Earlier this week Bleeding Cool reported that Rat Queens artist John Upchurch, who draws under the pen name Roc Upchurch, was arrested in Georgia last month on charges of "Battery - Family Violence." The report sourced a blog post by Upchurch's wife describing the events, one which she later deleted but that is still available in the form of Web cache. Roc Upchurch confirmed the arrest in a statement to Bleeding Cool.
Following questions of what would become of the series, Rat Queens writer and co-creator Kurtis Wiebe announced on his website that in light of the nature of the charges, Upchurch will no longer be drawing the comic, and that Rat Queens will continue with a new artist.
I'm going to go ahead and assume that you've all been reading The Wicked + The Divine, because it is amazing and since you're currently reading ComicsAlliance, I already know that you're a person with taste. With that being the case, you may have noticed that one of the most distinct parts of the book has been the covers, where artist Jamie McKelvie and colorist Matt Wilson (not to be confused with our own prodigious Arrow recapper) have been doing striking portraits of the cast's faces.
It's a pretty great look, and next month, they'll be expanding that style to the rest of Image's lineup, providing WicDiv-style variant covers for six of Image's titles, marking new series and new story arcs.
Kelly Sue DeConnick and Valentine De Landro's Bitch Planet has the single best comic book title of the year. It's the kind of title where I stopped in my tracks when the book was announced months ago, and just from hearing those two words, thought "that's perfect" -- and that's before I heard that the premise backing it up was a modern feminist sci-fi take on women-in-prison flicks. From the moment I heard about it, I knew this comic was going to be amazing. Until I actually sat down and read it, though, I had no idea just how amazing it was going to be.
That's the thing about the first issue of Bitch Planet. It doesn't hit the ground running; it kicks off by blasting you into space and setting up a story of a world where the penalty for not knowing your place is a life sentence in a violent, neon-pink hell, juggling multiple points of view for a story of just how cruel that world can be. It's thrilling, it's violent, and it's one of the best first issues of the year.
‘The Walking Dead’ season 5 shambled out its 5th entry with Sunday’s latest "Self Help” but how did it hold up to the comic book continuity? Abraham's past is revealed as Eugene lets slip a shocking secret about their mission to D.C., so what’s next for ‘The Walking Dead’ as the fifth season kicks into gear?
Since the first issue hit stands earlier this year, Joe Keatinge and Leila del Duca's Shutter has established itself as one of Image's most popular new titles. The tale of Kate Kristopher, a world-famous ex-explorer who gets embroiled in all manner of mystery and adventure, it's been winning over readers with its idiosyncratic blend of science fiction, urban fantasy, and good old-fashioned derring do.
With the first paperback collection released this week, ComicsAlliance sat down with the series' creators to talk about developing the world's characters, the story so far, and pushing the limits of their self-created reality.
Having been one of the creators who saved superhero comics in the 1990s, it can be difficult to think of Kurt Busiek as anything other than a superhero comic writer. But between all of his high-profile runs on big Marvel and DC books and undisputed classics Marvels and Astro City, Busiek has frequently played in the fantasy genre with great results. If you've never read The Wizard's Tale, Arrowsmith, or his run on Conan, you've been missing out on an aspect of Busiek's all-world talent that shouldn't be overlooked, and it's time to getcha life right.
Created by Busiek and Benjamin Dewey (I Was The Cat), Tooth & Claw is a fantasy about the end of magic, a mythical hero, and a dog-boy named Dunstan. And somehow, given all those words I just typed, it's also a dark Mature Readers comic about the suddenness and finality of death.
Cosplay always goes mainstream at Halloween, with the witch and ghost and vampire costumes of yesteryear making way on the streets, and at parties and bars, for the sort of pop culture costumes we're more used to seeing at conventions. These days, everyone wants to be Iron Man. But a lot of comic fans take pride in going the extra mile at Halloween, and nowhere is that more true than at Toronto's annual Snailoween Party, organized by local retailer Silver Snail Comics. Cosplay photographer Paul Hillier was on the scene to capture some of the finest outfits of the night, and he's agreed to let us share them here at ComicsAlliance.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
Fear, passion, beauty, love, and monsters. There's a feast of wonders in the best of October's comic book covers, with exceptional work from Becky Cloonan, Jorge Molina, Megan Hutchison, Kyla Vanderklugt and more -- taking us to some extraordinary places, and showing us some incredible sights.
Writer Joshua Hale Fialkov has been building a positive reputation in the comics industry for years now. His work for Marvel and DC -- including Ultimate FF and I, Vampire -- may be what he’s best known for, but his creator-owned work -- including Oni's The Bunker and The Life After -- has built up its own fanbase.
One of the most interesting things about Fialkov is his serious, business-like approach to even his most creative endeavors. Many comic creators have their own ways of getting work done -- with varying success when it comes to meeting deadlines -- but there’s something particularly fascinating for me as an editor about creators who plan and schedule their time, analyze their own work, and still produce art that is innovative and entertaining. Fialkov's blog, How Fialkov Do, offers a thoughtful and entertaining view into how he gets his writing out into the world. I've spoken to Fialkov about his process a great deal over the years, and I thought ComicsAlliance readers might be interested to read more about it.
The powerhouse creative team of Ed Brubaker and Sean Phillips have been publishing all their recent work -- Fatale and The Fade Out, namely -- with Image Comics, so it seemed pretty clear that it'd only be a matter of time before what's arguably the duo's most recognizable creator-owned noir title, the hugely acclaimed and award-winning Criminal, currently published by Marvel's Icon imprint.
In January, the series will make the big move with a new one-shot, a magazine-sized bonus edition of that one-shot, and a trade paperback of the first Criminal mini-series, "Coward." Colorist Elizabeth Breitweiser will stay with the book at its new home.
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