Shuster.
Warner Bros. Animation's DC Nation shorts produced some pretty fantastic material and shined a mass media spotlight on a lot of obscure DC Comics characters. But my favorite, hands down -- and that of many viewers -- was the animated reimagining of Dan Mishkin, Gary Cohn and Ernie Colon's Amethyst, Princess of Gemworld. Over the course of seven 75-second shorts produced, directed and designed by artist and animator Brianne Drouhard, Amy Winston was upgraded from an '80s straight-faced sword-and-sworcery concept to a a synthesis of gamer culture and magical girl anime, starring a contemporary young woman pulled into a funny and dangerous video game world where she's a princess of destiny set on a quest to battle skeletons, slay dragons and save the world.
With the series of shorts concluded and available to watch online, we spoke to Drouhard about how she pitched the fan-favorite story, the trials of adapting her illustrating style for animation, and why it was important for Amethyst to have video games in her life. We also got plenty of gorgeous Amethyst art from Drouhard in the process.
As part of the marketing blitz for the movie, the comic version of Batman naturally sold batloads [Editor's note: we apologize for nothing] and is a fixture of many a 30-something's comics collection. In an effort to extort as much as they could from the fanbase, DC Comics made the book available in two formats: a newsstand-friendly comic that set readers back a mere $2.50 and a prestige format version) with a painted cover and spine) that retailed for $4.95. Personally, the cheaper version’s cover has always appealed to me more, but I’ll admit that Batman kicking a clown has a visceral appeal to me than Batman standing on a gargoyle, even if it's nicely rendered. No matter what version you bought though, the interiors were the same, and they were among the best drawings of Jerry Ordway's already distinguished career.
Unfortunately, even with scripter Denny O'Neil's bonafides as one of the people behind the 1980s version of the caped crusader that inspired the film and Ordway's extraordinary ability to render likenesses, the comic is inert and suffers from a complete inability to be compelling on its own. That's something that can't be said about Burton's movie, as scattershot and disorderly as the final product is. Even if you're not a fan of the movie (and I'm not), if it's on a screen, you're going to watch its weirdness unfold — you can't say that about the comic version, no matter how pretty it is.
Actress Devon Aoki already has experience playing a sword-wielding martial arts expert from comics with her role as Miho in Sin City, so her newest role, as DC Comics character Katana on The CW's Arrow, shouldn't be too difficult of a challenge. Deadline reports that Aoki will have a recurring role in the series' third season, which will, if the second season finale is any indication, partially take place in Hong Kong.
DC has a Wonder Woman problem. Or perhaps more accurately, Wonder Woman has a DC problem. The idea of Wonder Woman as a feminist icon is so imprinted in her history, and in analysis of the character, that separating her from feminism should be near impossible. But that hasn’t stopped people trying.
Much has been written over the years about the ebb and flow of feminism in the Wonder Woman comics, the relative feminism of her appearances on the small screen, and her role as an icon for the movement. A recent interview with the new Wonder Woman creative team of Meredith Finch and David Finch has brought the topic back into focus.