Being a subscriber to Youth in Decline's excellent Frontier series of monographs by artists such as Hellen Jo, Sam Alden, Emily Carroll, and more, doesn't make me any less excited whenever the publisher shares sneak peeks and information about upcoming books. The sixth (and final for 2014) installment of Frontier is a new, original comic work by the amazing Emily Carroll titled 'Ann by the Bed,' and once again promises to be another perfectly executed slice of eerie horror from the cartoonist.
Q: What major superhero can be most effectively dropped into a horror plot without causing it to stop being horror? -- @KaosExMachina
A: Y'know, I don't wanna make any of the other 215 people who have Asked Chris feel bad or anything, but this is easily one of my favorite questions that I've ever gotten. It's probably obvious by now, but I have a lot of fun thinking about different genre conventions and how they work, and this is the sort of thing that you can play around with forever, and that you can ask your friends and get all sorts of different answers and justifications, something that I actually did while I was getting ready to write this article. But it's also a really difficult one to answer.
It's like you said: When you add superheroes to horror stories, they tend to stop being horror stories.
Craig Yoe is the venerable author, designer and comics archeologist behind such works as Dan DeCarlo's Jetta, Secret Identity: The Fetish Art of Superman's Co-creator Joe Shuster, and Bob Powell's Terror: The Chilling Archives of Horror Comics. Many of Yoe's works are released
Have you ever wanted to see Dilbert creator Scott Adams naked? Yeah, we haven't either, but apparently someone thought that was a good idea. Adams is one of 72 cartoonists who have provided nude self-portraits for the upcoming Naked Cartoonists book from Fantagraphics, joining artists like Will E
Like a lot of people, Trevor Henderson has a special affection for the monster movies from the late 1970s and 1980s. But when Henderson illustrates his favorite flicks, he focuses less on the heroes than the horrors, meditating on Videodrome's torso-VCR madness, They Live's gruesome alien invaders, The Thing's poor, infected pooch and Brain Damage's grey matter-sucking parasite. All the while, he plays with brigh
Despite the fact that I'm a big fan of a lot of the people involved in creating it, I've never actually seen an episode of Cartoon Network's Ben 10. I am, however, pretty sure that I get the basic idea behind the show. It's about absolutely horrifyi
If you think you're fed up with the ghastly state of Hollywood horror, mystery and science fiction, where vampires are sunbathed supermodels with perfect skin and wolfmen are traffic-stopping adonises with chiseled abs -- and where everything else pretty much just sucks too -- then you should ask the real movie monsters how they feel. A werewolf, a c