Wolf #1, written by Ales Kot with art by Matt Taylor and Lee Loughridge, opens with one of the most beautifully distinct images I've seen in a comic this year: a man on a hillside overlooking LA; the buzzy glow of the city's lights just visible in the distance; the man is singing a blues song, Robert Johnson's Hellhound on My Trail; also, he's on fire. It's a haunting image, all the more because of the complete lack of explanation. “How do you feel about myths?” reads the single caption, and there's something genuinely mythic about these opening pages. This image of a burning man, picked out in flames of unnaturally bright orange by colorist Loughridge, is eerie, primal and immediately iconic.
These pages set the tone for the rest of the issue, and most likely the series to follow --- and even if the rest of the issue's sixty-something pages never quite match the highs of these first few images, it's a promising start.
Reading Black Canary wasn't just reading another comic book --- the character comes with a lot of baggage for me, so I felt bound to be more critical of it than I am of any other book. But by the time I finished issue #2, I felt like a character I'd loved for a long time had been given a new life. This is what we should want for our heroes.
Image Comics held its now traditional pre-San Diego one-day show on Thursday at the Yerba Buena Center for the Arts in San Francisco, and unveiled an impressive roster of new titles for the coming year that includes new work by familiar names such as Warren Ellis, Jason Aaron and Gail Simone; plus an encouraging number of relative newcomers and unknowns. Check out our rundown of all the news and announcements.
Earlier this month, Ghostface Killah announced the release of 36 Seasons, an ambitious new album on Salvation/Tommy Boy Records which is accompanied by an exclusive 20-page comic booklet that features work by top-tier artists. The disc's storyline and packaging are the brainchild of Matthew Rosenberg, a comic creator who worked with Ghostface on last year's 12 Reasons To Die limited series from Black Mask Studios. We recently got a few minutes to speak with Rosenberg about his work on the record, the artists he sought to contribute, and his experience straddling the line between the music and comic industries – and we're excited to premiere a trio of illustrations from the project by Michael Walsh, Palle Schmidt, and Chris Pyrate, as well as showcasing some roughs and behind-the scenes material.
With the wrap-up of writer Joe Keatinge's multi-artist "Strange Visitor" epic in Adventures of Superman last week, the series is nearing a full year of weekly, digital Superman stories. It's easily been the best, most daring Superman title DC Comics has been publishing in 2013 and 2014 (and not just because Superman gets to wear his real costume in it). Edited by Alex Antone, Adventures of Superman invites creators from all strata of comics to put their own stamps on Jerry Siegel and Joe Shuster's original American superhero, free from the aesthetic constraints of the publisher's main line of New 52 comics and continuity. We like it so much, Adventures of Superman ended up on our list of the best comic books published in 2013.
We thought it would be a good idea to look back at the series so far, so I've compiled the following list of stories that readers unfamiliar with the series should go back and catch up with if they want the high points of the past year. At a dollar a pop, they're all well worth it.
We truly live in a golden age of great artists drawing Godzilla.
James Stokoe's Godzilla: The Half-Century War was an artistic powerhouse at IDW a little over a year ago, and now, Legendary Comics has unveiled a stunning Arthur Adams cover to Godzilla: Awakening, its new comic book prelude to the upcoming Godzilla movie. Check out the cover, along with a ton of info about the 80-page comic, after the jump!
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
If recent revelations can teach us anything, it's that Americans will always have a shadow behind us. Since the end of World War II, we have invested so much money and power and authority in our military-industrial complex and clandestine forces that it's categorically absurd to believe that our privacy has been anything but compromised, our national innocence -- if it ever existed -- anything but forfeit. For at least the last twelve years, American soldiers have been engaged in seemingly perpetual wars across the world, while potentially every electronic conversation we've had has been stolen and scrutinized, and the lie we've been told is that it's all been in the name of American freedom.
The truth is much worse. Like the titular character in Garth Ennis and Goran Parlov's just-concluded Fury MAX series, we simply love war, and we cannot stop ourselves from waging it.
What I love about the comic book anthology is the frequently anarchic approach they can take to compiling disparate creators and stories. It's like putting a bunch of great cartoonists, writers and artists -- some of whom you know, some you've never heard of-- in a playlist and hitting "shuffle...
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