Over the past few weeks, Comixology has done a pretty amazing job of staying on top of DC's Convergence event with a string of sales based on the different eras that were brought into Bottleworld to fight it out, and this week is no exception. There's amazing stuff in there focusing on the Justice League International, the amazingly underrated 90s Superboy run, and one of the greatest comics of all time, the late '80s Suicide Squad.
But with all those great books to choose from, you might need a little help narrowing it down. Like, let's say you can only buy one comic from the entire sale. If that's the case, then my recommendation would be that you jump on Suicide Squad #58. You know, the one where a werewolf kills Grant Morrison.
Q: Do you think Darkseid deserves to be considered the ultimate bad guy of the DC Universe? What are his achievements? -- @Lionel_Leal
A: I don't want to turn this into "Ask Chris About Jack Kirby's Fourth World" --- as opposed to my usual strategy of spending an entire week talking about the moral significance of Batman's utility belt or whatever --- but over the last few years, Darkseid has been a more prominent fixture of the DC Universe than any other time in his forty-year history. I think it probably started with how he was treated on Superman: The Animated Series and Justice League, but just in the past three years we've seen him as the villain that launched the New 52, and the villain who's probably going to show up in a movie about the Justice League at some point. So with all due respect, LL, it's not really a matter of "Darkseid deserves."
DC's Convergence crossover is built around pitting cities pulled from different eras against each other in an ultimate battle to determine which continuity reigns supreme, and as you may already know just from reading that sentence, that can get a little confusing. With all the Gothams and Metropolises (Metropoli?) throwing their heroes against each other, we thought it might be useful to offer our readers a handy guide to telling Pre-Flashpoint from Post-Crisis with a series of Bottle City Travel Guides!
Today, we're heading to the distant future of 1998 for a look at the world that gave DC its greatest crossover event ever: DC One Million's 853rd Century!
It was Grant Morrison's favorite comic of 2013, my favourite comic of the 21st century, and it delighted even the most stone-hearted of comic critics. Ballistic, a five-issue series from Black Mask by filmmaker Adam Egypt Mortimer and blockbuster artist Darick Robertson, last hit the streets in 2014. Now it's back --- collected, polished, buffed to a shine for your delectation. It's on your shop shelves now people! So what better excuse to look back on the career of Darick Robertson, and Ballistic in particular, with the man himself?
Q: Batman RIP: What's going on in this book? I like Morrison, but I do not follow the plot. -- @daingercomics
A: My friend, you have come to the right place. I generally think Grant Morrison gets a bad rap for writing superhero stories that are too complex --- a complaint that you see about almost everything he writes going all the way back to "Rock of Ages" in JLA, and probably back to Animal Man if you go looking for it --- but R.I.P. is a story with a whole lot of moving parts that can be pretty hard to keep track of unless you're the kind of person who has been obsessing over the details of 75 years of Batman comics for their entire life.
Fortunately for you, that's exactly what I am, which is one of the reasons that Batman R.I.P. is probably my favorite Batman story of all time.
Today the 2015 Eisner nominations were announced for the awards ceremony that will take place on July 10th during San Diego Comic-Con International. There aren't a ton of surprises in this year's list --- books like Ms. Marvel, Saga, Multiversity, and Bandette led in terms of total nominations --- but as always it's good to see quality books get their due, and it was a year of positive movement in terms of gender diversity, with multiple women nominated in most major categories. We still have a ways to go, but seeing progress is a good sign.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at Batman.
Many of comics' most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we'll help you navigate the very best stories of DC Comics' most beloved characters decade by decade. This week, we're taking a look at Superman.
The seventh issue of Grant Morrison's Multiversity, Mastermen, chronicles the story of Earth-10 (the pre-Crisis Earth-X), a world where the Nazis conquered America and won World War II and the Endless Reich is ruled by Overman, who's built a utopia on Hitler's massacres and doesn't feel very good about that fact.
We first met this version of the character in Final Crisis: Superman Beyond, when he was one of the Supermen on the Ultima Thule who traveled with Superman, Ultraman, Earth-5's Captain Marvel and the rest of the gang to try to stop Mandrakk/Dax Novu from destroying the multiverse, and all of the Monitors.
This issue is drawn by DC co-publisher Jim Lee, with inks by Scott Williams (and an assisting crew), and colors by Alex Sinclair (with assistance from Jeromy Cox).
The sixth issue of the series, Guidebook, while certainly the D&D-style sourcebook of the event and a guide to Morrison's vision of the DC multiverse, is also a necessary section of the overall story, answering many questions and asking others, as well as providing the introduction of the Empty Hand, the series' true villain and master of the monstrous Gentry.
It's structured as stories within stories --- Marcus To draws a segment with Li'l Batman and Atomic Batman on Earth-42, while Paulo Siqueira illustrates the New Gods, Kamandi and the history of the DC Multiverse in an intercut sequence taking place on Earth-51. Both of these stories intersect with pages from the Guidebook itself, designed by Rian Hughes with illustrations by a large number of artists.
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