On Sunday afternoon, we spoke to Emily Blunt who is promoting her role in Disney’s ‘Into the Woods.’ During this conversation, Blunt referenced her character in this summer’s ‘Edge of Tomorrow,’ comparing that role to what a possible Marvel movie might be. It just so happens, Blunt’s name has been mentioned in Internet buzz as a possible lead in Marvel’s ‘Captain Marvel’ (due in 2018), which would be Marvel’s first movie with a female lead. Has Blunt heard this buzz? As it turns out, she has. And she seems to find that buzz quite flattering, but admits she has had no discussions with Marvel at this time.
Fans of Captain Marvel probably won't tire of being reminded that their hero is getting her own movie, scheduled for a July 6th 2018 release. There's no director, no writer, and no star attached, but the movie has a title and a date, and that alone is progress. Superhero fans have been waiting a long time for a Marvel Studios movie with a female lead.
The Captain Marvel movie is due to come out thirteen months after a planned 2017 Wonder Woman movie from Warner Bros, and those two pictures could help usher in a new age for female heroes, if the studios follow through.
The Wonder Woman movie was a long time coming, but she's an obvious choice for Warner Bros; she's the definitive female hero, a brand, and an icon, with more than seventy years of history. By contrast, Captain Marvel has been around in her current incarnation for two years. But there are good reasons why she's Marvel's pick for a leading lady.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Carol Corps officer Kate contemplates a future that will be made brighter by the existence of, we hope, a great Captain Marvel movie.
For anyone who remembers the days when just one Spider-Man movie seemed an impossible dream, it’s an astonishing representation of how comic book superheroes now dominate popular entertainment. ComicsAlliance’s own graphics maestro Dylan Todd put together a timeline that reveals what the next six years of superhero movies look like, with some dates and titles still to be announced. The graphic will be updated as new information is released.
The Warner Bros. announcement on Wednesday of ten upcoming movies based on DC Comics properties neatly fills in a calendar of dates that the studio previously provided -- and help flesh out an extraordinary timetable of DC and Marvel superhero movies over the next six years from Warner Bros, Marvel Studios, Fox, and Sony Columbia.
ComicsAlliance's own graphics maestro Dylan Todd put together a timeline that reveals what those six years look like, including 29 confirmed release dates between now and the end of 2020, with several dates and titles still to be announced. For anyone who remembers the days when just one Spider-Man movie seemed an impossible dream, it's an astonishing representation of how comic book superheroes now dominate popular entertainment.
Marvel is planning its first big cosmic event since the end of the Dan Abnett/Andy Lanning-penned Annihilation/War of Kings cycle that ran from 2006 to 2010. (Or last year's Infinity, if you count that, but that was all about Earth, so we don't.) Black Vortex will cross over between Guardians of the Galaxy, the space-bound All-New X-Men, Cyclops, Legendary Star-Lord, Nova, Captain Marvel, and more.
Marvel also announced Operation S.I.N., by Kathryn Immonen and Rich Ellis, which serves as both a prequel of sorts to the recent Original Sin event and a tie-in to Marvel's Agent Carter TV show; and Kanan: The Last Padawan, a five issue mini series also written by Greg Weisman and illustrated by Pepe Larraz, tying in to the Star Wars: Rebels animated series.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
Dwayne 'The Rock' Johnson -- actor, wrestler, guy with quote marks in his name -- has tweeted what appears to be confirmation that he will play the role of Black Adam -- presumably in a Shazam movie from Warner Bros. -- by telling his followers, "My honor to become.. #BlackAdam".
Rumors about Johnson joining the DC Cinematic Universe have circulated for a while, with initial speculation that he might appear in Batman V Superman -- perhaps as Lex Luthor. In August, Johnson confirmed that he was in talks to take on a DC role, and tweeted a picture of Shazam, Black Adam, and Superman. He didn't specify which role he was up for, but many fans noted his resemblance to the villain Black Adam.
Marvel launches the eighth of its nine solo titles with a female lead in November with Spider-Woman #1, and the book sadly already has a cloud over it. A variant cover by master erotic artist Milo Manara stirred enough controversy last week to garner mainstream attention. The cover featured Spider-Woman with her apple-shaped butt raised high in decidedly unheroic manner. It was exactly what one would expect from Manara, who has created a number of superheroine illustrations for Marvel, but the image suggested a particularly overt tone of sexual objectification that could alienate the sort of readers who attended the Women In Marvel panel at San Diego where the series was announced.
As far as I can recall, Marvel has more female solo titles now than ever before, with a ninth title, Angela: Asgard's Assassin, launching in December. On paper, that suggests a laudable effort to reach out to superhero comics' growing and under-served audience of female readers. Yet the Manara incident serves to remind us that books about women can very easily be targeted to a male audience.
There's currently an unspoken contest between Marvel and DC to see who can produce more comics aimed at a female audience. It's possible the contest only exists in my head, as I've been keeping a tally of solo titles with female leads for the past several months -- but I wouldn't be surprised to learn that editors at the two publishers have also been keeping track.
Guardians Of The Galaxy just enjoyed a very successful weekend at movie theaters, taking home around $94m, far in excess of expectations. The movie also stands at 92% positive reviews on aggregator site Rotten Tomatoes, joining all previous Marvel Studios movies in receiving predominantly favorable notices.
Marvel Studios is doing very well. In six years and ten movies, it has avoided both critical and commercial disasters, and frustrated naysayers who hailed the demise of the superhero movie at every step. Marvel's rivals at Fox, Sony Columbia, and Warner Bros, have enjoyed commercial success as well -- but not with the acclaim, consistency, or proliferation of Marvel. So how does Marvel do it, and can they keep doing it?