Ever since DC launched Batman '66, the crossover that virtually everyone wanted was a meeting between the Adam West-era Caped Crusader and Lynda Carter's Wonder Woman. Now, it's happening in the pages of Batman '66 Meets Wonder Woman '77, a crossover from Jeff Parker, Marc Andreyko, David Hahn, and Karl Kesel that takes place across three different eras, pitting Batman and Wonder Woman against Ra's al-Ghul, Talia, and a handful of other special guest villains.
It's an incredibly entertaining story that goes well beyond what both series were able to do on TV. To find out more about it, ComicsAlliance spoke to Hahn and Kesel about the challenge of drawing a story with three different flavors of retro style, and the era's perfect "casting" of Ra's al-Ghul, and we got a first look at this week's issue.
DC's digital-first re-imaginings and continuations of beloved superhero shows of decades past have not only yielded some great comics in their own right, but recently they've been crossing over with other properties in a similar vein. Batman '66 has met up with Green Hornet and The Man From Uncle while Wonder Woman '77 has been hanging out with The Bionic Woman.
Later this year, thing rocket to their logical conclusion as, for the first time, Adam West and Burt Ward's Batman and Robin team-up with Lynda Carter's Wonder Woman for an epic crossover that could only be called Batman ’66 Meets Wonder Woman ’77.
Over the past few years, zombie comics have become popular enough that zombie Christmas comics are a surprisingly thriving subgenre all of their own. As you might expect, the apocalyptic horror of surviving against a horde of the undead is usually at odds with the good cheer of the holidays, so most of those stories end up being pretty cynical. Every now and then, though, you get one that's pretty fun and captures the spirit in a very enjoyable way.
That's the case with Karl Kesel, David Hahn and Grace Allison's Johnny Zombie Christmas, a fun, festive, and reasonably violent tale of yuletide cheer and flesh-eating monsters, and you can read the whole thing for free right this very minute!
Public-safety media is taking a step away from filmstrips and pamphlets toward something much cooler: comic books. In Oregon, anyway.
The Oregon Office of Emergency Management has partnered with Milwaukee, Oregon-based Dark Horse Comics to release Without Warning, a free, 12-page comic all about earthquake safety. It's not just a bunch of safety tips with pictures, either. Writers Jeremy Barlow and Althea Rizzo and artist David Hahn have developed a real story about a girl trying to get back to her family in the aftermath of a disaster.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
When's the last time you got six art books for five bucks?
Well, here's your chance. Portland, Oregon-based Periscope Studios' new Kickstarter, "Maiden Voyage," offers six 32-page art books by artists Erika Moen, Ron Randall, Paul Guinan, David Hahn, Natalie Nourigat and Ben Dewey, and all donors have to contribute to get PDFs of all six is a fiver. A $50 donation will even get contributors print copies of the six books. That is, provided the project meets its $25,000 funding goal.
Where some conventions skew more toward pop culture than comic books, this past weekend's Emerald City Comicon 2013 stocked Seattle with hundreds of prominent creators from every corner of the medium...
I'm not gonna lie, folks: Ever since I reviewed the first issue of IDW's SuicideGirls comic, in which the Internet's favorite alt-porn pin-up site was recast as a gang of tattooed, bloodthirsty, katana-wielding terrorist revolutionaries, it has quickly become one of the comics I look forward to the most...
A ComicsAlliance favorite for his sexily violent art for Bite Club, Murderland and the silly but superbly illustrated Suicide Girls, David Hahn's most prodigious work was actually completed several years ago but has never seen the light of day -- until now...
Back when I was a kid in the early '90s, there was a video game I liked down at the local arcade called Revolution X. It wasn't what you'd call very good, but what set it apart from similar rail shooters like Time Crisis was the plot, where a sinister organization called the New Order Nation had taken over the world, outlawed rock music and kidnapped Aerosmith, and the only way to make the world safe for Youth Culture was to shoot their dominatrix leader's helicopter with a machine gun that also launched exploding CDs...
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