Grant Morrison is a polarizing creator, with some people writing off entire swaths of his career for being "too confusing," while others proselytize about its virtues, so long as you understand these very specific references and cult theories he's alluding to. It can be tough to decide where you stand on him, so if you're struggling to find a way into Morrison's impressive career and body of work, we've assembled a Reading List of the ten top stories that could turn you into a die-hard Morrison devotee.
Superman is the most iconic superhero in the world, and he's loved by millions --- but he's not necessarily the easiest character to get to grips with if you haven't been exposed to the right material. Even as a massive Superman fan, I'll admit that it can be a bit hard for some readers to wrap their heads around exactly why he's so great and why he matters so much. We've put together a list of the ten essential Superman stories for any reader looking to dive into Superman fandom.
Q: Is it possible that Lex Luthor is actually in love with Superman? Is it the reason for his obsession and jealousy? — @RedEarth18
Don't get me wrong: As much as it's been overused and misapplied over the years, the trope of a villain who's lashing out at a hero through some twisted kind of love isn't exactly one that I'm opposed to. It can be the source of some genuinely great storytelling, like Noelle Stevenson's Nimona, and it adds a lot of layers to villains that you don't often see in straightforward adventure stories where someone wants to punch someone else because they robbed the Crossword Puzzle Museum. I just don't think it works for Lex.
Frank Quitely is something of a living legend within the comic book industry, and one known for being very selective in the work he takes on, making any project he's attached to something to keep an eye on. Recently, he has been working on an animated short called Nothing To Declare which he's written and provided character designs for, but with the film close to completion it needs one final push of funding and the producers have turned to crowd-funding to help finish the short.
The weekend is here! Take a look back at what’s happened in the past seven days. New comics, new stories, new podcasts, new art being made — it’s all part of the ComicsAlliance Weekender!
Superman made his big debut on this day way back in 1939 in the pages of Action Comics #1 by Jerry Siegel and Joe Shuster. The archetype, the standard bearer for all superheroes who came after him, Superman has endured the changing face of the world throughout the decades, and the ideals he stood for are just as vital and relevant today as they were then.
A: I'm glad you asked! As a writer, long-term plotting has never really been one of my strong points --- I'm more a student of that Larry Hama "never more than three pages ahead" sort of school --- but as a reader, there's nothing I love more than seeing threads tie together after years of groundwork being laid. It's that Chris Claremont, Walt Simonson style of plotting where seemingly insignificant elements and offhand remarks can suddenly gain importance, and where the same imagery can weave itself in and out of the story to give everything a new meaning. And what Grant Morrison, Frank Quitely and Val Semeiks did in DC One Million and All-Star Superman is one of the best and most subtle examples of long-term plotting ever.
Well. Subtle by superhero comic standards, anyway. It still involves a time-traveling Superman who lives inside the sun.
In magical practice, the term magnum opus has a different meaning than in popular context. Latin for "the Great Work," its been used since the early alchemists, and taken on various shades of metaphorical meaning through different traditions, but they're all essentially referring to the same thing: the total actualization of one's will, and the creation of the idealized self. Grant Morrison, the most inventive writer in comics, has been at it for a while now.
Born on this day in 1968, Vincent Deighan isn't a name a lot of comics fans know, but few artists are as instantly identifiable by their work. Working under the pen name Frank Quitely (a not-as-obvious-as-it-seems play on "quite frankly") for the past quarter century, chiefly with writers Grant Morrison and Mark Millar, the Scottish artist's highly detailed, deeply stylized work has offered a fresh perspective on Superman, the X-Men, Batman and more, and brought personality and depth to a range of original characters.
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.