Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions.
In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
You may have missed it, but last week Frank Cho posted an image he'd drawn on a sketch cover of Spider-Gwen in a pose reminiscent of the Milo Manara Spider-Woman cover that drew a lot of negative attention. Many people were grossed out by Cho's drawing, including Spider-Gwen artist Robbi Rodriguez, while others jumped to Cho's defense, like J. Scott Campbell and Rob Liefeld. What began as not that big of a deal turned into the latest hot mess to preoccupy the industry, so let's talk about outrage and complacency in comics.
Costume design is one of the great strengths of the superhero genre, a way to establish distinctive visual shorthand for a character and reveal key details about concept, purpose, and personality. But which is the best superhero costume of all time? This month, we're asking you to decide, by voting up your favorites and voting down the rest. When we have your votes, we'll compile a list of the greatest super-costumes of all time.
For day one, we're looking at Spider-Man costumes --- and Spider-Woman costumes. Steve Ditko's Spider-Man costume is considered one of the all-time classics, but it's also inspired some incredible variations. Today, rather than jump rightt in with the classic blue-and-red Spidey costume, we're asking for your take on some of the other spider-folk, including Miles Morales and Spider-Gwen.
Everyone needs to get on board the Spider-Gwen train, because the hooded Gwen Stacy Spider-Woman was one of the most exciting new (or improved) characters of 2014, with our favorite new costume of the year, and with February's Spider-Gwen #1, by Jason Latour, Robbi Rodriguez, and Rico Renzi, she'll aim to really make her mark as the best spider-themed hero out there. OK, that's a tall order. But definitely in the top three, which places her in the top 1% of spider-heroes.
Marvel has released a three-page unlettered preview of Spider-Gwen #1 showing Gwen in action, plus a look at three awesome variant covers by Adam Hughes, Skottie Young, and Kris Anka. The Hughes cover offers a glimpse of classic Gwen; Young serves up another of his fantastic baby variants; and Anka treats us to a shot of an unmakes Spider-Gwen delighting in the joy of webswinging. It's a gorgeous image that shows Gwen every bit at home on the end of a webline as Peter Parker. (She might want to put that mask back on, though. J. Jonah Jameson would kill for this picture.)
It probably shouldn't be surprising that Jason Latour and Robbie Rodriguez's Spider-Gwen is inspiring musical tributes from readers. She is, after all, one of the year's most talked about costume designs, ranking just behind the Batgirl of Burnside in terms of spiking fan interest even before the comic came out, and once it did, the revelation that she was the drummer for a band called the Mary Janes paved the way for people to express their love of Gwen Stacy through the magic... of song.
We loved Married With Sea Monsters' grrl-group take on The Mary Janes' fictional anthem "Face It Tiger," and we're equally fond of the new track from ComicsAlliance's favorite MC, Adam Warrock. As you may already know, Adam (alias Euge Ahn) does a fundraiser every year called the 24-hour Rap-A-Thon, where he does as many tracks as he can in a single day, and one of those tracks was all about Gwen Stacy's turn as the new Spider-Woman. Today, he dropped the remix, and it's pretty great.
If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of five or ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile lists of everything you could ever want to know about comics.
This week, as Marvel's Spider-Verse crossover rolls on, we sift through the mountains of radioactive spider bites to pick the five best alternate versions of the Amazing Spider-Man, from the pig that brought us Captain Americat to a shockingly popula
Gwen Stacy was meant to stay dead. Her death back in 1973 in Amazing Spider-Man #121, by Gerry Conway and Gil Kane, was a mark of maturation for the genre, a sign that superhero comics were ready to embrace more sophisticated storytelling. Her death became as defining to Spider-Man's story as that of his Uncle Ben. It could never be undone.
But there's no such thing as "never" in superhero fiction. Gwen Stacy is back -- sort of. The character's debut as another reality's Spider-Woman in Edge of Spider-Verse #2 by writer Jason Latour, artist Robbi Rodriguez, and colorist Rico Renzi was so well received that the character will spin off into her own ongoing series, Spider-Gwen -- created by the same team, and set in a world where Peter Parker is just as dead as Gwen Stacy is in the main Marvel Universe. ComicsAlliance spoke to Latour, Rodriguez, and Renzi, to find out more about their plans -- and their response to Spider-Gwen's new-found popularity.
The news of a Spider-Gwen series broke Friday at New York Comic-Con, but with a few details missing. Thanks to Marvel's Spider-Verse panel on Sunday we now have confirmation; the book will be ongoing, it will be called Spider-Gwen, and the Edge Of Spider-Verse #2 team of Jason LaTour, Robbi Rodriguez and Rico Renzi will indeed all return.
The same panel also confirmed an ongoing series for another spider-woman, Silk, a recently introduced character who was bitten by the same radioactive spider that gave Peter Parker his powers back in Amazing Fantasy #15. Silk will be written by Supernatural TV writer Robbie Thompson and illustrated by New Warriors cover artist Stacey Lee. And on the subject of books with female leads, earlier in the day at the Women of Marvel panel, Ms. Marvel writer G. Willow Wilson was announced as the new writer on the all-female X-Men series.
It looks like Marvel is striking while the iron is hot.
September's Edge of Spider-Verse #2, which featured an alternate-universe Gwen Stacy who bore the mantle of Spider-Woman and was also in a super-cool girl band, was such a massive success that the publisher has announced an ongoing series starring the character will launch in February. The creative team behind the Edge of Spider-Verse issue, writer Jason Latour, artist Robbi Rodriguez, and colorist Rico Renzi, are all expected to return.
The announcement came Friday morning at New York Comic-Con in a closed-door, retailers-only panel, which reportedly also teased a January event with the familiar words "No More Mutants", and included retailer questions about the future fates of Thor, Wolverine and the Fantastic Four.
That fan response to Marvel's Spider-Gwen one-shot Edge of Spider-Verse #2 was so profound can be chalked to a number of important factors that we've covered before, but perhaps none as crucial as the exhilarating visuals created by artist Robbi Rodriguez and colorist Rico Renzi. The duo earned praise from us and others for introducing a kind of crackling, almost reckless sense of energy and fun into an already aesthetically diverse Marvel Universe (or alternate universe, as the case may be).
But this came as no surprise to readers of FBP: Federal Bureau Of Physics, the Vertigo series Rodriguez and Renzi launched last year with writer Simon Oliver. FBP's mantra is "the impossible is always possible" thanks to its universe's occasional and frequently catastrophic breakdown of all known laws of physics. It's a premise that allows artists to be artists, and Rodriguez and Renzi dive wildly into their talents for hugely expressive, hypercolored images that -- along with routinely gorgeous covers by Nathan Fox -- have made FBP one of the most visually compelling American comics around at the moment.
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