Boom Studios had an impressive 2015, thanks to a stong roster of new titles by exceptionally talented creators --- with standouts that include Welcome Back, The Fiction, Cognetic, Curb Stomp, Diesel, The Spire, Wild's End, and... well, you get the picture. It was a good year.
Tthat must come as a relief to the publisher, because this was also Boom's tenth year in the business, and that put those folks in a partying mood. One notable way they marked the anniversary was with special variant covers that celebrated both their books and the artists working on them. As the clock ticks down on 2015, we've collected the covers together in one gallery for you to enjoy.
The week’s over! And with it we reach the final days of September --- which you've all done a dazzling job with, by all accounts. But while you’ve been off working and living and doing all those things that humans do, what have you missed in the world of comics? With Weekender, ComicsAlliance is here to give you a heads-up on some of the stories that you might have overlooked, and to showcase some great writing on comics for you to enjoy over buttery crumpets this weekend.
Tyson Hesse's Diesel is the story of Dee Diesel, a young aviator who loses her father's airship to a rival and receives a serendipitous invitation to adventure --- that she may not be ready to accept. Diesel promises to be a beautiful and thrilling coming-of-age story. It started out as a webcomic, but it's been revised and relaunched for print courtesy of Boom Box, and we have an exclusive preview of next week's debut issue.
Lucy Knisley is a long-time favorite of ours here at ComicsAlliance – she's produced an astoundingly diverse body of work that includes travelogue comics, pop-culture commentaries, NSFW sex-positive prints, Harry Potter fan art, Adventure Time stories, and is probably best-known for Relish, her acclaimed "cooking memoir" graphic novel from First Second books.
Last month, First Second announced her next original graphic novel, an autobiographical wedding planning story entitled Something New. While at San Diego Comic-Con last month, we got the chance to sit down with Kinsley and talk about her artistic inspirations, her thoughts on attending the convention, and her recent and upcoming works.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
July's comic book covers bring some gorgeous high contrast images and striking character portraits. There's a moment of grief; a moment of action; a moment of reflection; and a moment of revelation. Check out amazing work from Christian Ward, Eleanor Davis, Tommy Lee Edwards, and Lucy Knisley.
With hundreds of panels to choose from at San Diego Comic-Con, the show can be an overwhelming experience — and it’s far too easy to miss a panel you think you might have loved, or to find yourself on the wrong side of the con floor five minutes before a great panel is about to start!
Take heart, brave reader. ComicsAlliance has sifted through the schedule to offer up our pick of the best programming at the con. Today we offer our suggested highlights for day three, Saturday July 26, 2014 — with an emphasis on comics programming. We’ll also let you know where and when you can find ComicsAlliance contributors at the San Diego show.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cartoonist Lucy Knisley attended both the Art Institute of Chicago and the Center for Cartoon Studies. She's written two graphic novels, French Milk and Relish, the latter of which was a New York Times bestseller. She's also worked for many comics publishers including Boom! and Marvel.
In mid-September of 2011, cartoonist Lucy Knisley and her friend Jane, who worked in the wine business in France, were at a tasting after-party when their host observed they both had unconventional careers. He put this down to the fact that they were in their "age of license," that time in your life when you're young and free enough to experiment.
Knisley took the phrase for the title of her next book, one of the two travelogues that Fantagraphics will be publishing. An Age of License, due this fall, chronicles a 2011 trip to attend a Norwegian comics convention, which Knisley uses to visit friends and family in Europe, and spend an extremely intense time with Henrik, a Swedish boy she had just met in New York. The second book, Displacement, is scheduled for summer of next year, and tells the story of a 2012 cruise with her elderly grandparents.
Both trips took place between the time she had completed Relish, her acclaimed, three-years-in-the-making memoir about food and growing up, but before First Second had published it in 2013, which seemingly catapulted the young, not-yet-thirty artist into a whole new level of cartooning success than she had been able to achieve with her previous work, like the 2008 travelogue French Milk and her mini-comics and anthology contributions.
The two new travelogues obviously aren't due in comics shops any time soon, but that doesn't mean the announcement didn't get a lot of folks excited, us included. We took the opportunity to talk to Knisley about the books, how they compare to her previously published work and what we can look forward to from them.
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