Most comics tend to have a high-concept fueling them; some twist which reveals the characters live in a heightened world where readers can’t predict what will happen next. The rules keep changing, and that’s how we define the characters we read. The cast of Fables could have anything happen to them in each issue – their capacity to endure the fantastical is one of their central traits. By contrast, the first issue of Vertigo's new eight-part miniseries The Kitchen is set in a totally real, unfiltered world, where the characters and setting feel authentic and full. The central trait of this series is that is starts from such a relatively unremarkable premise and does so much with it.
From Ollie Masters, Ming Doyle, and Jordie Bellaire, The Kitchen surprises from the concept on. This is kitchen-sink drama, the type Michael Gambon and Julie Walters might’ve appeared in twenty years ago, but with an updated, contemporary sense of space and character. Rather than the typical angry young man, here we have three very angry women. Set in the wilds of Hell’s Kitchen in the 1970s, the ice in their hearts and fire in their fists promises that something's eventually going to crack.