Last week, cartoonist Rachel Dukes posted some eye-opening statistics to her Tumblr about a comic she made about what life as a cat owner is like. She originally published the comic with a copyright notice and a URL to her website. That version of the comic has been seen about 81,600 times.
Another version, from which someone removed the URL and copyright info, has been seen nearly 600,000 times, mostly on Tumblr and Facebook. This problem of lack of credit is one that lots of artists have dealt with and quite a few have talked about over the past several years, but it continues to persist. It makes me wonder if there could be some kind of fix.
There's a certain stereotype that springs to mind when I think about political cartoons and the cartoonists that draw them. In his book, Life Begins at Incorporation (out digitally via ComiXology submit now and available in print on his site, also coming from Top Shelf in November) cartoonist Matt Bors acknowledges it, and even points to The Onion's spot-on parody of that crotchety old goof. I worked at a daily newspaper for almost four years, during which I knew two different editorial cartoonists, neither of which fit the bill of the guy who always draws the Statue of Liberty crying. And yet I can't shake the stereotype. It persists.
Valentine's Day is here at last, and that means that it's time to celebrate the people we love. Admittedly, most of the people we love are fictional vigilantes, but still: Romance is in the air. And for those
With the growing appeal of crowd funded projects through platforms like Kickstarter and IndieGoGo, ComicsAlliance has decided to dedicate a weekly column highlighting some of the more promising projects that deserve to be funded.
If Alan Moore's involvement wasn't enough, Occupy Comics has added additional esteemed creator to its ranks with the news that Art Spiegelman and a host of other established talent will be contributing
The war in Afghanistan has been a steady fixture in the news and in political cartoons over the past nine years, and with good reason. Embedded reporters have delivered thousands of images of a war-torn land, a demoralized populace, and vicio
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