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The Multiversity Annotations, Part 4: Not The Peace of the Grave or the Security of the Slave

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The fourth issue of the series, Pax Americana with art by Frank Quitely, colors by Nathan Fairbairn and letters by Rob Leigh, is probably the most widely anticipated of the series, and certainly the most-hyped. It's Morrison's attempt to update and revise the structure of Watchmen, but applied to the original Charlton characters, as that Alan Moore & Dave Gibbons work was originally intended to in its first pitch. While Watchmen followed a strict nine-panel grid structure (some panels would be bisected or extended, but that was the general latticework on which everything hung), Pax Americana goes for eight, resembling not only harmonic octaves of music and colors of the rainbow that make up much of the multiversal structure Morrison is working with but also the "Algorithm 8" that allows President Harley to perceive the underpinning structure of the universe and use it to his advantage. That algorithm is, of course, the eight-panel grid (and the 8-shape made by one's eyes while reading the page) that forms the comic book universe he lives in.

The book moves backwards in eight color-coded sections, which I'll denote, that correspond to the evolutionary stages of humanity/a single person espoused by Don Beck and Chris Cowan's spiral dynamics, or, more specifically, Ken Wilber's later integral theory, which incorporated it. I'd never heard of it before this book, and from all research I've done there's a reason for that; it seems to be widely accepted as bunk pseudoscience by any academic institution, which makes it a perfect evolution of the original Question and Rorschach's stark black-and-white Randian Objectivism, while also tying into not only Pax's obsession with the number eight but its role in the Multiversity series as a whole, both due to the nature of music in octaves which makes up the structure of the DC multiverse as well as the colors of the rainbow that form the Source Wall.

This is a long one, so with no further ado...

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Best Art Ever (This Week): Princess Peach, The Dark Knight, Freddie Mercury, Fifth Element, Evil-Lyn And More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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‘Multiversity’ Colorist Nathan Fairbairn Explains ‘Pax Americana’ Process

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I'm sure more than one comic came out this week, but you wouldn't know that form my Twitter feed, where all anyone is talking about is Pax Americana, the latest chapter of Multiversity by Grant Morrison, Frank Quitely and Nathan Fairbairn. Using the old Charlton Comics characters that inspired Dave Gibbons and Alan "The Original Writer" Moore's classic graphic novel Watchmen, Pax Americana tells a story that is in turn inspired by Watchmen, creating a meticulously structured comic with layers so dense that it's blowing minds all across the comics scene.

And one of the most important parts about the comic is color. That's true of any comic printed in color, of course, but in this particular issue, color becomes a major theme, creating a backdrop for the story that's tied into ideas about spiral dynamics, something that's verbosely explained by the Question about three quarters of the way through the book.

If that sounds complicated, well, it is, and our own David Uzumeri is hard at work on annotations explaining it all. Until then, we're fortunate enough that Fairbairn has taken to his Tumblr to break down his coloring process and how he worked with Quitely to create the incredible visuals of Pax Americana.

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Best Art Ever (This Week): Blade Runner, Batman ’66, James Bond, Spider-Gwen, Bojack Horseman And More

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.

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Ask Chris #1,000,000: DC’s Greatest Crossover

Ask Chris art by Erica Henderson

Q: Why is DC One Million the best crossover ever? -- @SerialWordsmith

A: Whenever I'm asked about my favorite DC crossover, the one that I always go with is Invasion!, and I think there's a pretty good argument you can make. It's done in three oversized issues, so it's quick but still feels like an epic story since they're all 80-page giants, it has a great use of some often-neglected parts of DC's cosmic side, and there are pretty fantastic tie-ins from creators doing career-best work on books like Suicide Squad and Animal Man, and it really did add something interesting to the DC Universe.

Then someone mentions DC One Million and I realize that yeah, I'm wr-- I'm mista-- I'm misremembering things, because it's definitely the best. I mean, it's not just the best DC crossover, but it's probably the single best crossover in all of superhero comics.

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DC Comics’ ‘Multiversity’ Will Finally Arrive In August From Grant Morrison And An Army Of Artists

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DC Comics

DC's Multiversity is finally happening. Originally Announced in 2009 as an intended 2010 release, the first 40-page issue of the multiverse-spanning story by writer Grant Morrison and artists including Chris SprouseKarl Story, Ben Oliver, Frank Quitely, Cameron Stewart and more, now has an August 2014 release date. Comic Book Resources has a first-look at the first installment's colored interiors with a two-page spread by Reis, Joe Prado and Nei Ruffino, along with an official statement from Morrison that names the threat that heroes including the newly previewed Superman Kalel from Earth-23 will be facing.

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‘Where everything cuts loose’: Mark Millar On ‘Jupiter’s Legacy’ #3 And More

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Never let it be said that Mark Millar doesn't know how to hype his work.

In a conference call last week about the upcoming Jupiter's Legacy #3, the writer compared his superhero-family drama not only to Shakespeare's Hamlet, but also to Lord of the Rings. He also stressed JL will remain a self-contained, 10-issue series, whereas his new series MPH will be the first part of a huge, Marvel-style shared universe. Check out some of these highlights from the call and a few preview pages from Jupiter's Legacy #3, which hits comic-store shelves August 28.

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Best Art Ever (This Week) – 06.28.13

Best Art Ever 06.28.13

We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it’s awesome.

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Best Art Ever (This Week) – Superman 75th Anniversary Edition

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We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, but because cartoonists, illustrators and their fans share countless numbers of great images on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we've created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it's new, some of it's old, some of it's created by working professionals, some of it's created by future stars, some of it's created by talented fans, and some of it's endearingly silly. All of it's awesome. In honor of this year's 75th anniversary of the first appearance of Superman and this weekend's release of Man of Steel, we present for the second time a compilation of some of the coolest portraits of Jerry Siegel and Joe Shuster's brilliant creation that we've highlighted in this feature over the last few years. We know it's cheating but we didn't count on going away for a month and then coming back in the middle of a big media event. All-new next week evermore.

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Frank Quitely & Mark Millar’s ‘Jupiter’s Legacy’ Examined From Top To Bottom [Review]

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I have a love/hate relationship with Mark Millar's work. When I was getting back into comics as an adult, his work with Frank Quitely and Bryan Hitch on The Authority and The Ultimates were fairly instrumental in keeping me reading. As time went on, though, and his

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