Ahem. Also; 'The Iron Celing' is the fifth episode of Agent Carter, and quite comfortably the best, not just because of Dum Dum, but also because it changes the scenery, places Peggy on a real mission, fleshes out Chad Michael Murray's Agent Jack Thompson, and gives us a real taste of the breadth and color of this Marvel Universe. The only thing I didn't really like was the title, a too-cute hybridization of Iron Curtain and Glass Ceiling that doesn't ultimately capture what the episode was about.
'The Iron Ceiling' was directed by Peter Leto and written by Jose Molina. And Dum Dum Dugan was in it. Let's recap it, SSR-style.
Hollywood just can't keep its grubby little hands off of our stuff. Last week it was announced that Sony Pictures snapped up the rights to Jeff Lemire and Dustin Nguyen's Descender well before the book's March publication, a practice becoming more common. This type of announcement may cause consternation among some, but you have to take it on a case-by-case basis: If anything Mark Millar writes gets a deal before publication, please, be offended; in all other circumstances, reserve judgment until a "professional" receives an advance copy and dictates your opinion to you. (This is my new persona: hated.)
Descender, on its way from Image in March, is epic, intelligent, and full of heart, and it looks like Sony was right on the money for once.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episode, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of the fastest man alive, Barry Allen, more widely known as The Flash.
This week, we’re looking at the twelfth episode of the first season, “Crazy For You,” touch us once and you'll know it's true. We've never needed anyone like this. It's so brand new. This episode has it all: drunken karaoke, teleporting metahumans, the triumphant return of Joe West's Business Beanie™, and a slightly more substantial tease for that one villain they've been teasing. You know, the one we all go APE over. *waggles eyebrows* *wiggles cigar*
Over the past 40 years, Tom Batiuk’s Funky Winkerbean has transitioned from a gag-a-day comic strip about a high school to an ongoing chronicle of pure, abject misery. Thanks to the commentary on Josh Fruhlinger’s Comics Curmudgeon, I am now completely obsessed with it, which is why I spend a little time every month rounding up its finest examples of crushing despair.
I have been writing this column for four and a half years now, and I can tell you with absolutely no uncertainty that I have never been as angry with Funky Winkerbean as I am right now. I mean, don't get me wrong, I've been mad at this thing before, but never before has it been the pure, incandescent rage of betrayal at declaring the crossover of the year, only to have it stink up the joint like a bucket of dead fish. But I think I'm getting ahead of myself. Fortunately, we've got all the usual misery to take my mind off it.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
2015 got off to an impressive start with stunning compositions from Riley Rossmo, James Harren, and Ken Niimura; wonderful character portraits from Marko Djurdjevic, Becky Cloonan, and Kaare Andrews; amazing colors from Darwyn Cooke and Artyom Trakhanov; and a really fun He-Man piece from Stjepan Sejic.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate talks about the Hourly Comics Day challenge, and how it's great fun for everyone, no matter your skill level!
Hourly Comics Day was created by cartoonist John Campbell to challenge people to create a comic every hour that they're awake on February 1st.
Q: Since you're knee-deep in rewatching Batman '66, why is "Beware the Gray Ghost" such a brilliant episode of Batman: The Animated Series? -- @Gavin4L
A: With Simon Trent's surprise return in this week's issue of Gotham Academy, it seems like everyone's been thinking about the Gray Ghost. Or at least, I've been thinking about him a lot, and I can assure you that I've been thinking about him enough for all of us.
I'm going to go out on a limb here and say that I'm probably involved in more conversations about Batman: The Animated Series than your average person, but in my experience, at least, "Beware the Gray Ghost" isn't one of the ones that gets talked about all that much. And that in itself is actually pretty weird, because it gives the world of The Animated Series something that it never really got from any other episode: It built a story around fandom.
In the wake of Leelah Alcorn’s suicide in December 2014, people have been formulating ideas for how to fulfill her final wishes to “fix society”; to have her death “mean something” and to have it “counted in the number of transgender people who commit suicide”. In her suicide note, Alcorn, age 17, explained that her reasons for committing suicide centered on her parent’s inability to accept her gender, and beyond that, imposing upon her religiously sanctioned conversion therapy designed to make her conform to cisnormativity.
In this essay I want to discuss some of the steps necessary to achieving acceptance, and most especially the ways in which the media can address misconceptions and provide transgender and gender non-conforming kids with a diverse range of stories. Please note that this essay contains language that may be triggering to people with depression and suicidal tendencies.
We're halfway through the eight episode run of Agent Carter, and it's now very clear that this show isn't aiming to be a procedural, and that's both a strength and a weakness. Agent Carter has a clear idea what it's about and where it's going, with this week's episode focused on moving all the characters forward (and helping us to better get to know a few of them), but the lack of a 'monster of the week' structure leaves the show -- and this episode -- feeling unfocused.
'The Blizkrieg Button' is directed by Stephen Cragg and written by Brant Englestein, and has easily the best title of the show's run; but sadly the Blizkrieg Button proves to be a bit of a decoy duck, both in the title and in the episode itself.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episode, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s (for now) second-fastest man, Barry Allen, more widely known as The Flash.
This week, we’re looking at the eleventh episode of the first season, “The Sound & the Fury,” which has nothing to do with the Faulkner novel; sorry, lit nerds. It does, however, feature a figure from S.T.A.R. Labs' past, dirtbike villainy, sound warzzz and Joe West delighting at breaking glass.
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