DC's big Convergence event seems set to bring back a lot of familiar faces, with solicitations teasing new stories featuring characters ranging from Ryan Choi through to the married Clark Kent and Lois Lane. But more than anyone else, it's the return of a certain blonde Batgirl that really got people talking.
After recently showing up in Batman: Eternal under her guise as Spoiler, this April sees the return of Stephanie Brown as Batgirl, for a two-part story from the creative team of Alisa Kwitney, Rick Leonardi, and Mark Pennington. Trapped under one of Brainiac's domes as part of Convergence, the two-parter sees Stephanie, Cassandra Cain and Tim Drake join forces to protect Gotham from -- what else? -- a giant rampaging gorilla. Gorilla Grodd, no less. And Catman's there too! With so much going on in just two issues, we spoke to Kwitney about what we can expect from Stephanie Brown's return this April.
It's Celebrate Bisexuality Day today, also called Bisexual Visibility Day -- a day to celebrate and promote recognition of those who are sexually attracted to people of more than one gender. The day exists because people with non-monosexual queer identities face unusual challenges in being recognized by both mainstream and queer cultures, yet visibility helps break down barriers and encourage acceptance.
In superhero comics, the problem of bisexual invisibility is as ingrained as anywhere; the medium struggles to acknowledge the existence of anything that didn't exist in The Honeymooners or The Andy Griffith Show, unless it's a space god, a shapeshifter, or a parasitic psychic monster. Having a character say, "I'm bisexual" is apparently more implausible than any of those things. There are signs that the industry is changing in this regard -- but slowly, and rather half-heartedly.
Superhero comics have a diversity problem. The leading characters are largely male, mostly white, and overwhelmingly straight. By definition, well-established characters come from an era when the culture was even straighter, whiter and more male than it is today, and as a result the characters fail to represent the diversity of their audience.
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