Created by Marv Wolfman and George Perez, Cyborg has slowly moved up the ranks in the DC Universe, growing from Teen Titan into a fully-fledged member of the Justice League. To mark the launch of his new solo series from David F. Walker, Ivan Reis, Joe Prado and Adriano Lucas, we've collected some of the best Cyborg art ever.
Since her 1941 debut, Wonder Woman has been one of the cornerstones of DC Comics, and of superhero comics in general.
In her 74-year-history, scores of artists have put their spin on the character, from subtle changes to her classic red, white, blue and gold costume to the "new" Wonder Woman of the late 1960s to some far more maligned interpretations that featured jackets and long pants. We've compiled a gallery of some of the most iconic Wonder Woman artists of the past seven decades, along with some positively stunning modern designs.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at Wonder Woman.
Nightwing is comics' hottest male superhero. His superior hotness is a fact so indisputable that, when we compiled our list of the 50 Sexiest Guys In Comics a while back, there was never any serious doubt that he would come out on top. His appeal is not only recognized by fans, but also by creators and even by publisher DC, which has been known to pander to his fans on several occasions. In an industry that doesn't generally make time for the female gaze, Dick Grayson has emerged as one of the medium's few male sex symbols.
But what is it about Dick Grayson that sets him apart among the macho mannequins of superhero comics? Is it his personality? His history? His character design? His butt? ComicsAlliance spoke to Dick Grayson experts Tim Seeley and Devin Grayson, and several of the character's fans, and undertook an intense study of the source material, to get to the lovely bottom of this great question.
Fans of Captain Marvel probably won't tire of being reminded that their hero is getting her own movie, scheduled for a July 6th 2018 release. There's no director, no writer, and no star attached, but the movie has a title and a date, and that alone is progress. Superhero fans have been waiting a long time for a Marvel Studios movie with a female lead.
The Captain Marvel movie is due to come out thirteen months after a planned 2017 Wonder Woman movie from Warner Bros, and those two pictures could help usher in a new age for female heroes, if the studios follow through.
The Wonder Woman movie was a long time coming, but she's an obvious choice for Warner Bros; she's the definitive female hero, a brand, and an icon, with more than seventy years of history. By contrast, Captain Marvel has been around in her current incarnation for two years. But there are good reasons why she's Marvel's pick for a leading lady.
New York Comic Con is right around the corner, and if you're planning on heading to Manhattan's Javits Center next weekend, the good people at Boom! Studios want to give you as many chances to part with your money at Booth 1344 as they possibly can. To that end, they're offering up a slate of pretty amazing looking variant covers, including a beautifully painted wrap-around cover for the Adventure Time: Fionna and Cake hardcover and an NYC-specific image where Jake Lawrence's Teen Dog takes a ride on a cosmic subway.
My personal favorite, though, is the first issue of Sleepy Hollow, the tie-in to the amazingly bonkers Fox television show, which features Abbie and Ichabod charging through the forest with a hot pink lantern, as drawn by Lumberjanes co-creator Noelle Stevenson. It is basically amazing.
In the process of writing my article about muscles vs curves, and how the big dudes of superhero comics typically fail to represent the tastes of most androphile women, I gathered a collection of images and recommended artists from my correspondents that illustrate the sort of art they'd love to see more of -- but which there's sadly very little of compared to all the T&A fan-service targeted at straight men.
I had far too many recommendations to put in the article, so I've compiled the collection (and a few personal favorites) into a very special one-off post. The collection includes pin-ups, fan art, sketches, and some traditional superhero art from artists who aren't afraid to put a little male eye candy in their work!
As a man who reads superhero comics, I confess that I share a commonly-held prurient interest in big-chested, long-legged heroes in skin-baring costumes that barely cover their naughty bits -- or as I like to call him, Namor.
Sadly, Namor is pretty much alone in his category. Contrary to the perception that male heroes in comics are frequently sexually objectified, it's my experience that even Namor is only rarely presented as someone to lust over. Yet I'm fortunate that my tastes run towards the Hemsworth end of the scale. Like many straight men, I admire the kind of buff dudes that are the staple of superhero comics, even though they are rarely sexualized. If I shared the tastes of most of the women I know, I think I'd find superhero comics an even more frustratingly sexless wasteland.
Q: I was reading your column about New Teen Titans where you said Crisis on Infinite Earths was a mess, but a topic for another time. Care to explain now? -- @jeremyliveshere
A: The one thing you can't say about Crisis on Infinite Earths is that it didn't deliver on its promise. In a time when "event" comics were still in their infancy, Crisis came out of the gate promising to be the biggest thing that had ever or would ever hit comics, and looking back on it from almost thirty years later, it's hard not to admit that even with a comic rolling out every six months like clockwork that promises to change everything forever, it's still the one that actually did it. Worlds did live, worlds did die, and nothing actually was the same again.
It just also happens to be a story that's a complete friggin' mess.
One of the most discussed news items from last month's Comic-Con International was the first look at Wonder Woman as she will appear in Batman V. Superman: Dawn of Justice, the new DC Entertainment film by Zack Snyder. Played by Gal Gadot, this will be the first cinematic appearance of William Moulton Marston's Amazonian princess and feminist icon in her nearly 75-year history, and naturally fans have had a lot to say about the portrait debuted in San Diego. In reaction to the image, members of the ComicsAlliance staff assembled to discuss and critique Gadot's costume, depictions of super-women on film, and the current state of superheroine fashion in general.
Today's participants include CA's superheroic sartorialist Betty Felon; clinical psychologist and Arkham Sessions co-host Dr. Andrea Letamendi; comic book editor Janelle Asselin; journalist Juliet Kahn; comics writer/artist Kate Leth; and blogger/vlogger Angelina L.B. aka ALB, who makes her CA debut in this in-depth analysis. Join us for our roundtable discussion on Wonder Woman's newest live-action steez, high heels, and the balance between practicality/realism and style in superheroine costume design.