Created by Dan Jurgens in his self-titled series in 1986, Booster Gold is one of the most quintessentially 80s superheroes, dressed in garish gold, and obsessed with his own image and celebrity. He came from the future, but he belongs to the MTV generation. And as a time-traveler himself, he has a typically convoluted backstory involving a dead sister, alternate versions of himself, and the usual confusion of crises.
That backstory is only going to get more complicated when Booster Gold is thrown into the mix of DC's Convergence event. Thankfully DC has decided to help readers out with a two-page guide to Booster's backstory, which they've asked us to share exclusively with you.
A more appropriate name for DC Comics' Convergence event, at least the miniseries that will accompany the main series for two months next spring, may be "Nostalgia Trip."
DC has been rolling out titles and creative teams for the 40 planned series week by week. The first batch focused on the publisher's pre-New 52 continuity. The second focused on the 1990s (including WildStorm), and the third seemed to center on the 1980s.
The fourth and final group of miniseries, which DC announced Tuesday, covers a much wider time period: All of DC's pre-Crisis On Infinite Earths continuity. And there's another twist: They all take place on defined and listed alternate Earths which existed before the company's last line-wide reboot in the 1980s.
The Marvel Unlimited app is a gigantic, messy cache of awesome and terrible old comic books: a library of 13,000 or so back issues of Marvel titles, available on demand for subscribers with tablets or mobile phones. Like any good back-room longbox, it’s disorganized and riddled with gaps, but it’s also full of forgotten and overlooked jewels, as well as a few stone classics. In Marvel Unlimited Edition, Eisner-winning critic Douglas Wolk dives into the Unlimited archive to find its best, oddest and most intriguing comics.
Ego the Living Planet is one of Stan Lee and Jack Kirby's trippier creations: introduced in 1966 in Thor #132, he is literally a planet who is also a dude. With a face. (His first appearance was one of the photo-collages that Kirby was occasionally doing in those days; the gaunt, bearded face that Kirby pasted onto a planet shape was significantly different from most of the characters he designed.) Understandably, it's a little bit hard to do much with a planet-sized character who has to interact with humans, but nearly every artist who's gotten to work with Ego over the years has clearly relished the chance to draw his massive, scowling visage.
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