The Marvel Comics line is about mid-way through its giant line-wide crossover event Secret Wars, in which reality has been rewritten by god-emperor Doom, and the heroes have been re-imagined more than a dozen times over in different domains paying tribute to stories from throughout Marvel's publishing history.
One of those domains is a version of House of M, another reality-rewriting crossover event that cast the Marvel heroes in different roles, which ran ten years ago. House of M launched the current era of Marvel events, kicking off a steady steam of universe-shaking storylines that continues into Secret Wars. To mark the tenth anniversary of House of M, and ten years of event-driven storytelling, we're asking you to determine which of these events was the very best.
There are a lot of things that happen regularly in comics that I've never really understood, and chief among them has been the sheer number of superhero crossovers with Aliens and Predator. I mean, I understand wanting to see Aliens and Predators fight each other because they're both these mysterious, lethal alien enemies, where one's a cunning, vicious hunter and the other's an almost mindless biologically driven killing machine, a natural contrast that makes them cool opponents for each other and a deadly combination for anyone who gets trapped between them. The thing I don't get is why you'd want to throw Superman or Batman in there, if only because of the sheer amount of storytelling gymnastics you have to do to make it work. And yet, they happen all the time, and I have long since accepted that it's Just Not My Thing.
And then I read Predator vs. Judge Dredd vs. Aliens, and now I get it. Mostly because the first story in this collection ends with Dredd taking off his shirt (while leaving his helmet on, of course), and fighting the Predator with a knife.
On the day Grant Morrison's final issue as writer of Action Comics is hitting the stands at comic shops, his successor, Andy Diggle, announced via Twitter he's leaving the book for "professional reasons." The news comes prior to next month's release of Diggle and a
Following Grant Morrison, Rags Morales, Brent Anderson, Gene Ha, Brad Walker, ChrisCross, Cully Hamner, Cafu, Andy Kubert, Rick Bryant, Travel Foreman, Chris Sprouse and Sholly Fisch's 18-issue run, writer Andy Diggle and artist Tony Daniel will take over Action Comics beginning with issue #19 in April. So far, judging from
With the 300th and final issueof Vertigo's Hellblazer, out this week, several tumblers shift and lock into place. John Constantine moves to the New 52 on a full-time basis, with a new title beginning in March; the reset button is pushed on his continuity, and the most writer-driven character of the last thirty years is yanked from the comfort and promise of a Mature Readers label and forced to grow up again in a PG-13 world; and the longest-running title in the Vertigo line concludes a twenty year run, as the imprint focuses exclusively on creator-owned comics. It's a sad time for misfits everywhere, as Hellblazer is o
Image Comics kicked out the jams last weekend at New York Comic Con, where publisher Eric Stephenson announced loads of new series that once again demonstrated his company's ability to court big name mainstream talents away from Marvel and DC Comics. Image confirmed new work from cr
Dynamite Entertainment got really real last weekend at New York Comic-Con, coming out swinging with numerous new projects from an impressive roster of mainstream creators who've been given free rein on brand new series. Among them, Rick Remende
The T&A Panel at New York Comic Con, named for Marvel Comics editors Tom Brevoort and Axel Alonso and featuring Arune Singh, kicked off Friday with a couple of bangs. Captain America is getting a deluxe miniseries just in time for hi
The trailer for "The Losers" -- the movie based on the Vertigo comic by Andy Diggle -- is out, and you know -- there it is. The premise seems built for action movie adaptation: a special ops group gets betrayed by their C.I.A. handle
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