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Warriors & Weirdness: Should You Be Reading ‘Rumble’?

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Rumble is a fight comic by writer John Arcudi and artist James Harren. Published by Image Comics, the first issue came out in December 2014. It’s a book that’s hard to describe, but is essentially about a scarecrow monster with a giant sword, his quest for vengeance, and the hapless humans who get caught up in the melee.

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‘Hellboy In Hell’ #7 Asks You How Much Worse Things Can Get When You’re Already Dead (And The Answer Is ‘A Lot’) [Preview]

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I realize that it's something I should've been reading all along, but it was only a couple of weeks ago that I finally sat down and caught up with Hellboy In Hell, and to the surprise of absolutely nobody, it's great. If you're similarly behind, the book follows Hellboy after his death preventing the battle of Armageddon and his descent into Hell, where he has to struggle with a destiny that would see him sat upon the throne of Lucifer and ruling over the armies of the damned. So, you know, the usual.

It seems like I have pretty good timing, too, because in a few weeks, the book returns as Mike Mignola and Dave Stewart bring us the second arc of Hellboy's posthumous adventures, "The Hounds of Pluto." Check out a preview below!

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2015 Eisner Award Winners: Was This The Best Ever Year for the Eisners? (Hint: We Won An Award)

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The 27th Annual Will Eisner Comic Industry Awards took place at the Indigo Ballroom at the Hilton Bayfront San Diego on Friday night, and it was a great night for diversity, for women in comics, for comics aimed at a younger audience, and for the future of the industry.

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Mike Mignola And Christopher Golden’s ‘Joe Golem’ Is Coming To Comics From Dark Horse, With Artist Patric Reynolds

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Joe Golem is an illustrated novel from Christopher Golden and Hellboy creator Mike Mignola, set in a world full of monsters where a good chunk of Manhattan sank into the sea in 1925, giving rise to a "Drowning City" full of waterlogged skyscrapers and unknown horrors.

Now, Mignola and Golden are bringing their pulpy, monstrous detective story to comics. Dark Horse announced this week that Mignola and Golden will be cowriting Joe Golem: Occult Detective, a five-issue miniseries with art and color by Patric Reynolds and Dave Stewart, set in the mid-'60s, ten years before the events of the novel.

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‘Conan Red Sonja’ #1 Has All The Action, Violence And Belts That You Want [Review]

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Conan and Red Sonja are the chocolate and peanut butter of the sword-and-sorcery genre. Wait, no. Now that I write that down, it seems like swords and sorcery would probably be the chocolate and peanut butter of the sword-and-sorcery genre, but you get the idea: They're two characters who tend to go really well together, which makes sense given that they're both characters that have more or less defined the genre since they were created -- particularly in comics.

That's why it shouldn't really be a surprise to anyone that Conan Red Sonja #1, despite a somewhat annoyingly un-punctuated title, reads like it came together effortlessly. Written by Jim Zub and Gail Simone, with art by Dan Panosian and Dave Stewart, the first issue breezes through the mandatory fight before the inevitable team-up in a way that's actually pretty engaging, setting up an adventure that seems every bit as exciting as the two characters deserve. And also just full of belts.

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‘Hellboy And The B.P.R.D.: 1952′ Takes Hellboy On An Awesome First Mission [Review]

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Hey, have you folks heard about this Hellboy character? It's okay if you haven't -- there's a big #1 on the cover of this comic I just read, so I assume he's pretty new. Trust me, though, he's a character you're going to want to watch, because despite a name that seems pretty lousy the first time you hear it, this is pretty good stuff.

Seriously, though, as much as I love Hellboy and the world of the BPRD (Bureau for Paranormal Research and Defense), I'll admit that I haven't been keeping up with the ongoing adventures over the past few years. I'm sure they're good -- I'm sure they're great, because it's rare that Hellboy isn't, and Hellboy In Hell is viewed very favorably here at ComicsAlliance -- but it's one of those situations where I've fallen behind and it's at the point where there's so much I've missed that it's hard to get back into it.

And that's exactly why I was looking forward to Hellboy and the BPRD: 1952. On sale now, it tells the story of Hellboy's first assignment with the BPRD, which makes it the perfect jumping-on (or in my case, jumping-back-in) point, and not only is it ridiculously good, but it feels fresh and new in a way that's almost impossible for a 20 year-old franchise to pull off.

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Best Art Ever (This Week): Blade Runner, Batman ’66, James Bond, Spider-Gwen, Bojack Horseman And More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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‘Predator Vs. Judge Dredd Vs. Aliens’ Is Exactly As Awesome As It Sounds [Review]

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There are a lot of things that happen regularly in comics that I've never really understood, and chief among them has been the sheer number of superhero crossovers with Aliens and Predator. I mean, I understand wanting to see Aliens and Predators fight each other because they're both these mysterious, lethal alien enemies, where one's a cunning, vicious hunter and the other's an almost mindless biologically driven killing machine, a natural contrast that makes them cool opponents for each other and a deadly combination for anyone who gets trapped between them. The thing I don't get is why you'd want to throw Superman or Batman in there, if only because of the sheer amount of storytelling gymnastics you have to do to make it work. And yet, they happen all the time, and I have long since accepted that it's Just Not My Thing.

And then I read Predator vs. Judge Dredd vs. Aliens, and now I get it. Mostly because the first story in this collection ends with Dredd taking off his shirt (while leaving his helmet on, of course), and fighting the Predator with a knife.

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Best Art Ever (This Week): Dazzler, Lobo, Pretty Deadly, Hunger Games, Doctor Who and More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Best Art Ever (This Week): Hellboy 20th Anniversary Edition

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

In honor of this year’s 20th anniversary of the first appearance of Hellboy, the enduringly popular and endlessly entertaining ex-paranormal investigator created by Mike Mignola. One of comics' most idiosyncratic characters with a supporting cast to match, Hellboy is cited by many artists rivaling Batman as the most fun character to draw and reimagine in different styles. Throughout the existence of Best Art we've featured loads and loads of visions of Hellboy and his friends in the Bureau for Paranormal Research and Defense, and what follows is a compilation of some of our favorites.

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