Everybody's favorite super-boyfriends are returning to DC Comics this October, and we've got some gorgeous Fernando Blanco art to show you from the first issue. The in-progress pages are from the first issue of the six-part Midnighter & Apollo miniseries written by Steve Orlando, who also wrote the recent Midnighter series, with Blanco on interiors and ACO (the primary artist on Midnighter) handling covers.
The end of Steve Orlando and ACO's Midnighter series with its twelfth issue signaled for many the death of DC You, the much beloved but ultimately doomed publishing initiative that also gave us the likes of Starfire and We Are Robin. Midnighter was crazy inventive, action-packed, and did not shy aware from its lead character's sexuality, but also avoided making it the only thing about him.
Now DC Comics has revealed that Orlando is returning to Midnighter, and bringing his on-again/off-again love interest Apollo along for the ride, in a new Midnighter & Apollo miniseries drawn by Fernando Blanco.
A hero is defined by their villains, and the world of superhero comic books is filled with some of the scariest and silliest bad guys around. Rogues’ Gallery aims to settle the score and determine who is the true arch-nemesis for some of favorite superheroes, and we need your help to do it!
Wonder Woman has a great mix of villains, from ancient and mythic threats to humans corrupted by greed and opportunity. This week, we want to know who you think is the ultimate Wonder Woman nemesis.
Costume design is one of the great strengths of the superhero genre, a way to establish distinctive visual shorthand for a character and reveal key details about concept, purpose, and personality. But which is the best superhero costume of all time? This month, we’re asking you to decide, by voting up your favorites and voting down the rest. When we have your votes, we’ll compile a list of the greatest super-costumes of all time.
We're wrapping up our super-poll with a few unusual takes on classic superhero design, from a 00s Superman pastiche to a very 80s Green Lantern, plus an arguably under-appreciated Kirby classic, and two particularly quirky robots.
We are not the mainstream.
That's a truth understood by anyone who identifies as lesbian, gay, bisexual, transgendered or in any other way queer. We are not the audience. We are not the market. We are not the people...