As part of the celebration for reaching 250,000 Facebook fans, DC Collectibles has opened its vaults to showcase some prototyped but never developed figures from the past. What's more, DC's asking for your input to see which figures out of the bunch you'd like to see made the most. If any get made at all.
Toy production is a fickle thing, and many times, the concepts and prototypes teased at events like Toy Fair never see the light of day. Whether it's due to a lack of interest at retail, unexpected production costs, or the dissolution of a line dwindling in sales, there are probably just as many ideas collecting dust in a manufacturer's studio as there are actual releases on your shelves. It's rare to get a glimpse into what could have been, but DC Collectibles has given a tiny peek inside its vaults.
When ComicsAlliance first heard that Gilbert Hernandez would write and draw a Wonder Woman story for DC's digital first Sensation Comics series, we were excited to see what the master Love & Rockets illustrator would would do with the character. We also assumed he'd be the author of the story about Wonder Woman as a rock star.
Anyone following Sensation Comics now knows that the rock star story was Margeurite Sauvage's excellent work, while Hernandez spun a tale about a brainwashed Diana going toe-to-toe with fellow heroes Supergirl and Mary Marvel. The first half of his two-parter, "No Chains Can Hold Her," is already available. DC sent us this exclusive preview of part two, available this Thursday.
In today's Justice League #7, the series' regular writer Geoff Johns will be joined by artist and occasional collaborator Gary Frank for a new back-up feature entitled "The Curse of Shazam," which will introduce readers to the "New 52" version of the character formerly known as Captain Marvel, but henceforth known as Shazam. To help get readers
My first stop of the day was a DC Comics panel on Countdown. I had expected this to be a normal discussion with the people on stage talking for a while then opening the floor to questions from the audience. Instead, after the introductions of Dan DiDio, editors Mike Marts, Mike Carlin, arti
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