The conclusion of Bill Willingham and Mark Buckingham's Fables in July of last year after a 150-issue run left Vertigo without one of the last of its long-running tentpole books --- so in the spirit of Sandman and 100 Bullets before it, it's no surprise that Vertigo wants to tap back in to the world of one of its most successful series. A new Fables spinoff will launch this September with the title Everafter: From The Pages of Fables.
DC’s mature readers imprint Vertigo has had a rough few years; where once it was the benchmark of challenging and thought-provoking creator-owned comics, many of its classic titles have wrapped up their runs, and Vertigo has struggled to find new epics to replace them.
In what DC describes as an effort to "set the business up for future success," the publisher has announced a restructuring of the imprint that includes the elimination of its executive editor role. Unfortunately that means letting go of veteran editor Shelly Bond, who has been with Vertigo since almost the very beginning.
Valentine's Day weekend is upon us, and love, bad chocolate, and expensive restaurant reservations are everywhere you look. To mark the occasion, we've compiled a list of the 30 greatest couples in comics. These are the romantic pairings whose stories inspire us to believe in the power of love, and whose devotion to each other may provide a model for how to woo your own beloved when they're cloned, or possessed by evil forces, or you forget their birthday or whatever.
Girls need role models. This is an old canard, though it’s tempting to see its genesis in 1990s girl power — it’s just that it hasn’t always meant warmed-over Gloria Steinem quotes and the Spice Girls. June Cleaver was a Good Role Model for Girls. The Virgin Mary is a Good Role Model for Girls. Their ranks have swelled with Buffys, Lara Crofts, and Wonder Women, but they stand, toned of arm and glossed of lip, beneath the same banner.
In response to a dearth of women, mainstream comics now turns to the Good Role Model for Girls as a panacea. Spider-Gwen! Spider Woman! Batgirl! Hawkeye! Black Widow! All the women in X-Men! She-Hulk! Even Suzie in Sex Criminals! And oh, how the little girl marooned in 90s comic dungeons within me sang! It’s a new age, I thought; a turning point. The first issues fly by, and I purchase every single one.
And I am bored.
From Wally West and Linda Park, to Harley Quinn and Mistah J, we're asking you to vote on comics' most famous couples so we can determine the best (and worst) romantic partnerships that comics have to offer. If you think the couple is star-crossed and meant to be, vote 'True Love.' If you think they've got unstable chemistry and can only end badly, vote 'Bad Romance.'
In today's polls, a classic theme; beauty and the beast. Monsters and the people who love them are a recurring motif in fiction, and the tradition has proved especially popular in comics, whether it's Bigby and Snow, Bruce and Betty, or Swamp Thing and Abby. If a monstrous outcast can find love, is that the truest love of all? Or are some people too terrible to love?
A film adaptation of beloved comic book series ‘Fables’ has been in the works for some time now, with director Nikolaj Arcel (‘A Royal Affair’) attached to bring the dark fantasy story to the big screen. There’s been little word on development of the project recently, but that just changed with the hiring of ‘X-Men: First Class’ screenwriter (and Matthew Vaughn collaborator) Jane Goldman.
DC Digital's Sensation Comics Featuring Wonder Woman must be doing decent business, as the publisher announced a second digital Wonder Woman title at the Download This panel at New York Comic-Con on Sunday; Wonder Woman '77, inspired by the hit 1970s Wonder Woman TV show starring Lynda Carter. The series follows the digital-first format of the Batman '66 comic, which is based on the 1960s Batman TV show.
Written by Marc Andreyko and illustrated by various artists, Wonder Woman '77 will launch in December with a six weekly installments that will later be released in print. Further Wonder Woman '77 stories are expected to follow in the future.
Mark Buckingham’s art hasn't just made Fables a classic — it has made it, and comics in general, accessible to reluctant readers the world over. His work on the long-running Vertigo series chronicling the lives of exiled fairy tale characters is simple, but never simplistic, and visually strong without ever sacrificing complexity. From Buckingham’s pen flow wooden soldiers of truly oaken resolve, smart-mouthed witches, rumpled detectives and alcoholic, anthropomorphic pigs, all living and loving in the little slice of New York City they've made their own.
Buckingham has helped propel the Bill Willingham-written series to the bestseller lists over and over again, inspired decadent cosplay and made Fables the kind of work that's beloved by your bag-and-boarding friends and your mom alike. Now, as the story nears its end, Buckingham is preparing to say goodbye the world he so richly imagined. ComicsAlliance found him at San Diego Comic-Con to discuss the fond farewell and what the future holds.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Artist Chrissie Zullo got her break in comics via the DC Comics Talent Search in 2008 and has been working consistently ever since. She has worked for a variety of major comics publishers, including Archie, Dark Horse, IDW, and Vertigo, on covers and interiors for series including Cinderella: From Fabletown With Love, Fairest In All The Land, Womanthology: Space, Madame Xanadu and Life With Archie.
While I was playing the final episode of Telltale Games' first season of its Fables prequel game, The Wolf Among Us, I was struck by just how many genres it cycles through before its conclusion. It's a locked-parlor mystery. Then it's an action movie. There's melodrama in there. One scene is straight-up horror. Then it's a legal drama.
Previous episodes covered even more genre territory, from noir to surreal fiction to police procedural, but it wasn't until this episode that it dawned on me that Telltale was honoring the storytelling style of Fables, which started as a whodunnit and quickly became beyond categorization in its genre-hopping. Fables isn't just a series about storybook characters, it's a story about stories, and Telltale gets that. This final episode, "Cry Wolf," absolutely proved it.