This past weekend, you may have been lucky enough to find yourself in Austin, TX to attend the second annual MondoCon. If you weren't (like me), you apparently missed out on a whole mess of cool announcements (like me). In addition to the requisite vinyl and print teases for upcoming releases, Mondo also hinted at the future of its collectibles line. We already knew licenses like He-Man, Teenage Mutant Ninja Turtles and Madballs would be on hand, but Mondo's creative director of toys and collectibles Brett Otterbacher had a few surprises for those in attendance, too.
According to a recap in the Austin Chronicle, Mondo will be crafting statues based on two different DC Comics prints that have already been released. First, a cast version of Francesco Francavilla's "Red Rain" print will be coming soon. Like the Godzilla statue based on the work of Phantom City Creative, the Batman-as-Dracula piece will be stylized as a 3D recreation of Francavilla's scrawny, bony, fang-bearing art. There will also be a Harley Quinn statue based on the 2014 SDCC-exclusive print from Matt Taylor (above). How this Harley will be translated to a statue remains to be seen, as this piece is just as much about her room as it is her. It will be interesting to see which elements make the leap to physical form when the statue begins development.
Comic-Con 2015 taught us that we needn’t say goodbye to The Legend of Korra (or the Avatar-verse) forever, following announcements of a sequel graphic novel, but fans of Bryan Konietzko and Mike DiMartino’s animated epic have even more reason to celebrate. Not only will Korra get a full Blu-ray and DVD release, but so too have we the first key art.
We here at ComicsAlliance know a thing or two about loving (and obsessively analyzing) Nickelodeon’s groundbreaking action fantasy saga. We’ve expounded upon everything from its depiction of fascism to its value as progressive entertainment. So you can bet we’re excited for today’s Blu-Ray release. You can check out an exclusive clip from one of the disc’s featurettes right here; a funny little insight into the show's New York Comic-Con panel that reveals the voice team’s behind-the-scenes rituals.
The Legend of Korra made history by the end of its official series finale, implicitly confirming a romantic relationship between two of its lead characters, a surprise move that creators Bryan Konietzko and Mike DiMartino expanded on at length afterward. Now, all the Korrasami feels can be yours, with official artwork of an Avatar date night.
I don’t really do escapism. It’s not that the media I consume isn’t described as such, nor even that I have something against the concept. I just rarely feel as though I….escape. I mean, I enjoy the books I read and the games I play. And I suppose they keep me from considering the quotidian details of my life as I engage with them. Like, no, in the most banal sense, I am not thinking about groceries as I play Portal. But there’s a power people invest in the concept of escapism—whether they celebrate or deride it—and I just never seem to get it. It’s not a big deal, really. It’s never a metric by which I measure anything. I shrug and move on.
Each and every week, ComicsAlliance puts the spotlight on some of our favorite pieces in our regular Best Art Ever (This Week) feature. Every now and then, though, something comes along that deserves to take the spotlight all on its own, and there's a new art print that definitely fits the bill. In this case, it's because it combines two of our favorite things: Artist Geof Darrow and The Legend of Korra.
The Legend of Korra has been about many things—generational divides, anarchy, teen romance—but mostly, it’s been about power. Where Korra saw divine talent, Amon saw an underclass maintained by the caprice of nature. Where Korra saw vengeful dark spirits, Unalaq saw a grave imbalance that had pained the world for thousands of years. Where Korra saw an inept, but inevitable monarchy, Zaheer saw a tyrant whose willful ignorance kept her people destitute. Where Korra was absent, Kuvira, in her own words, “stepped up.” Where Korra sees status quo, others see the cruelty of those in power—and the opportunity for change.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
The premiere episode of The Legend of Korra’s fourth and final season finds the Earth Kingdom navigating choppy waters. In the three years since season 3’s finale, Kuvira has gone from the seemingly content captain of Su Yin’s guard to the “Great Uniter” of a fractured world. She has 90% of the Earth Kingdom under her thumb and, as we learn over the course of the episode, has accomplished this through a campaign of forced labor, manipulation of resources, and a burgeoning cult of personality.
We watch as the governor of Yi, initially committed to independence, is brought to heel by the lawless reality of his state and the temptations of Kuvira’s “generous proposal” of takeover. Idealists like Bolin and Baatar Jr. have joined her cause, as have opportunists like Varrick. Figures of murkily extrajudicial power, like Kai and Opal, urge caution in the face of her might, but by the end of the episode, that’s all they can do—urge caution.
Avatar: The Last Airbender's four-episode finale starts with a beach party. Sokka cracks jokes as he scrambles across a crumbling airship. The last spoken line is a blind joke. It is clear to me, in a way that it wasn't when I first watched it, that these characters are young teens. Young teens dealing with genocidal dictatorships, Orwellian city-states and the general mayhem of war, absolutely, but their age lends the whole affair a constant, underlying levity. The adults that exist are kept at arm's length from the action—present, but unmistakably marked as “grown-ups,” and thus distant. Youth, and all its connotations of hope and humor, are the engine of the show.
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