The Marvel Comics line is about mid-way through its giant line-wide crossover event Secret Wars, in which reality has been rewritten by god-emperor Doom, and the heroes have been re-imagined more than a dozen times over in different domains paying tribute to stories from throughout Marvel's publishing history.
One of those domains is a version of House of M, another reality-rewriting crossover event that cast the Marvel heroes in different roles, which ran ten years ago. House of M launched the current era of Marvel events, kicking off a steady steam of universe-shaking storylines that continues into Secret Wars. To mark the tenth anniversary of House of M, and ten years of event-driven storytelling, we're asking you to determine which of these events was the very best.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it is awesome.
Marvel unveiled its next original graphic novel at the All-AXIS panel at San Diego Comic-Con this afternoon; Avengers: Rage of Ultron, by Uncanny Avengers writer Rick Remender and former lead Avengers artist Jerome Opeña. It promises to be... all the rage. Ho ho.
The story pits a mixed bag of Avengers against a "Planet Ultron" formed when Ultron takes over the computer core in Saturn's moon of Titan (which is a thing that exists in the Marvel Universe and, who knows, maybe in ours as well). Ultron creator Hank Pym may be able to save the day... but at what cost?
A great comic book cover has a lot of work to do. It’s both an advertisement and a work of art; both a statement and an invitation. Sometimes they convey character, sometimes mood, sometimes moment. Sometimes they pastiche the classics or pay tribute to the past; sometimes they strive to show us something entirely new. Always they show us a glimpse of somewhere else through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the month that was.
Bloodbaths, glowing hands, and sinister animal silhouettes; these are a few of comics' favorite things, judging by the comic book covers from June 2014. Read on for great covers from Riley Rossmo, Christian Ward, Russell Dauterman, Jerome Opeña, and more.
Redheads versus reptiles, long-legged ladies, and demons in both human and inhuman form grace the best comic book covers of February 2014. Check out great works of art from Jenny Frison, Andrew Robinson and Kevin Wada - and a double bill from Matteo Scalera.
Avengers artist Jerome Opeña took to his Instagram account to wish his followers a Happy Valentine's Day in the best way possible: he recorded himself drawing Starfox, a.k.a Eros, a.k.a. The Sexiest Avenger. Also, there's music. It's pretty great, you guys.
We're fast approaching the end of Marvel's sprawling space war/alien invasion crossover event Infinity, with one more issue to come. If you thought the story's two main threads -- the war against the Builder armada on the one hand and Thanos's invasion of Earth on the other -- were going to neatly come together, well... you may be disappointed. They are in the same comic, however.
I just flew in from New York Comic Con and boy, is my copy late! The fourth issue of Marvel's Infinity shipped a week ago, but I've been so busy covering Marvel's gently-teased future plans that I've fallen horribly behind again. (Gallimaufry! Rick Remender, Skottie Young, Marvel NOW-er, 2015! Hamantaschen! Dan Slott, Ryan Stegman, Marvel NOW-est, 2016!)
Thankfully it's theoretically impossible to be late for Infinity. That's basic math.
Reader, this installment of Comics Alliance X Infinity, our recap of Marvel's latest big crossover event, is running shamefully late, but I swear I have a good excuse. I've been playing Avengers Alliance on Facebook all weekend. Now, I know that doesn't sound like a good excuse, but look, they're running an Infinity tie-in mission, so it's basically research, all right? And I don't think you fully understand how badly I need to unlock Black Bolt as a playable character.
But the comic version of Infinity won't wait forever. Or will it? My editors certainly won't, so let's jump back into the Infinity whirlpool with issue #3, by writer Jonathan Hickman and the returning art team of Jerome Opeña, Dustin Weaver and Justin Ponsor. Spoilers ahead!
Welcome back to the Comics Alliance guide to Marvel Comics'Infinity, where we disentangle the Möbius strip of writer Jonathan Hickman's database-powered brain. When last we left the action in Infinity #1, the Avengers were heading into space to fight the Builder fleet, which left the planet undefended against Thanos. For a certain value of undefended. Only most of the superheroes were still on Earth. Like those 50 State Initiative guys. They can't all be on Arcade's Murder Islands, can they? Is there a 50 State Murderpeligo that Dennis Hopeless hasn't told us about?
Issue #2, with art by Jerome Opeña, Dustin Weaver and Justin Ponsor, opens with the arrival of Thanos's horror circus, the greyest show on Earth. The Avengers, meanwhile, have joined up with a host of alien races, had a big space battle, and lost it. That seems like a bit of a jump in the narrative, but Hickman has created an unorthodox storytelling challenge for himself, and the results are a little variable.
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