This TV season is already overflowing with new TV shows based on comics, with Gotham, iZombie, Powers, The Flash, and more on the way, but SyFy announced this week that it's adding even more to the list.
Keeping in line with its return to science fiction and fantasy programming (though it's keeping its oddly spelled name, it seems), the network is launching a huge slate of new shows, including four based on comics: Ronin, Pax Romana, Letter 44 and Clone.
Depending on who you ask, Mighty Avengers #1 is either a big deal or completely unnecessary. To some, it represents a significant moment: Marvel putting sincere thought and effort into publishing a super hero title starring a cast of characters who are mostly persons of color. To others, it's an idea that's "contrived" or "forced," taking away jobs from hardworking, honest, god-fearing, and completely fictional white people. That, or it's yet another Avengers title from the publisher, and there are some who already complain that there are far too many.
But wherever your feelings lie, what matters most -- what should matter most -- is whether or not Mighty Avengers is a good comic. Written by Al Ewing and with art by Greg Land, Jay Leisten and Frank D'Armata, Mighty Avengers #1 is, in many ways, a very promising start.
After days of teaser images from Marvel hinting at some kind of new series, this morning the publisher finally announced a relaunch of Mighty Avengers. Written by Al Ewing with art from Greg Land, the new series features a team led by Luke Cage, with Falcon, White Tiger, She-Hulk, Spider-Man, Blue Marvel, Monica Rambeau (now named Spectrum), a new Ronin, and the new Power Man as members. Notably, the team is comprised mostly of heroes who are people of color and/or women.
Mighty Avengers has been championed by Executive Editor Tom Brevoort, who in the past has gone on record as describing the idea of an Avengers team comprised of all or mostly black characters as being "contrived," but now says, "people who are interested in these characters and want to see heroes that reflect them have a genuine point."
Recently I read Miguel Corti's experimental comic Watchmen #13. A cut-up pdf created by numbering and randomizing the panels in Alan Moore and David Gibbon's Watchmen, the book is laid out along variations of the original's consistent nine-panel grid. It is a compelling read, one that made me think about the other major superhero comic of the same era
Hollywood just can't seem to get enough of Frank Miller. With good cause: No matter how many Mystery Men, Catwoman and Punisher adaptations tank (and let's not even talk about Alan Moore's books that inexplicably crash one after another), Miller's works consistently get hit out of the park. So I don't necessarily blame Warners for greenlighting one of his earlier graphic novels, Roni
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