The weekend is here! Take a look back at what’s happened in the past seven days. New comics, new stories, new podcasts, new art being made — it’s all part of the ComicsAlliance Weekender!
Exciting news from Emerald City Comicon in Seattle, as we learn that Shelly Bond is teaming with IDW for a promising new creator-owned imprint called Black Crown, to launch in October 2017. We don't know any of the books or creators yet, but IDW promises we'll learn all about them at San Diego Comic Con in July.
Veteran comics editor Shelly Bond is putting together an anthology of comics about 30 women from various fields including politics, science and entertainment. Femme Magnifique is a collaboration with Kristy Miller and Brian Miller of Hi-Fi Colour Design. The plan is for a full-color hardcover book of more than a hundred pages, which will feature thirty stories about powerful women of the past and present.
DC has made some interesting moves since its relocation from New York City to Burbank, California, last year, including the upcoming line-wide relaunch DC Rebirth, and a notably uneven line of Hanna-Barbera-inspired comics. Perhaps the most surprising announcement came at Emerald City Comicon earlier this month, when DC unveiled Young Animal, a new line of superhero comics masterminded by Umbrella Academy writer and musician and My Chemical Romance frontman Gerard Way.
Described as a "pop-up imprint," Young Animal includes a new Doom Patrol series by Way and Nick Derington; a Shade relaunch, Shade the Changing Girl, by Cecil Castellucci and Marley Zarcone; Cave Carson Has A Cybernetic Eye, by Way, Jon Rivera and Michael Avon Oeming, and the Gotham-set Mother Panic, concceived by Way and written by Jody Houser, with art by Tommy Lee Edwards. But that's just the start. ComicsAlliance sat down with Way to find out how Young Animal came to be, what his longterm plans are for the imprint, and how involved he is with all the books across the line.
DC’s mature readers imprint Vertigo has had a rough few years; where once it was the benchmark of challenging and thought-provoking creator-owned comics, many of its classic titles have wrapped up their runs, and Vertigo has struggled to find new epics to replace them.
In what DC describes as an effort to "set the business up for future success," the publisher has announced a restructuring of the imprint that includes the elimination of its executive editor role. Unfortunately that means letting go of veteran editor Shelly Bond, who has been with Vertigo since almost the very beginning.
Mark Buckingham’s art hasn't just made Fables a classic — it has made it, and comics in general, accessible to reluctant readers the world over. His work on the long-running Vertigo series chronicling the lives of exiled fairy tale characters is simple, but never simplistic, and visually strong without ever sacrificing complexity. From Buckingham’s pen flow wooden soldiers of truly oaken resolve, smart-mouthed witches, rumpled detectives and alcoholic, anthropomorphic pigs, all living and loving in the little slice of New York City they've made their own.
Buckingham has helped propel the Bill Willingham-written series to the bestseller lists over and over again, inspired decadent cosplay and made Fables the kind of work that's beloved by your bag-and-boarding friends and your mom alike. Now, as the story nears its end, Buckingham is preparing to say goodbye the world he so richly imagined. ComicsAlliance found him at San Diego Comic-Con to discuss the fond farewell and what the future holds.
Vertigo fans may want to sit down. According to The New York Times DC Comics' mature readers imprint has announced six new titles coming this fall, including the finally-titled Sandman prequel announced last summer at San Diego Comic-Con International. On October 30, Gaiman and artist J.H. Williams' The Sandman: Overture #1 will arrive in stores, bringing an end to fans' some 17 year wait for new material.
Much as I enjoyed the MoCCA programming yesterday, I made a conscious decision not to spend as much time in panels today, so as to spend more time walking the floor and picking up cool looking books. I limited myself to just two panels --Shelly Bond's too-early-in-the-morning Minx panel and the Joe Matt spotlight which Clayton blogged earlier-- and spent the rest of the day soaking up (and picking up) the indie comics goodness that was abundant in four rooms of the Puck building...