A: Comic book lettering is up there with inking and coloring in the holy trinity of underrated comic book skills, but it's also one of those things that, once you start paying attention to it, you'll never be able to not notice it again. I'm not exaggerating even a little bit when I say that it's one of those things that can absolutely ruin a comic if it's done wrong, even if everything else is perfect. But to be honest, of those three elements, lettering is still probably the most underrated.
The thing is, when it's good, it can be absolutely gorgeous in its own right. And fortunately for us, there are a lot of people who do it very, very well.
First issues of event comics have to accomplish a lot. They have to introduce a conflict, introduce a villain, give heroes memorable moments that bring the reader back to see more, set up side stories that can be fleshed out in other titles, have a big battle scene, and the list goes on.
Infinity #1 by writer Jonathan Hickman and artist Jim Cheung with a team of inkers, colorist Justin Ponsor and letterer Chris Eliopoulos, does some of those things, but in a sort of sidestep rather than a straight-ahead dash. And some of the items on the checklist, it willfully denies the reader. In the end, I wound up liking the approach, but getting there took a lot of trust not every reader may have.
Bro. Let me tell you about Pizza Dog (also known as Lucky, formerly known as Arrow) and why his spotlight story in the latest issue of his owner's comic "Hawkeye" (also known as "Hawkguy") is one of the best comics ever.
This week on War Rocket Ajax, Chris and Matt are joined by friend of the show and former Marvel editor Nate Cosby! He's here to tell us all about his new projects, Pigs for Image and Cow Boy at Archaia, and you can listen to the entire show right here at ComicsAlliance!War Rocket Ajax #104: War Rocket Phat Jamzzzzzz with Nate Cosby
(WARNING: Contains NSFW language)
Despite overseeing Marvel Comics for a decade as Editor-in-Chief and operating now as the Chief Creative Officer of Marvel Entertainment, Joe Quesada was and always will be an illustrator at heart. Before his work as an executive,
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