We'll be focusing here on the second issue of the maxiseries, the unwieldily titled The Multiversity: The Society of Super-Heroes: Conquerors of the Counter-World, written by Grant Morrison with pencils by Tom Strong's Chris Sprouse, inks by Karl Story and Walden Wong, and gorgeous colors by Dave McCaig.
I'll admit here from the beginning that while I can talk about this series' relationship to the DC Universe and Morrison's oeuvre, I'm close to clueless about the vagaries of early 20th century pulp fiction and would be incredibly interested in hearing from more learned readers whatever I've missed from that angle. That said, there's still a great deal of meat to dig into in this issue, which serves as a sort of conceptual counterpoint to Final Crisis's opening scene, showing us the end of Anthro and Vandal Savage's 40,000-year feud.
Teased for years and finally launched this week, The Multiversity is a universe-jumping series of DC Comics one-shots tracking the cosmic monitor Nix Uotan and an assemblage of star-crossed heroes as they attempt to save 52 universes and beyond from a trippy cosmic existential threat that, like much of Morrison’s best work, represents something far more mundane and relatable. Tying back into the very first Multiverse story in DC’s history, the heroes of these universes become aware of this threat by reading about it in comic books… comic books that, it turns out, take place in neighboring universes. Indeed, writer Grant Morrison continues his streak of highly metatextual DC cosmic epics with this eight-issue mega-series (plus one Tolkienesque guidebook).
Described by Morrison as "the ultimate statement of what DC is", The Multiversity naturally offers the reader much beyond the surface level adventure, and that means annotations. Rather than merely filling out checklists of references, my hope with this feature is to slowly unearth and extrapolate a narrative model for Morrison and his collaborators' work on The Multiversity; an interconnecting web of themes and cause and effect that works both on literal and symbolic levels.
Three pages into the preview for The Multiversity #1, I knew I was going to have a lot to work with.
With no further ado, go get your erasers and your textbooks, close your laptops, sharpen your pencils, and get ready for some course notes. Let's go to school.
This week sees the start of DC Comics' big The Multiversity event series, and if the related books on sale over at ComiXology -- ostensibly to get everyone up to speed -- are anything to go by, then that thing's going to be chock full of weirdos. Seriously, I already knew they were going to be throwing Captain Carrot in there, and for some reason people can't get enough of that one story where Batman becomes a Dracula, but there are some deep cuts in there, like that one Chuck Dixon comic where the Justice League are all cowboys, and this weird thing from the '90s called Kingdom Come, where Superman fights Cable.
And then there's Kamandi.
But should Kamandi start crossing over into the main DC Universe, it won't be the first time. For that, you have to go back to Bob Haney and Jim Aparo's Brave and the Bold #157, for a story where Kamandi was sent back in time, and ended up being brainwashed, made invulnerable, poisoned with snake venom, joining up with the mob and punching Batman in the face. It... It's a weird one.
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