Nobody drew like Gene Colan. That might sound like the sort of hyperbole one expects to read in a tribute piece, but in this case, it's true – Gene Colan was a total original, whose work looked nothing like any other comic artist's before or since.
Tomb of Dracula came out of Marvel between 1972 and 1979: start date, one year after the CCA let up on vampires. This was a year after Hammer’s increasingly psychological Karnstein Trilogy wrapped up with Twins of Evil, and the same year (obviously) that the studio released Dracula AD 1972. While Christopher Lee grew ever more dissatisfied with what he saw as his Dracula’s creep towards absurdity, Gene Colan and Marv Wolfman (along with Gerry Conway, Archie Goodwin and Gardner Fox) created a Gothic masterpiece in the comics; a soap opera that doubled as a perfect and precise character study. Dracula’s got problems, and he’s at the root of every one.
Since her 1941 debut, Wonder Woman has been one of the cornerstones of DC Comics, and of superhero comics in general.
In her 74-year-history, scores of artists have put their spin on the character, from subtle changes to her classic red, white, blue and gold costume to the "new" Wonder Woman of the late 1960s to some far more maligned interpretations that featured jackets and long pants. We've compiled a gallery of some of the most iconic Wonder Woman artists of the past seven decades, along with some positively stunning modern designs.
For day four, we look at the high-ranking uniforms of the Captains Marvel, with our pick of the best costume for each major character to bear the title --- four of them from Marvel and one from Fawcett (via DC). How does Carol Danvers' cosplay-favorite flight-suit stack up against the big red cheese's fancily embellished union suit?
While my favorite superheroes are pretty well-known, I've always had a soft spot for the weird, minor and exceptionally obscure comic book characters, too. There's something about those goofy little weirdos that only show up a few times that always grab my attention, and this week, as we head towards Valentine's Day, I think I have found a new favorite: Amy Ames, The Listening Heart!
Amy appeared in the mid-60s in the pages of DC's Secret Hearts as an advice columnist who would sort out her readers' heartbreaks and occasionally find a few herself, and I'll be honest with you, folks, those stories are not really that great. They do, however, feature scenes where Amy just tells a bunch of teenagers that their feelings are stupid, and that is a romance comic plot I can get behind.
Back before the VHS tape made it possible to watch the movies you wanted when you wanted (as long as Blockbuster had a copy in stock), movie novelizations and comic book adaptations of films were some of the only options fans had when it came to reliving a movie they wanted on-demand. While the majority of these were rightly viewed as cash-ins that let comics companies float on someone else's success, there were the occasional pieces of work that proved to be something more. For example, Marvel's off-model, six-part Star Wars adaptation proved to be so popular in the summer of 1977 that many credit it for helping the company pull out of a fiscal free-fall, even as it acted as a bog-standard 1970s Marvel book in a lot of ways.
Now that we can watch Magic Mike on our phones any time we want, comic adaptations can seem like a quaint throwback. However, some of them are legitimate pieces of comic history in their own right, providing an alternate look at our favorite films even as they gave a few comic creators the chance to play with the medium in a new way. In this piece, we take a look at five of them, including long lost work by Jack Kirby, Jim Steranko, Walt Simonson, Kyle Baker and Bill Sienkiewicz and more.
I know that we all love the Great Pumpkin, but if you ask me, Dracula is the Santa Claus of Halloween. I don't know what your family traditions are, but I always like to imagine the Lord of the Undead flying through the night of October 31, dragging bad children off to the depths of Castlevania and bringing the good children feasts of blood. It's... probably a good thing that I don't have children of my own.
Anyway, the point is that at this time of year, I'm even more into Dracula than usual, and I spend a pretty good amount of time diving back into comics featuring the King of All Vampires and looking for the best stories -- and there aren't a whole lot better than "Night of the Blood-Stalker."
Spider-Man fans know Flash Thompson as Peter Parker's high-school nemesis and Spider-Man's biggest fan, later turned war hero, later turned Venom.
But did you know that the star quarterback had a reputation as a lothario a full eight months before he appeared in Amazing Fantasy #15? On his Tumblr, comics writer Tom Peyer posted a panel from January 1962's Teen-age Romance #85 that mentions Thompson.
Guardians of the Galaxy #1 hits stores today, a new series by Brian Michael Bendis and Steve McNiven that hopes to boost the profile of Marvel's space-faring super-team ahead of next summer's movie release, so that when your non-comics friends ask you, "Who are these Guardians of the Galaxy?", you don't answer, "the who-dians of the what-now?"
But... who are the Guardians of the Galaxy? They're actually talking owls from a series of fantasy novels about... no, sorry, my editor is telling me that is not correct. Let's see... the series tells the story of Jack Frost, Santa Claus, the Sandman and... no, I'm getting another note here, hang on... A talking raccoon and a tree? That can't be right.
If you're feeling a little confused, don't panic! ComicsAlliance is here to tell you everything you need to know about the Gladiators of the Gridiron! And then some.
Over the past few years, I've been completely thrilled by the new approach that Archie Comics has taken with their characters. The Life With Archie series, the introduction of Kevin Keller, crossovers with Glee and KISS, it's all been interesting to see, and pretty entertaining to read...