Alan Moore and Brian Bolland’s classic and controversial Batman: The Killing Joke is making waves once again after the the animated adaptation debuted at San Diego Comic Con and reportedly doubled down on the damseling and objectification of Batgirl. Without spoiling the changes (you can read about them here), Barbara Gordon’s reliance on men’s approval is a big theme of the film, and only serves to give Batman more angst when the events of the comic play out.
Fans of The Killing Joke will often defend it by pointing out that without the story, Barbara Gordon would not have become Oracle, the Batman family’s computer whiz and one of the most prominent disabled superheroes in comic books. However, crediting The Killing Joke for the creation of Oracle is wholly inaccurate and does a disservice to the true creators of the reinvention, John Ostrander and Kim Yale.
From humble beginnings in the UK small press scene, to his work on one of the most iconic Batman and Joker stories of all time, and his instantly recognizable covers on a range of titles, legendary artist Brian Bolland has blazed a trail through the last forty years of comics history.
While rumoured for several months, it has been officially confirmed via CBR that Kevin Conroy and Mark Hamill will both return to their iconic roles as Batman and The Joker in DC’s latest animated feature, an adaptation of Alan Moore and Brian Bolland’s The Killing Joke.
Hamill also unveiled the first look at the film’s animation style on Twitter, which seems to eschew an adaptation of Brian Bolland’s art in favour of the more generic style that has become popular with DC’s animated division. Tara Strong reprises her role as Barbara Gordon from Batman: The Animated Series, and Ray Wise will voice Commissioner James Gordon.
Soon Judge Dredd will find himself outnumbered by the Dark Judges... at least as far as ThreeA's 2000 AD figure line is concerned. Last year, the Ashley Wood-led company unveiled the first figures in the partnership with 2000 AD, including Judge Death, Judge Fish, Judge Dredd, Sam Slade and Gronk. 2016 will see even more of the classic British comic characters come to life, starting with the terrifying Judge Fear.
Based on designs by Brian Bolland, the new Judge Fear figure will feature the imposingly-helmed Dark Judge with all the accouterments expected of the undead master of fright. Sure, he might be remembered best by more casual observers for that panel where Judge Dredd punches him square in the "face," and orders him to "Gaze into the fist of Dredd!" That doesn't mean the guy isn't deserving of his own highly-detailed and articulated figure. I mean, who doesn't want to a toy of a man so assured in his own abilities that he wears giant bear traps as pauldrons and has giant bat wings sprouting from his furnace-like helm?
If you've ever read through Judge Dredd: The Cursed Earth, the sprawling epic that took the future's most brutal lawman outside of Mega-City One on a journey across an atomic wasteland in the years since its original publication, then you may have noticed that there are a couple of strips missing from the paperback collections. Four strips from the original story, the two-part 'Burger Wars' and 'Soul Food' arcs, featured versions of Ronald McDonald, the Burger King, the Jolly Green Giant, and other corporate icons, twisted into post-nuclear villains.
As you might expect, that caused a bit of a problem back in 1978, and under fears of a lawsuit, those four strips were excised from later reprints of the landmark story. Until now, that is. Today, 2000 AD announced the upcoming Judge Dredd: The Cursed Earth Uncensored, a new printing of the story that will restore the "banned" strips for the first time in almost forty years.
Many of comics’ most popular characters have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most significant characters decade by decade. This week, we’re taking a look at the best Joker comics.
Created by Robert Kanigher and Sheldon Moldoff, Poison Ivy first graced the comic page back in the historic year of 1966, when The Sound of Music won Best Picture and England somehow won the World Cup. Her first appearance was in Detective Comics #181, and since then the character has remained a constant thorn in the Dark Knight's side.
Since her 1941 debut, Wonder Woman has been one of the cornerstones of DC Comics, and of superhero comics in general.
In her 74-year-history, scores of artists have put their spin on the character, from subtle changes to her classic red, white, blue and gold costume to the "new" Wonder Woman of the late 1960s to some far more maligned interpretations that featured jackets and long pants. We've compiled a gallery of some of the most iconic Wonder Woman artists of the past seven decades, along with some positively stunning modern designs.
Quite a few comics projects have been snapped up for TV and movie adaptation within just a few issues of publication, but this may be the first case of a TV version of a comic being announced when the comic is announced.
Variety broke the news this week that Supernatural creator Eric Kripke will team with cover artist Brian Bolland and interior artist John Higgins this fall for a new six-issue Vertigo miniseries called Amped. It puts a bit of a new spin on the "real-life" superhero story, which has become something of a genre unto itself in the past 10 years or so. Kripke will serve as executive producer and writer on the TV series, which will air on USA Network.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
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