Greg LaRocque

Recently, the subject of rotating art teams in superhero comics reached a tipping point, and people have started to wonder if the concept does more harm than good in the long run. With double-shipping in superhero comics becoming more prevalent and artists’ contributions are becoming seen as interchangeable, it’s important to stop and ask: Are rotating artistic creative teams good for comics in the long-run, or does it start us down a path of recognizing the writer’s contributions as inherently more important to the finished product?

Superhero comics are always gonna be weird, even when the aesthetics of the time they occupy are trying to lean hard into more Serious Issues. Like, say, that time in 1991 when Vandal Savage tried to eliminate the drug trade and the Flash got shot, killed, resurrected by a cyborg, and ended up with a new costume in the process.

We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwor