It was announced this week that The CW was growing its ever-expanding line of superhero content with a new animated show set to debut on CW Seed, starring DC Comics superhero The Ray. The show is being touted as featuring the first gay lead superhero on television, but who is The Ray? We've put together a Crash Course to get to know him better.
Despite being one of the most celebrated comic book writers of the past thirty decades, Grant Morrison hasn't had the luck in having adaptations made from his work that some of his peers and contemporaries have. Projects have been in development for years and plans have fallen through, but Syfy has announced Grant Morrison is working on two projects --- one based on his and Darick Robertson's Happy! and intriguingly, an adaptation of Aldous Huxley's seminal novel Brave New World.
This week we're taking a look at one of comics' most popular writers, Grant Morrison, the wizard of Glasgow. From his rise in British comics to his work with D-list superheroes to his work with A-list superheroes to his often deeply personal creator-owned work, Morrison has delighted and/or confounded fans for over thirty years now. This video takes a look at his life, work, and accomplishments, from his earliest stories to his possibly (probably) metaphorical alien abduction to that thing he asked us to do to keep The Invisibles from getting canceled.
This year we're celebrating fifty years of Star Trek, and as part of the celebrations there's not only a brand new film in cinemas now, but Bryan Fuller is also working on a new television series titled Star Trek: Discovery, due out next year.
Star Trek's vision of the future can represent the very best of who we can be as a species, but often it shows how easily it is to become corrupt. We've selected five of the best independent sci-fi comics to check out after seeing Star Trek: Beyond in the cinema. Love that? Try this!
Welcome to Give ‘Em Elle, a weekly column that hopes to bridge the gap between old school comics fandom and the progressive edge of comics culture. This week I’ve been thinking about comics as products of the time they were published. If a work like Grant Morrison's Doom Patrol can feel like a comic from the future even ten years after it came out, why does it feel dated today?
Welcome to Cast Party, the feature that imagines a world with even more live action comic book adaptations than we currently have, and comes up with arguably the best casting suggestions you’re ever going to find for the movies and shows we wish could exist.
Back when I envisioned a movie about the Silver Age Doom Patrol, I promised a Grant Morrison-derived sequel, and that's what we're doing this week. Let's call this movie Doom Patrol: The Painting That Ate Paris, after the collected edition of the second arc by Morrison and Richard Case, which it's based on. We'll also include elements of the previous story, Crawling from the Wreckage, to show this bizarre version of the team coming together.
This week saw us say goodbye to a hero who fought for truth, justice and the American way. Who fought for the downtrodden and the common man. Who fought against injustice while wearing a t-shirt and jeans. This week saw us say goodbye to The New 52 Superman. Spoilers for the current Superman status quo follow.
We’ve been celebrating Mutant Week all week here at ComicsAlliance, and it’s fair to say that everyone has had a lot of fun. However, now it’s time to get serious and talk about the stuff that really matters, that being: What the heck is Xorn’s deal?!
If you’re unaware, Xorn was a character with a cool design and a cool hook, introduced by Grant Morrison and Leinil Francis Yu in New X-Men Annual way back in 2001. He had a star for a face, he was a healer, and he taught the remedial class at Xavier’s School For Gifted Youngsters. Then, Grant Morrison pulled the rug out from under us with a reveal so drastic that Marvel spent years trying to to undo it in a satisfying way.
Superman made his big debut on this day way back in 1939 in the pages of Action Comics #1 by Jerry Siegel and Joe Shuster. The archetype, the standard bearer for all superheroes who came after him, Superman has endured the changing face of the world throughout the decades, and the ideals he stood for are just as vital and relevant today as they were then.
Ever since creator William Moulton Marston died, those in charge of Wonder Woman have been actively running away from his version, in an attempt to make the character more acceptable by the standards of mainstream 20th Century entertainment, which hasn't historically been friendly to feminism, let alone pro-bondage quasi-queer female supremacy.
But Grant Morrison, the writer behind the new Wonder Woman: Earth One graphic novel with artist Yanick Paquette, is known as a writer who is unafraid of ideas. In discussing this project, which was in development for years, he expressed a desire to bring back some of the weirdness that only Marston brought to the character. Did he succeed?