Terry Moore writes almost exclusively about women. He self-publishes his work through Abstract Studios, his independent Houston-based imprint, and he's been doing the kind of stuff that's currently inspiring strurm-und-drang in the comics world ever since the Internet first tied up our phone lines.
Today he works on Rachel Rising, a horror story where a pretty young murdered woman wakes up in a shallow grave and decides to take back her life — or, at least, her afterlife — from the otherworldly forces that wrenched it from her. With work ranging from science fiction (Echo) to epic love story (Strangers in Paradise), and even some superhero experience (Spider-Man Loves Mary Jane), Moore cuts a distinctive creative figure in the industry. ComicsAlliance spoke to him at San Diego Comic-Con to discuss female comedians, stories about underdogs, and the future of self-publishing.
Chip Zdarsky is clearly his own man. While other comic creators took their places behind their tables at Toronto's Fan Expo comic convention this past weekend, the co-creator of Sex Criminals set up his own independent 'Zdarscon' in a park across the street -- in the shadow of the CN Tower and a short distance from the Blue Jays baseball game at the Rogers Centre. Even his co-author Matt Fraction wasn't invited.
The day started with torrential rain, followed by blazing heat, but Zdarsky was attended at all times by Alex Hoffman, the life model who provides the likeness for his Sex Criminal character Jon. ComicsAlliance found Zdarsky seated on a sun-baked armchair on a wheeled platform, with his recently won Eisner Award bolted to a table. We grabbed five minutes with the writer/artist to ask... why, Chip? Why?
Few publishers have been willing to take risks and expand their slate like Archie Comics has over the last several years. Once famous for old fashioned Americana, Archie has increased the diversity of its character roster, launched a number of well-received cross-promotions like its series with the band Kiss, welcomed real-world guest stars like Sarah Palin and Barack Obama to Riverdale, revived its line of superhero titles, and most surprisingly (and successfully), branched out into no-holds-barred horror with the smash hit mature-readers zombie title, Afterlife With Archie.
This October, Archie's banking on lightning striking twice when it debuts The Chilling Adventures Of Sabrina, a series that places the company's famous "teenage witch" in a world of deep psychological occult horror.
We sat down with the series' creative team of writer Roberto Aguirre-Sacasa and artist Robert Hack to ask some questions about their goals for Sabrina and to talk about how one undertakes such a radical re-envisioning of an established character.
Lumberjanes is many things: paranormal adventure, ode to friendship, celebration of girlhood, viral success, emblem of a changing industry. A lesser book might have crumbled beneath these ambitions and expectations. It very immediately became not just a highly-anticipated comic, but -- for reasons included the fact that it's written, drawn, colored, lettered and edited by women -- an important comic, and that's as promising as it is dangerous. Privately, I had my doubts—it looked interesting, but I've been burned before by important books and I kept my excitement at a low simmer.
But five issues into the Brooke Allen-drawn series, Boom! Studios/Boom! Box's Lumberjanes has firmly established itself as one of the cleverest, most good-natured comics on the market. The story of a delightfully plucky troop of wilderness girl scouts (not to be confused with the Girl Scouts) and the variously hilarious and supernatural adventures they get into at summer camp, the book is buoyed by the emotions and friendships of early adolescence, and can be enjoyed by neophytes and collectors alike—including, happily, young girls. It is never didactic or (most crucially) boring, and it balances character focus and plot extremely well.It is, simply and uncommonly, fun.
ComicsAlliance sat down with creators Noelle Stevenson, Grace Ellis, and Shannon Watters to discuss Disney movies, comics on Tumblr, and what's coming next for our favorite hardcore lady-types.
Today sees the release The Names #1 by Peter Milligan and Leandro Fernandez. Published by Vertigo and described as Kill Bill meets The Wolf Of Wall Street, the book tells the story of Katya Walker, a woman who is thrown into a web of financial and technological intrigue after the sudden suicide of her husband -- a suicide that we learn in the first pages of issue #1 was not committed out of despair but at the behest of a man called the Surgeon, working for a world-dominating cabal of financiers known only as the Names. Dubious that her husband would take his own life, Katya's search for the truth takes the reader through a violent, decadent and technologically advanced world of money and power that teaches the young woman not just about the chilling reality of how the world works, but about the role her husband was subtly preparing her to take should the Names ever go too far.
Drawn in a wildly expressive and sexy style by Leandro Fernandez with delicate, mood colors by Cris Peter, The Names is has some aesthetic and narrative similarities to Vertigo's revenge epic 100 Bullets, but with a very contemporary theme obviously inspired by current events such as the Global Economic Crisis and, presumably, the enduringly frustrating fact that its cruel architects have not been brought to justice.
