Our judges have adjudicated; our readers have voted. We’re proud to present to you the outstanding creative team of 2015 — and four great runners up.
Chris Samnee - Page 2
This week at Comixology, IDW has a sale on miniseries collections, and there's a lot of good stuff in there to check out. You can grab Walt Simonson's Star Slammers, for instance, or check out Kurt Busiek and Stuart Immonen's all-too-short Shockrockets and get bummed out about how it was only a miniseries all over again. If, however, you're looking for the best way to spend four bucks, then there's one story that you need to set your sights on: The Rocketeer: Cargo of Doom.
Originally released in 2012 as part of IDW's first big push to return Cliff Secord to pulpy, high-flying adventures, Cargo of Doom comes courtesy of Mark Waid and Chris Samnee --- a team you've probably heard of --- and features the Rocketeer battling against an entire ship-load of dinosaurs, a premise that results in one of the single best comic book panels ever published.
Javier Rodriguez's coloring work first came to my attention during his work on Daredevil, alongside Mark Waid and Paolo Rivera. It's interesting that a comic starring a blind superhero should have such vibrant, noticeable colors, but Rodriguez's work refuses to be ignored.
Mark Waid and Chris Samnee's run on Daredevil is rightly regarded as one of the best superhero comic runs of recent years, but creative teams that strong and synergistic don't just fade away, and a reunion always seemed certain. The good news is, we won't have long to wait for it; Marvel announced this morning that Waid and Samnee, and colorist Matthew Wilson and letterer Joe Caramagna, are the new creative team on a Black Widow series launching early in 2016.
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.
Created by Marv Wolfman and George Perez, Cyborg has slowly moved up the ranks in the DC Universe, growing from Teen Titan into a fully-fledged member of the Justice League. To mark the launch of his new solo series from David F. Walker, Ivan Reis, Joe Prado and Adriano Lucas, we've collected some of the best Cyborg art ever.
Created in 1964 by Bill Everett and Stan Lee --- with substantial input from Jack Kirby and Wally Wood --- Daredevil has been brought to life on the page by an extraordinary roster of comics greats, including Gene Colan, David Mazzucchelli, Frank Miller, Alex Maleev, and, in recent years, Chris Samnee, Paolo Rivera, and Marcos Martin. The striking red suit that he's worn since his seventh appearance is one of the best costumes in comics, and creates an irresistible contrast against the grime of Hell's Kitchen. For this special gallery, we've picked out some of our favorite Daredevil pin-ups and images to pay tribute to ol' hornhead.
Comics artist Wilfredo Torres' wife recently passed away from cancer. You may know Torres from some of the great work he's done over the last year on The Shadow, Batman '66, Jupiter's Circle, and on covers for the King Features line at Dynamite. To support Torres and his family in their time of grief, several comics creators have decided to raise funds by auctioning off pieces of art. They'll all be posting links on how to buy their work using the hashtag #TorresBenefit on social media. All are welcome to participate, either by bidding on art or by auctioning their art.
If you're getting a sense of deja vu right now, that's because you actually have read this article before. Right before the latest volume of Batman: Black & White began back in 2013, ComicsAlliance published a list of the ten best stories in the celebrated anthology series. But the fourth volume was really, really good, and included some stories strong enough to be considered among the very best.
Making a new version of that same list with just a few replacements would be cheating you, and require me to read my own writing (ecch). So instead, we're just going to stick with the 'ten best' thing. Here are the highlights from the latest volume of Black & White, and a few that were barely edged out of the first list. Will there be another version of this article after the next volume? You bet your ass. We're gonna stay here until we get this right, people.
You probably haven't heard since they haven't really been making a big deal of it, but this year marks the official 75th Anniversary of Marvel Comics. Sort of. It actually marks the 75th anniversary of the publication of Marvel Comics #1, which introduced the world to the Human Torch and paved the way for the company that would eventually become the modern Marvel Comics which really came about in 1961, but you know what? That's a good enough reason for a party.
To that end, this week saw the release of the Marvel 75th Anniversary Celebration, an anthology that caught my eye mostly because it features legendary and still hugely popular Batman: The Animated Series co-creator Bruce Timm adapting a Captain America story written by Stan Lee in 1941, and that is definitely something that I want to read. But with 55 pages in the anthology, there's a heck of a lot more in there besides, including the return of Alias by the original creative team of Bendis, Gaydos and Hollingsworth, and essays by comics journalists including our own Andrew Wheeler, making this one of those rare anthologies where it's all pretty good stuff.