Max Landis is a divisive figure in modern pop culture, to say the least. The son of acclaimed director John Landis, he burst on the scene as the writer of the found-footage film Chronicle, about three friends who gain immense superpowers and find their friendships tested. He’s also known for his online rants about how Rey from Star Wars is a Mary Sue, or defending the casting of Scarlett Johansson in Ghost of the Shell.
So he’s a man with opinions who likes to share them. He also recently finished up his first miniseries at DC Comics, Superman: American Alien, backed up by an impressive roster of A-list art talent, including Nick Dragotta, Jae Lee and Jock. The series follows Clark Kent at various points in his life from childhood through to his early days as Superman, and takes a more grounded approach to the Man of Steel, but often skims and bounces off the ground a bit too hard.
The complicated history of Miracleman reaches its long-delayed resolution in September with the launch of Miracleman #1, by Neil Gaiman and Mark Buckingham. The issue kicks off Gaiman and Buckinham's 'Golden Age' storyline, remastered from the original artwork with colors by D'Israeli and lettering by Todd Klein. Later issues will continue and complete the 'Silver Age' and 'Dark Age' storylines. The first issue also features covers from Joe Quesada, Simone Bianchi, and a jam cover from Miracleman veterans Garry Leach, Jon Totleben, Alan Davis and Rick Veitch.
In celebration of the 10th anniversary of David Petersen's beloved series Mouse Guard, a new collection of short stories set in the Mouse Guard world is about to debut. With stories from creators as varied as Mark Buckingham, Becky Cloonan, and Dustin Nguyen, the four part Mouse Guard: Legends of the Guard Vol. 3 begins in March.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
Mark Buckingham’s art hasn't just made Fables a classic — it has made it, and comics in general, accessible to reluctant readers the world over. His work on the long-running Vertigo series chronicling the lives of exiled fairy tale characters is simple, but never simplistic, and visually strong without ever sacrificing complexity. From Buckingham’s pen flow wooden soldiers of truly oaken resolve, smart-mouthed witches, rumpled detectives and alcoholic, anthropomorphic pigs, all living and loving in the little slice of New York City they've made their own.
Buckingham has helped propel the Bill Willingham-written series to the bestseller lists over and over again, inspired decadent cosplay and made Fables the kind of work that's beloved by your bag-and-boarding friends and your mom alike. Now, as the story nears its end, Buckingham is preparing to say goodbye the world he so richly imagined. ComicsAlliance found him at San Diego Comic-Con to discuss the fond farewell and what the future holds.
When it started back in 2002, the premise of Bill Willingham's Vertigo series Fables seemed to be pretty simple: characters from fairy tales inhabiting a modern world. Nearly 12 years and 140 issues later, it's clear that isn't 100 percent accurate. The series has evolved to be as much about creating new fairy tales as it is about the modern-day area of New York City known as Fabletown, and it became as much about the characters' pasts as it was about their presents.
That's more than evident in the opening pages of Fables #141, the issue that kicks off the 10-part, series-ending "Happily Ever After," by Willingham, Mark Buckingham (the artist who drew the bulk of the series), Andrew Pepoy, Steve Leialoha and Lee Loughridge. A new piece of lore sets up the inevitable conflict that will see the series through to its conclusion. It's an elegant piece of storytelling, and the rest of the issue is similarly understated in a way that builds toward a climax, but doesn't reveal too much. It's all table setting, but it's one very nicely set table.
At a 'Cup O' Joe' panel at San Diego Comic Con in 2009, Marvel Chief Creative Officer Joe Quesada announced that the publisher had acquired the rights to Marvelman, the character created by Mick Anglo in 1954. A few months later, it was revealed that Marvel would be publishing "Marvelman Classic" reprints, though that would not include the iconic -- and due to their scarce availability, almost mythical -- runs on the character, also known as MiracleMan, from writers Alan Moore and Neil Gaiman. But today, four years after that initial announcement and at another Cup O' Joe panel, Quesada, along with a video message from Gaiman, revealed plans to reprint the Gaiman run with artist Mark Buckingham. Further, it was announced that Gaiman and Buckingham will finally be able to complete their previously unfinished story.
It's been a big week for Little Nemo. Following the announcement that IDW would be publishing new stories of Winsor McCay's classic creation, Locust Moon Comics, a retailer/publisher, has revealed plans for a Little Nemo anthology. Titled Little Nemo: Dream Another Dream, the title will feature contributions from an extremely impressive list of creators, including Bill Sienkiewicz, Becky Cloonan, Neal Adams, Paul Pope, Brandon Graham, Roger Langridge, Peter Bagge, Farel Dalrymple, J.G. Jones, Chrissie Zullo, Mark Buckingham, Jim Rugg, David Petersen, and many more. Locust Moon has released a few early pages from the project, which you can check out after the cut.
DC Comics began its week-ish slate of Comic-Con programming with an "All Access" panel which mainly spotlighted previously announced publishing plans including the recently launched Trinity War and forthcoming Forever Evil and gave readers an opportunity to get some questions answered by: VP of Sales Bob Wayne, Chief Creative Officer Geoff Johns, Justice League Dark/Animal Man/Green Arrow writer Jeff Lemire, The Flash co-writer and colorist Brian Buccellato, Batgirl and The Movement writer Gail Simone, Fables artist Mark Buckingham, Fairest cover artist Adam Hughes, Li'l Gotham co-writer Derek Fridolfs and Injustice: Gods Among Us writer Tom Taylor.
Over the course of its run, the Vertigo series Fables has grown into one of the most critically lauded titles in mainstream comics. Easily the most successful project in the long comics careers of creator and writer Bill Willingham and artist Mark Buckingham, the acclaimed story of Snow White, Big Bad (Bigby) Wolf, Prince Charming and more legendary fairytale characters living among civilians in New York has won multiple awards, and now stands as the second longest running series in Vertigo's history.
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