Conservative comics creators Chuck Dixon and Paul Rivoche have written a piece for the Wall Street Journal titled, “How Liberalism Became Kryptonite for Superman: A graphic tale of modern comic books’ descent into moral relativism.” While beating familiar conservative drums like jingoistic nostalgia and referencing a lot of incorrect information, these two experienced pros manage to paint a picture of an industry tottering on the edge of moral collapse to an audience that knows little about what’s actually going on.
The goal here, of course, is to sell comics. By complaining to a conservative audience about how liberals have taken over the medium, Dixon and Rivoche attempt to persuade non-comics readers to buy their new book, an adaptation of Amity Shlaes' The Forgotten Man, as a bit of political activism.
Like many conservative comics fans, Dixon and Rivoche bemoan the lack of conservative comics being published today, and a perceived liberal bent of the industry, while limiting their definition of comics primarily to super hero books published by Marvel and DC. The problem is not with their politics; it’s with their misrepresentation of the industry and its history to an outside audience.
Craig Yoe is the venerable author, designer and comics archeologist behind such works as Dan DeCarlo's Jetta, Secret Identity: The Fetish Art of Superman's Co-creator Joe Shuster, and Bob Powell's Terror: The Chilling Archives of Horror Comics. Many of Yoe's works are released
Nary a tear was shed when the Comics Code Authority sputtered out earlier this year following its thorough abandonment by the publishing industry. Depending on your leanings, the CCA was either a necessary evil that "saved" comics from people freaked out over horror content in t
File under "things we can't believe someone didn't do before" this clever new web comic by Christian Sager and E.C. Steiner, Think of the Children, which tells the secret, supernatural history of the Comics Code Authority. The hybrid horror/exploitation comic stars legendary EC Comics publisher William Gaines an
This week, DC Comics announcd that they were no longer going to be abiding by the Comics Code Authority. Instead, they'll be doing something similar to what Marvel quietly did a few years back, instituting their own in-house system with ratings like T (for teens), T+ (for older teens) and that ol' standby, M (for mature).
After nearly sixty years, DC Comics has decided that none of its publications need carry the Seal of Approval of the controversial Comics Code Authority. The announcement was made in a communique to direct market retaile
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