Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at the Green Lantern.
Many of comics' most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we'll help you navigate the very best stories of DC Comics' most beloved characters decade by decade. This week, we're taking a look at Superman.
Miracleman, aka Marvelman, has one of the most convoluted publishing histories in comics. Created by Mick Anglo, but very closely modeled on Fawcett's Captain Marvel, the character has passed between several owners and publishers over the years, and run afoul of all sorts of legal entanglements. Those complications seemed to be resolved by a recent court case --- so this is clearly the perfect time to add yet another publisher to the character's long history!
IDW is getting into the Miracleman game with a deluxe hardcover 'Artifact Edition' reproducing pages from the 1980s Miracleman revival in Warrior magazine, by artists Garry Leach, Alan Davis and John Totleben and "the Original Writer." (Pssst; it's Alan Moore.)
Were it not for the 3D -- a concept I am yet to be sold on in any medium -- it would appear that Study Group head honcho Zack Soto gazed into the musty abyss that is my head-space and fashioned the new Study Group anthology accordingly. At 96 pages, it contains comics by some of the artists I'm most excited by right now: Connor Willumsen, Sophie Franz, Mia Schwarz, Benjamin Urkowitz, Pete Toms, David King, Julia Gfrorer & Sean T. Collins, and more.
Marvel has announced plans to publish a Miracleman Annual this New Year's Eve that feature the publisher's first original Miracleman story, by the X-Statix team of Peter Milligan and Mike Allred, and a long-lost Johnny Bates story by Grant Morrison, illustrated by Joe Quesada. The book also features a cover by Gabriele Dell'Otto and a variant cover by Bone's Jeff Smith.
Miracleman, originally called Marvelman, was created by Mick Anglo in 1954 as a British analog of Fawcett's Captain Marvel (now Shazam). The character was revived in the early 1980s by Alan Moore as part of the era's deconstruction of the superhero motif, but ownership of the character later fell into a protracted dispute.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
Comics have seized center stage at the venerable British Library in London this summer in an exhibition celebrating the history of British comics and the work of British creators. Subtitled, 'Art and Anarchy in the UK', the Comics Unmasked exhibition places an emphasis on protest, outsider culture, and anti-authoritarian voices.
Curated by Adrian Edwards, Paul Gravett, and John Harris Dunning, Comics Unmasked draws heavily on the British Library's own collection to establish and define Britain's relationship to the comics art form -- stirring up nostalgia, scandal, and some surprising discoveries along the way. And Kieron Gillen's giant head.
One thing that you can say about San Diego's Comic-Con International is that it provides plenty of unique opportunities to meet with your favorite creators, and definitely a lot of pricey pieces of merchandise to remember those occasions. This time, though, IDW Publishing may have topped it with their new "Artifact Edition" of Watchmen, the classic 1986 story by Alan Moore and Dave Gibbons. Similar to the publisher's line of Artist's Editions, the 12" x 17" hardcover, published in cooperation with DC Comics, will feature over 100 story pages from Watchmen, reprinted from the original artwork at full size, with numerous extras. An extremely limited run of 25 copies is being produced specifically for Comic-Con.
This SDCC-exclusive limited edition Artifact Edition will be sold for $500, or roughly the cost of fifteen complete runs of Punisher 2099.
Of course, while $500 is a pretty serious chunk of change (one and a half PlayStation 4s or one eighth of a foam replica of the Batcave's giant penny for your house, minus shipping), it's actually not a bad deal, mainly because the offer also includes dinner.
Image Comics' Humble Bundle offer, which ended about two weeks ago, was a notable success with tens of thousands of readers naming their price for contemporary comics. Top Shelf Productions is part of the site's newest book offer, which will benefit Doctors Without Borders and the Comic Book Legal Defense Fund.
Buyers can snag three Top Shelf books through the site: March Book One by John Lewis, Andrew Aydin and Nate Powell; From Hell by Alan Moore and Eddie Campbell and Ed Piskor's Wizzywig.
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