In continuing the publisher's recent trend of restarting titles at #1 for its All-New Marvel NOW initiative, last week Marvel revealed plans for Wolverine #1. Beginning in February, the new Wolverine series will continue to feature writer Paul Cornell, but now he'll be collaborating with new series artistRyan Stegman.
Perhaps best known for his recent work on Superior Spider-Man, launching that title with Dan Slott, Stegman will come on board as the regular Wolverine artist following the conclusion of "Killable," the series' current major storyline. Stegman brings a style that stands in contrast to the work Alan Davis and Mark Farmer are currently producing on the title, but his grittier, thicker line work also seems well-suited for the title.
ComicsAlliance spoke to Stegman about the challenge of drawing one of Marvel's most popular characters, working with Cornell, designing a new supporting cast, and the Wolverine artists that inspire him.
If you've been following ComicsAlliance for the last few months, you'll know that we are somewhat fascinated by the '90s X-Men cartoon. It was an important moment for Marvel, as the show introduced many kids to both the X-Men and the Marvel universe. In the process the show helped create a new generation of fans, including Saturday Night Live star Taran Killam. On hand at New York Comic Con to promote The Illegitimates, the comic he created with writer Marc Andreyko, Killam made a guest appearance at the Marvel booth, where he recreated the pilot episode of the show while playing every character. His Gambit is appropriately creepy, his Cyclops is appropriately dickish, and his Jubilee recreates the weirdest rhetorical question we have ever heard anyone ask. It's pretty great.
Earlier this year, Marvel announced it was dusting off its Marvel Knights imprint -- which had been dormant since 2010 -- with three new comics under its banner. The initial launch of Marvel Knights was unquestionably one of the most significant moments in the publisher's recent history. The imprint's focus on creator driven stories, largely unencumbered by continuity, saw both critical and commercial success, and its effects are still felt today throughout the industry. You could argue that titles like Hawkeye -- which features a "B List" character operating in stories largely unaffected by the rest of the Marvel Universe -- are direct descendants of the initial Marvel Knights launch, which featured Kevin Smith and Joe Quesada's Daredevil and Garth Ennis and Steve Dillon's Punisher, among others.
Now comes this next wave of Marvel Knights titles, with three miniseries helmed by writers more known for their creator owned work. Each title has an interesting creative team, but the one that stood out most to me is Brahm Revel and Cris Peter on Marvel Knight's X-Men.
October is finally upon is, and here at ComicsAlliance, and one of the best parts of the month is gearing up for Halloween with costumes! It’s the one time of year when even people like me who could never cut it in our Best Cosplay Ever feature can drop by the local department store and walk out with the ability to dress up as our favorite characters.
But is that really a good thing? I have my doubts, which is why I’m spending every day taking on the store-bought costumes inspired by our favorite things. Today, things get even creepier with the “Second Skin” costumes.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week: "Repo Man," in which Wolverine gets into a tussle with a dude who is definitely his ex-boyfriend.
Best known by his pseudonym Jock, Mark Simpson is one of the most interesting artists in mainstream comics right now. Brought up in the 2000 AD school of British comics and breaking into the American market with The Losers graphic novel series at Vertigo, Jock set a new standard for himself with work on 2011's Batman: The Black Mirror, where his bold and contemporary graphic style contributed to what many fans and critics agree was the most significant Dark Knight adventure in years, not to mention one of the coolest Joker illustrations of all time.
Like many comics illustrators of his skill and increasing popularity, Jock has availed himself of the comics scene's resuscitating fascination with strong artistic visions and is releasing this week Savage Wolverine #9, the first chapter of a three-part arc he both wrote and drew. It's a major career move for Jock but only the latest auteur artist spotlight for Savage Wolverine (following delightfully eccentric work by Frank Cho and Joe Madureira), which in this crucial way is one of Marvel's most important titles.
ComicsAlliance spoke with Jock about his unorthodox take on the mutant also known as Logan, who the cartoonist drops into a vicious otherworldly realm in a story that owes more to tripped out European sci-fi than the X-Men classics of Marvel's past.
Earlier this summer, The Wolverine star Hugh Jackman revealed just how great he thought it would be if the X-Men, Spider-Man and The Avengers could all team up for a nigh-impossible movie, but what he didn't say was that he almost did appear as Wolverine alongside Spidey in the first Spider-Man film back in 2002.
Hitting at the height of the franchise’s popularity, the 1992 X-Men animated series translated all the action and melodrama that made the comic such a success to the world of Saturday morning cartoons, and it got its hooks into me like almost nothing else. That’s why ComicsAlliance is heading back through the archives for an in-depth look at every single episode of X-Men. This week: 'The Final Decision,' the explosive (literally) finale of Season One!
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