ComicsAlliance sat down with Milligan to talk about the real-world inspiration for The Names, his plans for the project, and to break down some special moments from its first issue.
Also a contributor to the recent volume of Batman: Black and White, Cho does a very good job with the characterization of his Shoplifter protagonist: grumpy, wry yet oddly affable, and smart. She's both a familiar and refreshing protagonist and serves well as a universal conduit for the emotions and experiences portrayed. I'm usually the first person to shunt the concept of "quit your day job, and do what makes you happy" à la Zen Pencils, Cho's an accomplished enough writer that his presentation of Corinna's decision to pursue her creative passion is more the result of a cumulative desire to change what isn't working for her, an acknowledgement of the problems she's having and possessing the strength and fortitude to realize only she can enforce a difference. She's under no illusions about what the future may bring, but for now, she's done enough to make herself feel better, and hopeful, and that will do.
Shoplifter's a short book -- 90 pages or so, and the concise length serves it well -- there's no flab here, no room for distracted interjections, no complaints. It may be slight, but it's elegantly executed, and I like the fact that Cho didn't feel the need to draw this out, the story's assured and cogent (although spending more time with the character would perhaps leave a greater impact on the reader). Visually, it's as attractive as you'd expect from Cho, alternatively surrounding Corinna with beautiful rendered city and then leaving her swathes of space; she's as lost in one as the other. The rose and black color scheme is a gorgeous combination that does much to imbue the narrative with a sense of warmth and closeness, and also to dispel any notions of otherwise suggested tone. It's rare that you read something so evenly handled yet characterful and uplifting, but Shoplifter manages it.
I chatted to Cho about the new Pantheon book, its themes and the process by which it was created.
Welcome back to Rachel and Miles X-Plain the X-Men, a weekly podcast in which X-Perts Rachel Edidin and Miles Stokes explore the ins, outs, and retcons of fifty years of Marvel’s greatest superhero soap opera!
This week: Special guest Kurt Busiek is the J. Rober Oppenheimer of X-Men, Rachel and Miles learn to love the Silver Age, Cyclops gets a job, Bernard the Poet falls from grace, we really wish X-Men: The Secret Years was a real book, everyone recites poetry, and we still don’t get around to Marvels.
Benign Kingdom fills a niche that lay absurdly open for too long: well designed and curated artbooks from webcomic creators. Somehow, the idea never occurred to me or most anyone for years, despite the absolute cavalcade of talent on display. Who knew Danielle Corsetto, creator of Girls With Slingshots, produced such gorgeous figure drawings? Who knew Yuko Ota, co-creator and artist of Johnny Wander, could fill a page with such whimsy and menace?
One enormously successful Kickstarter later, Benign Kingdom has presented the world with these awesome talents, but also helped demonstrate the viability of self-publishing. ComicsAlliance sought out Evan Dahm, co-founder of the Benign Kingdom project and creator of the webcomic Rice Boy, to discuss a changing industry and their place within it.
Felipe Smith lived the dream of a thousand starry-eyed DeviantArtists when, in 2008, his nerd-skewering masterpiece Peepo Choo debuted at Kodansha-owned manga magazine Morning 2. When asked about what went into accomplishing this feat — becoming fluent in Japanese, keeping pace with the manga industry’s rigorous schedule, being an American noticed by the manga industry at all — Smith is all shrugs and smiles. His work spans the globe, he’s completely reinvigorated Marvel’s Ghost Rider, and, as friends pop by his booth, he slides smoothly in and out of the three languages he speaks, but you know, no biggie. Smith takes it all in his stride.
Peepo Choo, a gleefully lurid tale of cultural fetishization, yakuza, teenage boys, and gravure idols, lies far afield from Ghost Rider in terms of content. But Smith’s zingy, earnest voice unites the two works, and it is this voice that makes Smith such an exciting creator with such a tantalizingly unpredictable future. ComicsAlliance sat down with him at San Diego Comic-Con to discuss living and working in Japan, nerd culture around the world, and what Robbie Reyes brings to the superhero table.
Boom! Studios has found success with a line of Adventure Time original graphic novels that's being published alongside the ongoing monthly comic, so it was only a matter of time before they expanded that strategy to include Regular Show as well. Now, we're just about to see the first full-color Regular Show graphic novel, Hydration, hitting shelves with a story of everyone's favorite raccoon and bluejay dealing with a heat wave that hits the park, sending them in search of a way to cool off. It's a simple idea, but under Rachel Connor and Tessa Stone, it turns into a sprawling adventure that's full of the magical realism and 8-bit video games that Regular Show fans have come to love.
To find out more, I spoke to Connor about the process of creating a story that would be longer and more complicated than any episode of the show, the strange twists that allowed it to expand to a full 155 pages, and why the Baby Ducks just had to make an appearance.
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