We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.
It was only a few days ago that I wrote about why Marvel's Godzilla comic was one of the most fun titles of the Bronze Age. The thing is, doing an overview of an entire 24-issue series doesn't really give you the opportunity to go into the specifics and explain just what it was that made it so great. So if anyone still has any doubts about whether they should be spending some time digging through back issues boxes to put together a run, I thought it might be a good idea to go a little deeper to one of the many high points of the run.
And by that, I mean the time that Godzilla shrank down to tiny size, had a fistfight with the Thing, and then went back in time to have a wrestling match against Devil Dinosaur.
Q: What were those Marvel Godzilla comics like? Are they still in continuity? --@ykarps
A: Well, this'll be an easy one: Yes they are, and they are f**king awesome.
Before the world was trained to think of faceless armies of armored bad guys as expendable clones (thanks a lot, Star Wars prequels!), the throngs of fandom were content to watch their favorite heroes lay waste to scores of thugs they just assumed were the grown up versions of the bullies nobody liked in high school. Leave i