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Chris Burnham

Morrison & Burnham’s ‘Nameless’ #1 Comes With Variant Covers By Names Like Tony Moore, Nathan Fox And Jonathan Hickman

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If you've been wanting to read a comic that emphasizes a "long-withheld sneering contempt for our miserable species, with its self-serving, sentimental, suicidal self-delusions and its greedy, willful ignorance," then folks, I have got some good news for you. We are only a few short weeks away from the release of Nameless, the new six-issue Image Comics series from Grant Morrison, Chris Burnham and Nathan Fairbairn, described by Morrison as a straight-up horror comic about the worst that humanity has to offer.

To celebrate that fact -- uh, the release, I mean, not the thing about greedy ignorance and suicidal self-delusions -- Burnham revealed three variant covers for the first issue today, featuring the art of Tony Moore, Nathan Fox, and Jonathan Hickman. A fourth variant has also been commissioned, but they're keeping that secret for now.

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Batman Reincorporated: Nathan Fairbairn Presents A Behind-The-Scenes Look At The Revised Art For ‘Absolute Batman Inc.’

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Writer Grant Morrison undertook a major magnum opus with Batman Incorporated. As the culmination of his seven-year-run on the character, working in collaboration with artists including Cameron Stewart, Frazer Irving, Yanick Paquette, and Chris Burnham, he offered up perhaps hs definitive deconstruction of the character of Batman through the creation of a global Batman franchise.

Yet as series colorist Nathan Fairbairn tells us, Batman Incorporated experienced an unusual road bump in the form of a line-wide reboot that potentially undermined the thesis behind the whole series. Writing exclusively for ComicsAlliance, Fairbairn reveals how some pages were re-drawn for the book's Absolute collection, which arrived in stores this week.

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Best Art Ever (This Week): Chvrches, Spider-Gwen, Ramones, Mister X, Gotham Academy And More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Best Convention Sketchbook Ever (This Week): Original Art From Comic-Con 2014

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Over the past few years, I've been toting around themed sketchbooks to conventions to get pieces of art from some of my favorite comic book creators, based on Jack Kirby's creations and tokusatsu heroes. This summer, however, I decided to switch things up a little and go with a much broader theme, since some people are not as familiar with the past 40 years of Kamen Rider as I'd like them to be. The result: A sketchbook full of my favorite characters.

Now that I've been through HeroesCon and San Diego, I've gathered up a pretty solid bunch to start out with, and they're pretty amazing. Check below for this summer's crop of sketches from artists like Chris Burnham, Tom Fowler, Joëlle Jones, Ben Dewey and more!

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Best Art Ever (This Week): Mouse Guard, Game of Thrones, Daft Punk, Grendel, Godzilla and More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Best Art Ever (This Week): Zatanna, The Fifth Element, Uncle Scrooge, Ronin, Death and More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Image Expo Roundup: New Titles From Brubaker, Morrison, Fraction, Burnham, DeConnick, Snyder And More

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One of the most significant -- and to many readers, one of the most exciting -- developments in comics in the last few years has been the growth of Image Comics, with many of the most popular writers and artists in the industry currently producing much, if not all, of their creator owned work through the publisher. As such, Image Expo has become a highly anticipated event, as publisher Eric Stephenson uses the annual show to announce several upcoming books from both established and new talent.

Today's Image Expo continued that tradition, as more than a dozen new titles were announced, from Ed Brubaker, Grant Morrison, Kelly Sue DeConnick, Chris Burnham, Matt Fraction, Rick Remender and more.

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Best Art Ever (This Week): Howl’s Moving Castle, Hellboy, Buck Rogers, Ms. Marvel, Star Wars and More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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Best Art Ever (This Week): Highlander, Terry Gilliam’s Brazil, Julie Newmar, Slick Rick, Watchmen & More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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Closing the Loop and Filling the Hole: The End of Grant Morrison’s Batman [Spoilers]

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This week, Batman Incorporated #13, by Grant Morrison, Chris Burnham and Nathan Fairbairn, wraps up Morrison's seven-year tenure on the character. It brings everything to a definitive close that leads to both the character's new era in the New 52 and to the core of the Batman myth itself. It closes not just one loop, but a number of loops, between the present and various points in the past -- the beginning of this volume, the beginning of Morrison's run and, indeed, to the very beginning of the character, way back in Detective Comics #27 in 1939. It's a heartfully written, beautifully drawn true creative collaboration between three of the best talents in comics, and can probably be best described as a frustrated and slightly resigned labor of love. I've been following this run since it started, and there's a solid argument to be made that this particular run, this particular story, has been the bedrock of my entire comics journalism career. So let's look back on the past seven years of headshots, time travel, evil gods, lapdancing pigs, father-son bonding, heartbreak, good art, bad art and, above all, mystery. Let's look, for the first time, as a whole, at Grant Morrison's run on Batman, and talk about the Hole in Things.

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