Spoiler alert: Wolverine is dead. The most unkillable character in the Marvel superhero pantheon finally met his maker in this week's Death Of Wolverine #4 by murderers Charles Soule and Steve McNiven. The development -- which we are naturally very certain is permanent and shan't be reversed in a similarly bombastic fashion in approximately one year's time (or however time works in the Marvel Universe) -- brings to a close decades of Wolverine comics publishing that's seen the ceaselessly popular mutant go through twists and turns that would snap the neck of anyone whose bones weren't bonded with unbreakable metal.
Without divulging the details of his demise for those of you who've yet to read the story, the following is an utterly comprehensive, wholly accurate and otherwise unassailable digest of Wolverine's long history in comics, courtesy of cartoonist Chris Haley with colors by Jordan Gibson. Whether you’re new to Wolverine and curious to learn more about his ridiculous past or you’re a hardcore Marvel nerd looking to Um-Actually this feature into oblivion, you’ll be sure to enjoy this special tribute to he who is the best at what he does... er, did.
Listen, folks: I was already on board for what James Asmus, Fred Van Lente and Kano were doing in the pages of The Delinquents from the moment that I found out it was a superhero team-up about going on a quest for hobo treasure. That is literally the only thing I needed to know before I decided to read it. But then the writers went one better by giving the third issue what may actually be the single best opening line of all time.
Seriously, if you have read a comic that starts out with a better piece of dialogue than "Well first off, what makes you so sure your sugar daddy was behind that ass menagerie?" I would like to read it, and I am not even close to kidding.
If there's one thing I've learned in a lifetime of reading, selling, making and writing about comics, it's that people who like comic books also tend to have a pretty healthy interest in breakfast foods. That, I assume, is why the people at General Mills decided to spice up their annual revival of the Monster Cereals -- Boo Berry, Franken Berry and the immortal Count Chocula -- with a set of redesigns for their principal characters, courtesy of artists Jim Lee, Dave Johnson and Terry and Rachel Dodson. In other words, your breakfast just got a New 52 reboot.
The whole thing is even marketed as a co-production between General Mills and DC, with the former presumably handling the cereal while the latter concentrated on art. Obviously, this means that these cereals are technically an edible DC Comics title, so with Halloween creeping up on us like a restless spirit, I have taken it upon myself to examine the new look for the spoooookiest of breakfast cereals to find out just how these new designs hold up to the originals.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: Team Arrow investigates the murder of a friend, people sit around solemnly a whole lot, and a villain is revealed to be completely inconsequential. The old Arrow is back, everybody!
The fourth season of Agents of SHIELD's second season will probably be remembered mostly for its fightin' -- both because the fightin' was memorable and because the rest of the episode wasn't especially. But that doesn't mean the show's regressed to season one levels, even in spite of so many season one plots stinking up the place.
So what was good, what was bad, and what wonderful new treats from the Marvel Universe did the show throw at us this week? (Prepare to be disappointed on that front.) ComicsAlliance has all the answers in our patent-pending SHLEID recap of 'Face My Enemy', directed by Kevin Tancharoen and written by Drew Z. Greenberg.
Welcome back to Up To Speed, home of the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn't, and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Flash. This week, we’re looking at the second episode of the inaugural season, titled “The Fastest Man Alive.” How does it stack up against last week’s (pretty good, actually) pilot? Read on and see Flash…natics?
Here's a weird thing about this career that I've found myself in: A couple of weeks ago, I wrote a few disparaging remarks about one Andrew Bennett, the weepy star of DC's I... Vampire, and the next day I got an email from one of my childhood heroes asking, jokingly, what I thought of the Andrew Bennett story that he'd done in the pages of Brave and the Bold. The writer was Batman: Year Two's own Mike W. Barr, and the issue in question was BATB #195, where he and artist Jim Aparo sent Bennett on a team-up with the Caped Crusader to deal with a sudden wave of vampire crime in Gotham City. To be honest, it's really one of those perfect superhero comics for Halloween. It's fun, it's exciting, and as you may have guessed, it's more than a little weird.
Largely because it takes the World's Greatest Detective to figure out that all this vampire crime might have something to do with Gotham's newest business, Club Dracula.
Image Comics' Southern Bastards has a lot to offer people who enjoy a good crime/revenge comic like I do. There's palpable tension, a sense of some serious wrongs that need to be righted, and people fighting each other with bats (one of them the remnant of a tree that grew out of a grave and was struck by lightning) in the middle of the street.
But, you might say, there are lots of crime comics out there. Heck, Jason Aaron, the writer of Southern Bastards, has penned a good many himself. Scalped and his Punisher run, to name a couple. Southern Bastards is something really special, though, because of the way Aaron and artist Jason Latour embrace its setting so deeply and wholeheartedly.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, we dive into Jubilee's Erotic Friend Fiction, and everything is different and none of it makes sense.
This is a post three years in the making. Way back in 2011, David Wolkin and I attempted to deconstruct the madness of Batman: Odyssey, an incomprehensible masterwork by legendary Batman artist (and legendarily terrible Skateman writer) Neal Adams that quickly established itself as the most insane comic we have ever read. When the series was renewed for a glorious second volume, we completed four additional reviews -- but stopped just short of the last two issues.
Our recaps were gratifyingly well-received, inspiring fan art, live readings and even cantankerous comments from Neal Adams himself (or so we choose to believe). And for the last three years, people have been tweeting at us, e-mailing us and asking us at conventions when we would finally complete our coverage of Batman: Odyssey.
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