As everyone knows, Spider-Man's costume is the best; a true masterpiece of design. The webbing, the colors, the chevron belt, the split arms, the wide-eyed mask; it's all perfect. Steve Ditko smashed it out of the park. It's also inspired some amazing costumes, like the black Spider-Man costume designed by Mike Zeck in 1984 (reportedly based on a suggestion by fan Randy Schueller), and this year's Spider-Gwen costume by Robbi Rodriguez.
And then there's Spider-Woman. Her costume was designed in 1972 by Marie Severin, and it hasn't really changed since -- and I hate it almost as much as I love Spider-Man's costume. It's ugly, tacky, and it doesn't match the personality of Jessica Drew, the woman behind the mask. So I'm delighted that artist Kris Anka has given Jess a new set of togs that look chic, modern, and appropriate to her character.
There were three big announcements at this year's Cup O' Joe panel at San Diego Comic-Con - the return of Marvel UK, a sequel to Wolverine: Origin, and a Young Avengers jam story. As usual, however, the hour was dominated by questions from the audience.
Joe Quesada was on hand to answer questions, joined by Editor-in-Chief Axel Alonso, editors Steve Wacker and Nick Lowe, talent liaison CB Cebulski, writers Brian Michael Bendis, Rick Remender and Sam Humphries and artist Skottie Young.
A big shadow hung over this year's Ultimate Marvel panel at San Diego Comic-Con. The final issue of Age of Ultron revealed that Galactus had slipped through from the Marvel Universe to the Ultimate Universe, but that's not the shadow I'm referring to. Fans have been speculating for the past few weeks that the Galactus story is a way to bring the Ultimate Universe to a dramatic close. The spectre of cancellation hangs over the low-selling line.
The SDCC panel didn't exactly assuage that fear, but nor did Marvel confirm that this was the last -- nay, ultimate -- Ultimate panel. All the talk was about the big man coming to dinner - and about the future of Ultimate Spider-Man, Miles Morales.
On sale now from Marvel Comics is Wolverine & The X-Men #4, which, among other delightful things, contains the series' first pages by Nick Bradshaw. Part of the hit new series' artistic swing team, Bradshaw has the unenviable task of following the always excellent work of Chris Bachalo and Tim Townsend. But if you've read Wolverine & The X-Men #4,
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