If you've been keeping up with "Endgame," the current story raging through Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia's Batman, then you've seen a lot of stuff going on. I mean things are apocalyptically bad in Gotham City on a scale that they haven't been since... well, since the last big Batman story. Still, it's pretty rough out there, what with the millions of zombie-like citizens infected with airborne Joker toxin. But in all the action of the latest issue, you may have missed the most important part: Jim Gordon's ringtone.
It might seem like a minor detail, but it's actually a pretty significant piece of the ongoing Batman mythology -- mainly because I suggested it on Twitter back in November, and now that it's canon, I will never, ever shut up about it.
I'm going to go out on a festively decorated limb here and guess that you are, of course, already familiar with Mike Maihack's fantastic and adorable Batgirl/Supergirl strips. He's been doing them for a few years now, chronicling the perky, cheerful Kryptonian heroine, the slightly grumpier Gotham City vigilante, and their continuing adventures as best friends.
They're all pretty great, but my favorites by far are the annual Christmas specials. This year, though, they're even more special than usual, as Batgirl and Supergirl are joined by a special guest star for an evening of caroling in exchange for candy. It's a Christmas Miracle!
And like that, ‘Suicide Squad’ has seemingly added another big name to its already impressive ensemble. According to the latest rumor, two-time Academy Award nominee and ‘How to Get Away With Murder’ star Viola Davis has nabbed the role of Amanda Waller in David Ayer’s upcoming supervillain team-up film. We’ll see how the actual movie shakes out in a little under two years, but this may very well be the craziest cast ever assembled for a comic book adaptation.
Though 'Batman: The Animated Series' had its share of action figures back when it was on the air, the collectibles could hardly be considered more than children's toys. This year, to celebrate the 75th anniversary of Batman, DC Collectibles went back to the animated well for a new series of figures based on the now classic Bruce Timm designs.
Incorporating characters from the original 'Batman: The Animated Series' as well as the under-appreciated 'The New Batman Adventures', the figure line's aesthetic (more articulation and accessories, as well as a higher price point) is geared towards the adult collector. This series is aimed directly at those who spent their afternoons after school patiently waiting to see the latest episode, and who are now old enough to have disposable income.
In my online discussions of transgender representation in media, I’ve mentioned that I expect a degree of transphobia is every medium I read, watch or listen to. That’s simply how pervasive the problem is -- and it may take the form of a joke, an off-the-cuff remark, or a non-essential character created intentionally or unintentionally to perpetuate stereotypes about gender variance or utilizing gender variance to underline said character’s psychosis.
It’s with a heavy heart I’m forced to discuss this long-standing media trope within the context of Batgirl, the one area of geek life I considered to be a safe-zone. Within the pages of Batgirl #37 we come across an impostor posing as Batgirl who ultimately plans to kill her in order to assume her identity. As you might imagine, my eyes nearly rolled into the back of my head, accompanied by an aggravated sigh, when the would-be murderer was revealed to be an individual assigned male at birth.
One of the chief criticisms of ‘Man of Steel’ was the way that Superman dealt with his epic battles—primarily, that he wasn’t concerned enough about ensuring the safety of the citizens of Metropolis, and how he recklessly used the entire city as his battleground. Thanks to the outspoken dissatisfaction with the film’s climax, it seems as though the script for ‘Batman vs. Superman’ will address those complaints and try to make Superman a more likable and cautious hero.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions, graphic novels, toys, statues and other collectibles going on sale in March 2014 (and in some cases beyond) from the publisher’s New 52 superhero line; the mature readers Vertigo imprint; the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles; and the limited edition products from DC Collectibles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
We already praised DC's movie-themed variant covers last week, and it feels safe to say there's plenty of great work on show here from Dave Johnson, Bill Sienkiewicz, Marco D'Alphonso et al; this is a variant month that justifies its existence through excellence.
But I want to draw particular attention to just one cover, which I think deserves special recognition for oustanding achievement in its field. I refer, of course, to Emanuela Lupacchino's cover for Justice League #40 in the style of a poster for the 2010 Steven Soderbergh movie Magic Mike, which re-imagines the Justice League boys as oiled-up strippers.
The 1966 Batman television show was one of the most successful and influential adaptations of comic books to mass media of all time. Over the course of three seasons and 120 episodes, the series became a cultural force with its unique combination of tongue-in-cheek humor, thrilling superhero adventure and celebrity guest stars, and shaped the way the public would view the Caped Crusader for the next five decades. Now, in the midst of a well-deserved renaissance of the show, ComicsAlliance is proud to present The Batman '66 Episode Guide, an in-depth examination of every single adventure, arch-criminal and deathtrap cliffhanger of the series.
This week, the Penguin's inaugural adventure continues with the perfect crime... planned by the Batman himself!
DC's new take on Batgirl has been one of the pioneers of a new movement towards mainstream comics for a progressive young female audience -- a movement whose other flagbearers have become a mantra of sorts in 2014; Lumberjanes, Ms. Marvel, Gotham Academy, etc. In the hands of creators Cameron Stewart, Brenden Fletcher and Babs Tarr, Batgirl offered a satisfyingly contemporary and feminist take on Gotham superheroics.
So it came as a particular disappointment when last week's Batgirl #37 contained themes and imagery that were transphobic and transmisogynistic, leading several critics to call out the creative team for their insensitivity. This weekend the creators offered a statement of apology, saying, "we want to acknowledge the hurt and offense we've caused."
It appears that you already have an account created within our VIP network of sites on . To keep your points and personal information safe, we need to verify that it's really you. To activate your account, please confirm your password. When you have confirmed your password, you will be able to log in through Facebook on both sites.
*Please note that your points, prizes and activities will not be shared between programs within our VIP network.
Welcome back to Comics Alliance
It appears that you already have an account on this site associated with . To connect your existing account with your Facebook account, just click on the account activation button below. You will maintain your existing profile and VIP program points. After you do this, you will be able to always log in to http://comicsalliance.com using your Facebook account.