The '90s were an era of amazing comic book crossovers. This was especially true at Dark Horse, where the licenses for Terminator, Predator, Aliens and even Robocop all resided at one time or another, giving the company the ability to mix and match these action film brands for some truly epic encounters. In fact, one such crossover was the impetus for a series of mini-series starring Detroit's number one lawbringer. Written by Frank Miller and drawn by Walt Simonson, Robocop vs. The Terminator played out like a fever dream from fans of the franchises, pitting the man formerly known as Alex Murphy against the entirety of Skynet in the future. The series was such a hit, it even spawned a set of video games for the Super Nintendo and Sega Genesis.
Last summer, NECA continued its fan-favorite retro video game figure series with a collection based on the classic Robocop vs. The Terminator. The line provided a few different Robocops and a few different T-800 Endoskeletons and battle-damaged Terminators, all of which got paint schemes based on their 16-bit interpretations. However, outside of the proposed Terminator dogs (unreleased to this point), it seemed like NECA was finished with the license. Until this week.
More than a decade after it was originally announced back in October 2004, one of comics' long-lost projects, Batman: Europa by writers Brian Azzarello and Matteo Casali and artists Jim Lee and Giuseppe Camuncoli, is finally releasing its first issue in November.
The book was previously solicited for a January 2011. Now DC has exclusively revealed to ComicsAlliance the new solicitation and Lee Bermejo's variant cover for Batman: Europa #1, ahead of next week's November solicits. DC also unveiled details of a series of special collector's editions for Frank Miller's Dark Knight III: The Master Race.
Comic covers are meant to get their message across in a single striking image, with the implication of movement provided only by the reader's imagination. We see the single frozen moment; our brain tells the story. Yet some talented digital artists have discovered that there's some fun to be had in animating these images and providing just a little more movement to the moment. We've collected some of our favorite examples of animated comic covers from the past few years, from an endlessly recursive Batman to a lolling Hobbes; from a struggling Spider-Man to a spinning Justice League.
Everyone loves comic book trivia, but with 75 years of superhero comics behind us right now, there’s always some new obscure fact to learn. That’s why ComicsAlliance is going deep into the minutiae of your favorite characters in our continuing video series. You think you know comics? Well, here’s a few things you might not know!
This week we're taking a look at The Dark Knight Returns, the critically acclaimed and best-selling Batman mini-series that seems to be serving as inspiration for Batman v Superman. Find out how Frank Miller's lack of concern for Batman continuity affected Jim Gordon's marriage, how Love and Rockets affected the series, and just why licken chegs don't shiv, mon, as well as several other equally interesting facts.
The art team for Frank Miller's worryingly titled third entry in his Dark Knight trilogy was unveiled by DC this morning, with Andy Kubert providing the pencils, and longtime Miller collaborator Klaus Janson providing inks. DC also unveiled the first image by the creative team. Kubert's previous Batman credits include the "Batman and Son" arc with Grant Morrison, and the story "Whatever Happened to the Caped Crusader" with Neil Gaiman. Janson was Miller's inker on the original The Dark Knight Returns.
You might not realize it, but we're currently living in a Golden Age of licensed crossovers. I mean, really, you can go out right now and pick up a comic about the Ninja Turtles hanging out with the Ghostbusters and it'll be a rewarding experience that ties in logically to both ongoing series about those characters, and when you really think about it, that's mind-blowing. There was, after all, a time not too long ago when the big boom brought us a new installment of Such-and-Such vs. So-and-So almost every month, and getting excited for any of them was almost always a recipe for disappointment.
Except, that is, for the time Frank Miller and Walter Simonson decided to do a book about RoboCop fighting the Terminator and gave us the greatest crossover of all time.
Nearly 30 years after the release of The Dark Knight Returns, and almost 15 after The Dark Knight Strikes Again, Frank Miller is coming back to DC comics for a third installment in his series of stories about an older Batman in a world of corruption. It will be out this fall.
Let's generously say that the title is...interesting: The Dark Knight III: The Master Race. Miller is set to co-write the eight-issue series with Brian Azzarello, who wrote a somewhat controversial Batman story of his own, "Broken City," back in 2004. According to DC's blog, an artist has yet to be named. (Which seems to mean Miller won't be drawing it.)
There is a corridor. At the end of it, there is a closed door. Behind that, a kidnapped boy. Men come and go, speaking in untranslated Russian.
And so, at the end of the second episode of Netflix's Daredevil show, the scene is set for the most memorable action set piece in the entire series — and arguably one of the best in TV history. Thousands of words have been spilled over this fight scene online already. Let's apply our heightened senses to work out why, and whether the show lifted any tricks from its paper-and-ink brethren.
Created in 1964 by Bill Everett and Stan Lee --- with substantial input from Jack Kirby and Wally Wood --- Daredevil has been brought to life on the page by an extraordinary roster of comics greats, including Gene Colan, David Mazzucchelli, Frank Miller, Alex Maleev, and, in recent years, Chris Samnee, Paolo Rivera, and Marcos Martin. The striking red suit that he's worn since his seventh appearance is one of the best costumes in comics, and creates an irresistible contrast against the grime of Hell's Kitchen. For this special gallery, we've picked out some of our favorite Daredevil pin-ups and images to pay tribute to ol' hornhead.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this new feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at Batman.
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