What if you woke up one day and your life was completely different? What if all the things you wished for were suddenly a reality -- you have the job you always wanted, the person you want to be with loves you back, and the people you thought were lost forever are alive again?
One of the most remembered episodes of Batman: The Animated Series is "Perchance to Dream," a powerfully dark story in which Bruce Wayne essentially wakes up to a "perfect" life. His parents, Martha and Thomas Wayne, are alive and well; he is engaged to Selina Kyle; and he is no longer burdened with the job of being the Batman. In fact, Bruce learns that someone else, some other disguised vigilante, is effectively ridding the streets of criminals. No need for him to be Batman anymore. Bruce is initially ecstatic, grateful, almost relieved to learn he can live a normal life. "The nightmare is over," he tells himself.
Only it's not.
We discuss the fascinating neuroscience of dreams and the growing research supporting our ability to control our actions in dreams. Furthermore, by raising the scenario of being "plugged into a dream machine," this episode dares us to contemplate the importance of an existence in which we have free will, motivation, and actual contact with an unfiltered reality. Before The Matrix, The Nexus, and Inception, there was Batman: The Animated Series.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Letterer Saida Temofonte has been working in comics for almost 20 years for a variety of companies including Wildstorm, DC Comics, and Marvel. She is currently lettering many projects from DC's digital division, including the much-beloved Lil Gotham series. She is also a storyboard artist for film.
It takes almost toxic levels of suspension of disbelief to make it through the new Teenage Mutant Ninja Turtles reboot, the fifth and worst entry in the film franchise based on the pop culture phenomenon originally created by Kevin Eastman and Peter Laird. That suspension of disbelief has nothing to do with mutant turtles in the sewers who learned kung fu from a mutant rat to fight a villain wearing a suit of knives. No, the TMNT are as ingrained in our imagination as any other 20th century commercial institution at this point, and if we're seeing the film at all, they've already got us in the theater—we've bought the premise like we've bought our ticket. Rather, this new TMNT suffers from the other, worse kind of suspension of disbelief: Filmgoers are asked to turn off their brain, ignore all logic and just accept the fact that every action taken by every character makes no sense at all.
Q: Just watched the latest Here's The Thing. I'd love to hear you expound on some of the attempts at re-creating Spider-Man. -- @stophatinisbad
A: In case you missed it, this week's episode of Here's The Thing was focused on the idea of legacy and how it shaped the Green Lantern franchise -- and how it ultimately failed to really take hold in the way that it did in books like Flash and -- but one of the things I mentioned was that Kyle Rayner was one of many attempts to create a character in the mold of Spider-Man. It happens like clockwork, not just at DC and Marvel but across the board, and it's one of the most important aspects of how superhero comics developed.
So really, I'm glad you asked, because the reason behind this gives me a chance to dive into some of my favorite subjects, like the socioeconomic impact of the rise of the teenager as a social construct, and how that led directly to the creation of Darkhawk.
Welcome back to Rachel and Miles X-Plain the X-Men, a weekly podcast in which X-Perts Rachel Edidin and Miles Stokes explore the ins, outs, and retcons of fifty years of Marvel’s greatest superhero soap opera!
This week: Dr. Nemesis is delightful, Bill Sienkiewicz foreshadows himself, Dracula hits on absolutely everyone, Blade Godwins a crossover event, Jubilee get a jet ski, the X-Men do Castlevania 2, Rachel and Miles pick a vacation destination, and Cyclops wants you to follow your heart.
This week, Marvel Comics announced that it's planning to publish a new printing of the Howard the Duck Omnibus in October, collecting the character's first appearance, all 33 issues of the original Howard the Duck series, and several other appearances in Marvel Team-Up, Marvel Treasury Edition, and Man-Thing.
It's the first time the omnibus has seen print since 2008, and it's a great resource for anyone looking to familiarize themselves with Howard -- a great, satirical character often held in low regard because of the 1986 movie. It's also an opportunity to get to know the work of Steve Gerber, the writer who co-created the character with artist Val Mayerik. Gerber died in February 2008, six months before the original release of the omnibus, and did not hold very positive feelings towards Marvel for decades after his Howard the Duck comics were first published.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, Chris follows up on a comment from a previous episode by taking a look at the idea of legacy in Green Lantern, and how it compares to how "legacy" was used as the driving force in The Flash -- and how it completely failed to work.
Does Poison Ivy's strong dedication and ideology differ much from the Caped Crusader's mission to rid the city of criminals? (Crusader is his nickname, after all.)
In this episode of The Arkham Sessions, we delve deeper into Poison Ivy's psychology with her second appearance in Batman: The Animated Series by exploring her predilection for plants and her fanatic, destructive level of devotion to protect them.
Over the past 40 years, Tom Batiuk’s Funky Winkerbean has transitioned from a gag-a-day comic strip about a high school to an ongoing chronicle of pure, abject misery. Thanks to the ongoing commentary on Josh Fruhlinger’s Comics Curmudgeon, I am now completely obsessed with it, which is why I spend a little time every month rounding up its finest examples of crushing despair.
After last month's strips involved an intervention from the Almighty Himself voicing his disapproval for even the slightest bit of happiness, you might think that Tommy B would take a few weeks to ease off the pressure a little bit, but you would be a fool. A fool. Things never actually get any better in the Batiukverse, and never is that more evident than this month, when the strip heads to that most nightmarish of all places: San Diego Comic-Con. Seriously.
Constantine is not modelled on the disappointing 2005 Keanu Reeves movie, also called Constantine. Nor is it an adaptation of DC Comics' current superhero comic book, Constantine, set in the rebooted New 52 DC Universe. The TV show very clearly goes back to the source material, the 1980s DC/later-Vertigo comic series Hellblazer, written initially by Jamie Delano and based on the character John Constantine created by Alan Moore, Steve Bissette, and John Ridgway in the pages of Swamp Thing. The leading man looks just as he does in the comics, with his familiar trenchoat and tie, and he acts broadly the same way too. Just as crucially, his backstory draws heavily from Delano's Hellblazer run. This Constantine is riddled with guilt and fearful for his soul because he failed to save a girl named Astra in Newcastle from the demon Nergal.
This means that the the TV adaptation of the comic is actually more faithful to the source material than the current version of the comic -- but only in broad strokes. In actual execution, this TV show is not the mature affair that the Vertigo comic offered. This is not a cable television supernatural show. This is more like... a Supernatural show.
It appears that you already have an account created within our VIP network of sites on . To keep your points and personal information safe, we need to verify that it's really you. To activate your account, please confirm your password. When you have confirmed your password, you will be able to log in through Facebook on both sites.
*Please note that your points, prizes and activities will not be shared between programs within our VIP network.
Welcome back to Comics Alliance
It appears that you already have an account on this site associated with . To connect your existing account with your Facebook account, just click on the account activation button below. You will maintain your existing profile and VIP program points. After you do this, you will be able to always log in to http://comicsalliance.com using your Facebook account.