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Elizabeth Breitweiser

ComicsAlliance’s Best Of 2016: Outstanding Colorist Of 2016

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Check out the best colorists of 2016, including our critics’ picks and the creators you voted the runners up and winner in this category!

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Skybound Celebrates Image’s 25th Anniversary With 25 Cent Jumping On Points

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Next year Image Comics is celebrating its 25th anniversary, and to celebrate the occasion, Robert Kirkman's Skybound imprint will release issues of its three cornerstone titles for only 25¢ each. Outcast, Invincible and The Walking Dead all start brand new stories in February, and fans will be able to check them out for a fraction of their usual cost.

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They Work For The Machine: Ed Brubaker On ‘The Fade Out,’ Part Two

The Fade Out, Ed Brubaker, Sean Phillips, and Elizabeth Breitweiser

Ed Brubaker and Sean Phillips have been making comics together for over fifteen years, and this week marks the end of their latest collaboration, alongside colorist Elizabeth Breitweiser. The Fade Out tells the story of the Golden Age of Hollywood and a murder that drags a pair of writers through some of the seediest criminal elements of the movie industry in 1948, and how far the film studios were willing to go to cover things up.

With the 12th and final issue now in stores, Brubaker has joined us for a two-part interview about the series. Today, in the second half, we talk about the relationships between Charlie and the rest of the cast, designs for the characters, and the upcoming Criminal one-shot with Sean Phillips that introduces the sensational character find of 2016.

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The Real Tragedy Is That He’ll Never Leave: Ed Brubaker On ‘The Fade Out,’ Part One

The Fade Out, Ed Brubaker and Sean Phillips

Ed Brubaker and Sean Phillips have been making comics together for over fifteen years, and this week marks the end of their latest collaboration, alongside colorist Elizabeth Breitweiser. The Fade Out tells the story of the Golden Age of Hollywood and a murder that drags a pair of writers through some of the seediest criminal elements of the movie industry in 1948, and how far the film studios were willing to go to cover things up.

With the 12th and final issue now in stores, Brubaker has joined us for a two-part interview about the series. Today, we talk about his family connections to film noir, the real-life stories of crime and excess that provided the framework for what he and Phillips created, and the relationship between the two characters who find themselves at the center of a plot to make an actress's murder quietly go away.

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Ed Brubaker And Sean Phillips Bring ‘Criminal’ To Image

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The powerhouse creative team of Ed Brubaker and Sean Phillips have been publishing all their recent work -- Fatale and The Fade Out, namely -- with Image Comics, so it seemed pretty clear that it'd only be a matter of time before what's arguably the duo's most recognizable creator-owned noir title, the hugely acclaimed and award-winning Criminal, currently published by Marvel's Icon imprint.

In January, the series will make the big move with a new one-shot, a magazine-sized bonus edition of that one-shot, and a trade paperback of the first Criminal mini-series, "Coward." Colorist Elizabeth Breitweiser will stay with the book at its new home.

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Ed Brubaker and Sean Phillips Go Hollywood Noir With ‘The Fade Out’ [Preview]

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Writer Ed Brubaker and artist Sean Phillips have collaborated on a number of different spins of the noir variety over the years: hard-luck stories (Criminal), supervillain parables (Incognito), even mixing in Lovecraftian on occasion  (Fatale). Now, the creative team is taking on another aspect of noir: old Hollywood's seedy underbelly.

The first project announced since the two inked their five-year carte blanche deal with Image Comics, The Fade Out will kick off August 20 with a 40-page first issue which will include exclusive back-matter articles not to be collected in later editions. Readers can also buy an oversized "movie magazine replica" edition of The Fade Out #1, with eight extra pages of art.

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