Otis Frampton's all-ages comic Oddly Normal has been around for a decade now, starting in 2004 as a webcomic, then a four-issue miniseries, a graphic novel, a Kickstarter-funded book in 2012, and now a brand new Image Comics series.
At its core, Oddly Normal is about a 10-year-old girl who wished her parents away. Now Frampton intends to dig into the origins of Oddly, his half-witch protagonist. The new series examines what it's like to be different and how mean kids can be, and explores how the drastic measures kids take when they're fed up with that cruelty can lead to... unintended consequences.
Among a certain group of comics fans -- namely, comedians -- Bob Fingerman is a name that is revered.
Over the quarter-century or so that he has been working in comics, Fingerman has dipped his toe into a lot of different pools, from Teenage Mutant Ninja Turtles comics all the way to Eros' porn comix, but his autobiographical comic Minimum Wage will probably be what he's remembered for through the ages. Over the past few years, Image Comics has given readers ample opportunity to catch up with Minimum Wage, and in October they'll have a chance to read the first six issues of the new iteration of the series in a brand new trade paperback.
If you asked me who my favorite writers were in comics today, Scott Snyder's name would be right up there at the top of the list, but I'll be honest with you: That's entirely because of his work on Batman. There's very little of his work outside of my favorite superhero that I've read, including American Vampire -- and that alone is pretty weird when you consider that it's got Dracula in it, and he's a solid #2 on my personal list of the best bat-themed characters in fiction. As a result, I've ben looking forward to checking out some of his other work for a while, and Wytches, the new book coming out from Image, felt like a pretty good place to start trying.
It is, after all written by Snyder and drawn by his Batman: The Black Mirror collaborator Jock, and if there are two creators that I like enough to give a new book a try sight unseen, it's them. Having read the first issue, though, I can tell you that it is very good, but very, very dark.
Chip Zdarsky is clearly his own man. While other comic creators took their places behind their tables at Toronto's Fan Expo comic convention this past weekend, the co-creator of Sex Criminals set up his own independent 'Zdarscon' in a park across the street -- in the shadow of the CN Tower and a short distance from the Blue Jays baseball game at the Rogers Centre. Even his co-author Matt Fraction wasn't invited.
The day started with torrential rain, followed by blazing heat, but Zdarsky was attended at all times by Alex Hoffman, the life model who provides the likeness for his Sex Criminal character Jon. ComicsAlliance found Zdarsky seated on a sun-baked armchair on a wheeled platform, with his recently won Eisner Award bolted to a table. We grabbed five minutes with the writer/artist to ask... why, Chip? Why?
If there's a Hall of Fame for comic book titles, then Giant-Size Kung Fu Bible Stories deserves its own wing. You put those words in that order on the cover of a comic book, and I'm going to buy it, no questions asked, and I'm pretty sure I'm not exactly alone in that way of thinking. To be honest, though, I will admit to being just a little bit disappointed that it's not an accurate description of the contents. I mean, is there anyone who wouldn't want to read a treasury-sized extravaganza about Shadrach, Meshach and Abednego busting out forbidden martial arts techniques in order to fight their way out of the oven? I would.
That said, what we actually have -- an extra-sized $20 tome edited by Bruce Timm and Erik Larsen -- is still pretty amazing; an anthology of stories from fantastic creators that accomplishes that rare feat of being an anthology book where every single story is highly entertaining, even if they're not about Esau mastering poison styles to take his ultimate revenge on Jacob.
Originally published as a set of odd, ominous webcomic stories, cartoonist Wes Craig's Blackhand Comics will see print in October as a graphic novel collection from Image.
Three stories make up the volume: "The Gravedigger's Union," "Circus Day," and "The Seed." From the looks of them, they're going to be great additions to any horror lover's spooky comics collection, and excellent Halloween reads.
Comics are weird. I mean, that's part of their charm, right? And it makes sense that they would be. You take a medium that allows people to put whatever they want to on the page, have it defined by the offspring of pulp heroes and sci-fi and let it marinate for a few years, and you're going to get weird stuff like Superman with a lion head and the backstory of any given member of the Summers family. With the debut issue of God Hates Astronauts from Image, though, Ryan Browne has taken weirdness to an entirely new level.
Seriously, this is without question one of the top five weirdest comics that I've read in my life, and other than being held together with two staples and having the words in more or less the right order, it's weird in every way, with something freshly bizarre on every single page. And it's also one of the most fun comics of the year.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
August offers a feast of shape and color, with striking covers by Scott Fischer, Victor Santos, Chrystin Garland, and Tula Lotay, some bold juxtaposition, and a quirky take on a pulp archetype or two -- including a Nazi airship and some poor sap being held in a giant hand. It's a classic!
When it was announced back in January, we knew three things about ODY-C, the new Image series by writer Matt Fraction and artist Christian Ward: It was a retelling of The Odyssey, would take place in space, and the characters would all be gender-swapped.
What wasn't as clear was just how trippy and brutal it would be, but if the five-page prologue Ward posted to his Tumblr last week is indicative of what the whole series will be like, those are the words to describe it.
Ward was sure to note that these pages won't appear in the first issue of ODY-C, so get a good look at the prologue -- with its positively luminous color palette, sometimes unorthodox panel layouts, and one big scene of someone getting sliced in two with a sword -- now.
We can all agree that Ed Brubaker and Sean Phillips form one of the most successful comics collaborations of all time, right? Over the last fifteen years the pair have routinely produced some of the best comics of the present age -- Sleeper, Incognito, about a thousand pages of Criminal, and the just-completed Fatale. They're the Stan Lee and Jack Kirby of smart, stylish, noir-tinged genre comics. Whenever their names appear together on a cover, it's practically a guarantee of excellence.
Now, after years of telling stories influenced by classic film noir, Brubaker and Phillips head directly to the source with The Fade Out, a dark and enthralling mystery about the dark truths behind the myth of old Hollywood.
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