The Marvel Unlimited app is a gigantic, messy cache of awesome and terrible old comic books: a library of 13,000 or so back issues of Marvel titles, available on demand for subscribers with tablets or mobile phones. Like any good back-room longbox, it's disorganized and riddled with gaps, but it's also full of forgotten and overlooked jewels, as well as a few stone classics. In Marvel Unlimited Edition, Eisner-winning critic Douglas Wolk dives into the Unlimited archive to find its best, oddest and most intriguing comics.
In today's edition: Who needs Godzilla when you've got Fin Fang Foom? One of the most ridiculous of the many monsters Stan Lee and Jack Kirby dreamed up in the pre-Fantastic Four era, the giant green (or maybe orange) dragon was first revived in 1974, and has shown up on a fairly regular basis over the past couple of decades. Sometimes (as in Kurt Busiek and Sean Chen's Iron Man) he's taken very seriously; sometimes (as in Warren Ellis and Stuart Immonen's nextwave) he's not. Here are some of his most entertaining appearances in the Unlimited archives.
You might have heard that there's a new Captain Americamovie coming out on April 4. If Marvel's marketing department has gotten its way, this news may very well be tattooed on the inside of your eyelids in phosphorescent ink. Let's say, however, you've never read any Captain America comics before, but now that he's been legitimized as a multi-million dollar film franchise, you're suddenly very interested in that dude with little wings on his head carrying around one of Uncle Sam's rims.
Since being created by Jack Kirby and Joe Simon all the way back in 1941, the hero also known as the Sentinel of Liberty has passed through the hands of some eminently talented writers, artists and editors. Some of these creative teams depicted Cap's adventures for a few months -- some of them for a few years -- before passing the torch to the next creators to keep the flame (or trademark) alive. In comic books, these tenures are called "runs," "series" or "eras," and they're the readers' way of distinguishing one era of a character's saga from the next. Chances are you're not sure where to dive into a a publishing legacy that's spanned more than 70 years, so here is a list, in chronological order, of the Sentinel of Liberty's 10 most interesting and influential comic book runs.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
If you've seen the 2009 blaxploitation parody Black Dynamiteor the Adult Swim cartoon of the same name, then I don't really need to tell you why a new, four-issue IDW Publishing miniseries from writer Brian Ash, artists Ron Wimberly and Sal Buscema, and colorist JM Ringuet is exciting. The very idea is exciting on its face.
But if somehow you aren't familiar with the explosive franchise, let me just tell you this: Black Dynamite is a love machine who can't stand to see jive-ass suckas dealing smack to the kids and is also not fond of his kung-fu being interrupted.
One of the interesting things about Marvel Comics is how seamlessly they integrated horror characters into their mainstream universe. A lot of that, of course, is just convenience. Marvel is, after all, a superhero publisher, so even when they do a comic about Dracula or, say, an actual demon from Hell who runs around with his head on fire punishing sinners with his supernatural abilities, they still just treat them like superheroes that are just part of this bigger, weirder world.
As a result, while they might all get lumped in together, they never really stay cooped up in some spooky corner, and if you're the type to dive into the quarter bin to look for a few cheap scares, that makes it pretty easy to find a spoooooky Halloween back issue. Sometimes Dracula shows up in X-Men and hits on Storm for two issues. Sometimes Blade joins a team of British heroes and helps fight aliens. And sometimes... sometimes Spider-Man gets kidnapped and strapped to a table with Frankenstein so that some weirdo you've never heard of can make "MONSTER SUPREME."
Before the world was trained to think of faceless armies of armored bad guys as expendable clones (thanks a lot, Star Wars prequels!), the throngs of fandom were content to watch their favorite heroes lay waste to scores of thugs they just assumed were the grown up versions of the bullies nobody liked in high school. Leave i
The writer (or co-writer) of such lauded DC Comics superhero titles as Batwoman: Elegy, 52 and Wonder Woman, Greg Rucka unceremoniously left the publisher in 2010 to concentrate on his creator-owned material (like excellent Stumptown). As such, that Rucka would be writing a new Punisher
This week, Marvel releases an absolutely massive omnibus that collects over a thousand pages of Walter Simonson's epic run on Thor, a book that I believe isn't just the best run on Thor, but the single greatest run on comics of all time.
That's a pretty bold statement when you consider that it's up against stuff like Alan Moore's Swamp Thing and over a hundred issues of Stan Lee and Jack Kirby on Fantastic Four, but I stand by it. In his five years as the book's writer, Simonson -- along with fellow creators Sal Buscema and John
As Tom DeFalco and Ron Frenz's Spider-Girl Mayday Parker prepares to take her final bow (for now) in August 25's "Spider-Girl: The End!" #1, Marvel Comics has provided ComicsAlliance with an exclusive first look at the conclusion of a storyline more than a decade in the making.
From her first appearance in the 1998 issue of "What If" #105, fan-demand saw M
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