DC Comics announced via its August solicitations the cancellation of six of its lowest-selling New 52 titles: All-Star Western, Batwing, Birds of Prey, Superboy, Trinity of Sin: Pandora, and Trinity of Sin: The Phantom Stranger. The books' final issues ship in August, one month shy of the third anniversary of the New 52 initiative which rebooted the entire DC superhero line with fifty-two new or relaunched series.
The total number of New 52 titles cancelled or discontinued in that three year period now stands at 47, which means just five more cancellations will tip the company over into a new New 52; fifty-two books that didn't work out. Is that level of turnover unusual, and if so, what does it tell us about DC's strategy?
The new Godzilla film opening this weekend will be the 30th to star the worlds' most famous giant monster. Toho made 28 Godzilla films in Japan, divided by fans into three cycles, each with their own continuity—the Showa series, the Heisei series and the Millennium series—and then there was the ill-fated 1998 Roland Emmerich-directed film that served as a sort of How Not To Make a Godzilla Movie cautionary tale for the makers of the new film.
While the movies are undoubtedly Godzilla's source turf, he's expanded his territory into other media over the years, from cartoon series to prose novels to video games -- and, of course, comic books, which he's been starring in for nearly 40 years now. With that in mind, we present a helpful primer for the King of Monsters' adventures on the paneled page.
Adam Warren'sEmpowered is one of the best superhero comics being made today. Sometimes I think Empowered might end up being one of the greatest superhero comics ever. The elements are all there: engaging characters, a plot that springs from them organically, an inventive setting, and scads of emotion. Its parodical beginnings -- based in the jokey premise of superpowered woman Empowered de-powering as her delicate, stereotypically skintight super suit gets shredded in battle -- has transitioned smoothly into a darker present, and it’s an evolution that’s been met with little in the way of fan whining for “the good old days.” Yes, Empowered is funny, surprising, moving, and original.
Q: This "Connections Theory of Comics" is like *literally* all you talk about on Twitter. Can you please just explain it? -- @bigredrobot
A: Hey man, I think you're exaggerating just a little. I mean, anyone who actually reads my Twitter account knows that the whole Connections thing comes in at a distant third to commentary on whatever Power Rangers shows I'm watching that week and arguments about the definition of the word "barbecue." That said, I'll admit that it's something I have been talking about a lot lately. Connections is, after all, my favorite television show of all time. Well, except or The Prisoner, and that one episode of Brave and the Bold where Batman becomes a Dracula and fights the JLI, but I don't think those have affected the ways that I think about comics like Connections has.
Q: What do you think is the essence of making a great iconic costume? -- @thenoirguy
A: With comics being a visual medium and all, especially one that's dominated by a genre marked by its own goofy language of symbolism and iconography, I think about superhero costumes pretty often. I mean, I cannot count the number of times I have written the words "Batman's Batman-Shaped Kneepads" over the past three years, but that said, I'll admit that I might not be the best person to answer this question. As Erica Henderson (artist of Subatomic Party Girls and the Ask Chris logo above) pointed out, I'm not an artist. Then she went ahead and answered the question, telling me that "It's pretty simple, iconic is something that's quick and easy to recognize. that's why nobody talks about Cable's costume."
Listen, Erica, I don't know what circles you run in, but I talk about Cable's costume a lot.
WARNING: While the following images have been censored, they remain fairly graphic and may disturb some readers and may also be considered NSFW.
I am so tired of writing about rape.
If you didn't catch the news, last Friday, the website Comic Book Resources posted a five-page preview of the latest issue of the Game of Thrones comic book adaptation. And the pages they published — the pages Dynamite Entertainment sent out as representative of the book, which is a standard practice for comic book publishers — included an incredibly graphic rape scene. Erect penis, front and center. Woman bent back nearly double, naked, arched like a porn star.
It just so happens that was also the week that HBO decided to add—and then vigorously defend — a graphic rape scene in the Game of Thrones TV series (a trend the network continued this week), and that both fall in the middle of Sexual Assault Awareness month — and yes, thanks, HBO, Dynamite and CBR, we are in fact extra aware of sexual assault now, so, well done, there. It's worth noting, too, that this is coming on the heels of an incident where a fellow comics editor and journalist got a slew of graphic rape threats for having the temerity to critique the portrayal of a teen girl in a piece of cover art (also published on CBR).
But it's also not just this week, or this month. It's this year. This decade. This lifetime. This is business as usual.
The big headline on Publishers Weekly’s site when it published the results of its comics retailer survey last month blared that comics sales were down during the early months of 2014, though retailers seem relatively optimistic about it.
What comes after is a sometimes difficult-to-parse snapshot of the world of comics as it looks now. It’s not necessarily a bleak picture, but it’s very clearly one that portrays an industry may not be able to sustain itself as it is now. Change is occurring, and here are some key items from the report that show how, and what might be changing.
Monica Rambeau is on her fourth superhero codename. In the pages of Mighty Avengers she's Spectrum, having previously gone by Captain Marvel, Photon and Pulsar. The Captain Marvel identity now belongs to Carol Danvers, also on her fourth codename after Ms. Marvel, Binary and Warbird. Her first codename now belongs to Kamala Khan, the fourth Ms. Marvel after Danvers, Sharon Ventura and Karla Sofen.
But Carol is actually the third woman (and seventh character) to call herself Captain Marvel in the Marvel Universe. The second woman was Phyla-Vell, who was the fourth Captain Marvel after she was the second Quasar, before she was the first Martyr, before she saved herself the trouble of another codename by dying. Oh, those women! They never know who they are!
Q: What was so good about Power Rangers RPM? -- @ykarps
A: That's right, everyone: After deciding on a whim last year to sit down and watch every single episode of Power Rangers ever produced, all seven hundred and seventy-five (and counting), and last week, I finally did it when I made it through 2009's Power Rangers RPM. I'd already seen Samurai, and I'd been watching Megaforce as it aired, so that was it. And I wept, for there were no more worlds to conquer.
But while I was watching it, I came to the conclusion that as much as I like Samurai and Jungle Fury and Ninja Storm -- in which a trio of teens give up on hiding their Kiwi accents about six episodes in -- there's not even a contest about which series is the best. RPM wins that argument hands down... and I kind of hate to say that.
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